Sentences with phrase «by loans from private collections»

Not exact matches

You fell behind on your private student loan payments (by more than 90 - days); to the point where your private student loan account was «written off» and sold to a third - party debt collection company (where the bank — and whoever else is involved — can now remove the account from their balance sheet).

Solutions range from the conventional to the creative and include residential mortgages, unsecured loans and loans secured by marketable securities, hedge funds, private equity funds, commercial real estate and private jets, yachts, vineyards, ranches and art collections.

This is complemented by a regularly changing selection on loan from private collections.

Up until this time, the gallery had only been able to display its permanent collection supplemented by loans from artists and private collectors.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

This landmark exhibition brings together a stunning array of works loaned from museums and private collections throughout the U.S. and Europe to follow the trajectory of Diebenkorn's long and successful career with some of the powerful works by Matisse that the younger artist would have seen.

This special exhibition of works by Allen Jones is possible thanks to loans from major public institutions and private collections.

The Kunsthistorisches Museum in Vienna is billing «Bruegel» (2 October 2018 — 13 January 2019) as «a uniquely comprehensive survey of his oeuvre», with panels that are rarely, if ever, loaned from international museums and private collections joining the Viennese institution's holdings of 12 paintings by the artist (around 40 paintings by him survive).

These works are accompanied by other major sculptures on loan from private collections in Europe and America.

The exhibition will include over forty major paintings and papiers collés by the artist, all on loan from prestigious international public and private collections.

England & Co have loaned a 1938 painting by Paule Vézelay from a private collection to Surface Work at the Victoria Miro Gallery: an international, cross-generational exhibition of women artists who have shaped and transformed, and continue to influence and expand, the language of abstract painting.

Animal Farm is a group exhibition curated by Sadie Laska, including works from The Brant Collection and loans from museums, galleries and other private collections.

Beginning Sunday, May 14, 2017, The Brant Foundation Art Study Center will present a group exhibition curated by Sadie Laska, including works from The Brant Collection and loans from museums, galleries and other private collections.

Four years in the making, the works are inspired by the artist's interest in Renaissance drawings, so shown alongside Redefining Pleats of Matter (2015) is the Raphael drawing that influenced it, Saint Benedict Receiving Maurus and Placidus, on loan from a private collection.

«The luminosity and depth of his work stands up to any Old Master or 19th Century Master that we have ever seen, but with an added modernity — employing the use of innovative materials and collage to tie it all together,» said gallerist Laura Grenning, who arranged the show by selecting works from private collections as well as those on loan from Marlborough Gallery.

Hosted by Berlin's Czech Embassy and Cultural Centre, and comprising loans from private collections and works from upcoming sales, it will feature over 80 works by artists including Georg Baselitz, Gerhard Richter, Thomas Struth, Neo Rauch, Joseph Beuys, Otto Dix, Max Pechstein, Caspar David Friedrich, Joseph Heintz, Lucas Cranach and many others.

Water and Shadow includes 74 works from VMFA's extensive collection of Hasui prints donated by René and Carolyn Balcer, complemented by loans from private collectors in New York and Washington, DC.

Although drawn primarily from the rich holdings of The Mint Museum, this exhibition also includes special loans from private collections and new work by some of today's leading artists who continue to mine and invigorate this approach.

April — November 2017 Paule Vézelay is the subject of a Spotlight room display at Tate Britain curated by Inga Fraser with works from Tate's collection and from Tate Archive, together with loans of works from private collections facilitated by England & Co, who represent the Estate of the artist.

This intimate exhibition presented paintings, sculpture, decorative arts, works on paper and books from fifteenth - to early nineteenth - century Europe, drawn from the museum's collection and supplemented by loans from important public and private collections.

Historically relevant artworks, ephemera and publications loaned from private collections were presented side by side with contemporary work by emerging artists, including a series of project - specific artworks commissioned to emerging artists.

The ten works in this exhibition span from 1964 to 1975, with works from the Block's collection complemented by loans from institutional and private collections.

The partnership includes the loan to the Museum of major paintings by Mark Rothko from their private collection; paintings will be loaned individually in rotation over the course of the next two decades.

Other extraordinary items include the Boarstall Cartulary from the 11th century which featured in the BBC's History of the World; memorabilia from «godfather of British aviation» Frank McLean's hair - raising flights under the bridges on the River Thames; taxidermied pelicans from a private zoo; an Aston Martin DB4 on loan from Aston Martin Works Service and a unique self - portrait by David Bowie from a private collection.

Works include loans from collections held by the Museum of Modern Art, the Whitney Museum of American Art and private collectors.

If you lived here, you'd be home by now presents a number of works on loan from Marieluise Hessel's private collection — works which she has lived with over a number of years — including paintings and sculpture by Gerhard Richter, Sigmar Polke, Agnes Martin, Louise Bourgeois, Carl Andre, and Dan Flavin.

