Sentences with phrase «by living artists connected»

Maine Collected features selected works by living artists connected to Maine from the Bates Museum of Art's permanent collection.

Not exact matches

«I can connect to the other, because it has so many parallels to my own life — just by being a female, African - American artist in today's music industry.

3.2 - inch WQVGA touchscreen for clear images and easy touch access Slide - out QWERTY keyboard for a tactile typing experience Android 2.1 operating system with over-the-air upgrade capability for future OS releases 3.2 - megapixel camera 2 GB microSD card with support for optional cards up to 32 GB 256 MB internal memory 800 MHz processor for efficient multitasking Bluetooth for hands - free calling with connected wireless headsets Voice Search to find nearby locations or web content just by speaking WiFi connectivity for sending emails, browsing the web, or checking for status updates Virgin Mobile Live streams music 24/7 from past and present Virgin Mobile Festival artists Tools: Calendar, Calculator, Flashlight, Alarm Clock, World Clock, Stop Watch & Timer Google mobile services including Google Search, Google Maps, Google Talk, Gmail, YouTube, and syncing with Google Calendar Rich email client supports MS Exchange, Gmail, Yahoo, AOL, Windows Live Hotmail, POP3 / IMAP Outlook syncing capability to synchronize business mail, contacts, and calendars automatically Sprint's 3G network lets you enjoy faster web surfing, downloads, messaging, and more on your phone Opera Mini mobile web browser for surfing the web

«Total Service Artists» by Raphael Rubinstein, Art in America Putting a name on some percolations in contemporary art via the notion of the «total service artist,» a term originally used to describe Martin Kippenberger's maniacal drive to self - design every aspect of both his life and art, and all the connecting tissue between the two.

You have to see it over time, and you have to see different kinds of works by the same artist, and kind of live with it, live with the experience of that painting and come back to it until you sort of connect to it

The Bates Museum of Art exhibition includes three groups: three photographs of Marsden Hartley; works from his artistic circle including Berenice Abbott, Peggy Bacon, Chenoweth Hall, John Marin, Carl Sprinchorn, Mark Tobey, and Marguerite and William Zorach; and works by prominent contemporary artists who live in or are connected to Maine including Dozier Bell, Robert Feintuch, and Robert S. Neuman.

And, surprisingly enough, many of these artists were connected to the Abstract Expressionist movement (the most sought - after segment in the art market) to one extent or another: a Washington D.C. - based artist Sam Gilliam was brought by David Kordansky Gallery to Frieze Art Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family members.

We enable artists to establish sustainable creative practices by providing space to make and share their work, stimulating new perceptions and connecting with the people who live, work in, or visit the city.

Instead, the work by African - American artists that I have seen, as radical, as progressive, as coherent and eloquent as it is, remains unfortunately «nationally self - centred» [if I can use such a term] insofar as it scarcely attempts to connect with African communities living in Europe.

A certain kind of creative ruthlessness connects the various artists represented in «Low Life Slow Life,» from the raw ugliness of Robert Mallary's «Little Hans» (1963), a sculpture made of resin - dipped tuxedos, to the sheds - present in the exhibition but sealed shut - containing all the paintings acknowledged as his own by McCarthy's friend, Al Payne, who died during the show's preparation.

Artists and writers connect with the local community simply by living in Duntara, and with the larger art community in the surrounding area through events, studio visits and recreation.

The new Tate Modern got off to a spectacular start at the dawn of the 21st century with a masterpiece of surrealism by an artist whose long life connected the art of today with the first modern masters.

Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and confound.

EFA Project Space, a program of The Elizabeth Foundation for the Arts, is a collaborative arts venue founded on the belief that art is directly connected to the individuals who produce it, the communities that arise because of it, and to everyday life; and that by providing an arena for exploring these connections, we empower artists to forge new partnerships and the expansion of ideas.

As the title suggests, this etching by American artist Elizabeth Peyton is a still life arrangement of a vase of flowers in full bloom and a book connected with the Ballets Russes founder Sergei Diaghilev.

In this fast paced digital world, the Guild is a haven for those seeking a quiet place to enjoy timeless fine art, by living artists, that celebrates the beauty of the natural world and connects us with a deeper spiritual part of ourselves.

They're connected to one another and to living artists less through direct influence than through spheres of association, articulated by shared interests and personal linkages.

Inspired by the teachings of the ancient Taoist philosopher Laozi, by the modern artist Brancusi, and the legacy of formative life experiences with his family in Germany and India, Laib creates sculptures that seem to connect that past and present, the ephemeral and the eternal.

john mcEnroe by leanne haase goebel Mar 2013 An abandoned mining area above the town of Ward, Colorado, inspired John McEnroe's most recent body of work, Half Life, currently on view at Robischon Gallery in Denver, in a solo show thematically connected with four other artist's solo shows, under the curatorial title: «Object Nature.»