Most of the objects are drawn from the Kunstbibliothek's multifaceted collections, enriched by loans from collections of Staatliche Museen zu Berlin and diverse libraries, archives, as well as private collections.

Artefacts on loan from various British museums and institutions, together with loans from private collections nationwide are mixed up with modern and contemporary bronze sculptures by the likes of Louise Bourgeois, Henry Moore and David Smith - along with Marcel Duchamp's bronze cast sink stopper, Subodh Gupta's bronze potatoes and a cast bronze flower by Martin Creed.

Color and black & white single panels, diptychs, triptychs, and a five part reclining figure were all made using a 40 - by - 80 inch Polaroid camera and will be on view alongside the 10 - by - 21 foot Big Nude, a 1967 painting on loan from a private collection and never before exhibited publicly in New York.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

Through generous loans from both public and private collections, the gallery has assembled a selection of masterworks by each of the seven artists.

This exhibition, organized by the Rubin Museum in New York, includes works of art and archival materials on loan from the Foundation of the Works of C. G. Jung, the C.G. Jung Institute in Zurich, the C.G. Jung Foundation for Analytical Psychology, the Jung family private archive, and other private collections.

For the inaugural exhibition of the Upper Galleries of our museum we will present a selection of work by English Surrealists & Crypto - Surrealists Pailthorpe and Mednikoff, Leonora Carrington, Robin Ironside, Angus McBean & Austin Osman Spare drawn from the permanent collection & loans from private collections

Co-organized with the San Francisco Museum of Modern Art (SFMOMA), Matisse / Diebenkorn brings together 92 objects — including 36 paintings and drawings by Matisse and 56 paintings and drawings by Diebenkorn — on loan from museums and private collections throughout the U.S. and Europe.

It featured 30 major works made throughout the artist's career, from 1965 to 2011, on loan from public and private collections in America and Europe and was curated and organized by Paul Nesbitt and Chloe Reith (Curator of Exhibitions, Inverleith House).

Jason Andrews has prepared a group show of contemporary drawings featuring 10 young artists well - known in the neighborhood and beyond (Anthony Browne, Maria Calandra, Kevin Curran, Ryan Michael Ford, Libby Hartle, Francesco Longenecker, Eric Mavko, Thomas Micchelli, Mathew Miller, Andrew Szobody and Alberto Giacometti) AND a precious double - sided drawing by a modern master Giacometti loaned from a private collection.

Curated by Julie Sylvester and Philip Larratt - Smith, the exhibition features works that have never before been exhibited as well as loans from major museums and private collections.

One - person exhibition by renowned master folk painter from Mexico featuring works from the Thompson Collection at Ramapo College and loans from private collections.

ARTIST ROOMS currently holds a collection of late screenprints by Lichtenstein on long - term loan from the Roy Lichtenstein Foundation, while the painting Reflections: ART (1988) is lent by a private collection, courtesy of the Roy Lichtenstein Foundation, 2015.

Several works by the French painter are on loan from private collections and museums.

Here, The Warehouse presents carefully considered, original exhibitions of works from The Rachofsky Collection, complemented by art acquired jointly with the Dallas Museum of Art and works on loan from other significant institutions and private collections.

The exhibition comprises some 145 objects by 25 artists on loan from museum and private collections in Japan, the United States, and Europe, and offers new scholarship, especially on so - called late Gutai works that date from 1965 to 1972.

Drawn primarily from the holdings of the Arts Council Collection and augmented with major loans from important UK public and private collections, Making It is curated by Dr Jon Wood, Research Curator at the Henry Moore Institute in Leeds.

This fresh exhibition combines non-Haitian works from the Rodman Collection with loans from private collections and other sources, extending the traditional of focus to include art from various geographies including Jamaica, Africa, Cuba, and a number of works by self - taught artists from Southern U.S.

Organized by the Schirn in collaboration with Ateneum Art Museum, Finnish National Gallery the exhibition comprises outstanding loans from the Ateneum and public collections as well as rarely accessible impressive works from private collections.

Key works from Blake's expansive career will be integrated into the booth, including seminal early work loaned by private collections shown alongside important works that have remained in the artist's collection for a number of years, never seen by the public until now.

Works from the Cantor's permanent collection are presented alongside and in juxtaposition with contemporary works loaned by private individuals and galleries, organized around ideas of artistic inspiration and source material, the role of a preliminary study, the significance of place, the influence of technology and globalization on creation, etc..

Fifty paintings by Genovesino are on view in the exhibition, on loan from museums, religious institutions and private collections in Italy and the United States.

He said he was impressed by the quality of the paintings — on loan from public and private regional collections, including the High Museum — and he gave an extemporaneous tour.

Works drawn from the British Museum's superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection.