Painter Deborah Brown's latest work both embraces and critiques the concept of the Chimera as she reimagines narratives taken from mythology, religion, and literature by placing a powerful female figure at the center of these stories in which women are typically symbols of moral virtue or seductive evil, often held hostage
by male desire to possess.
Not exact matches
> A young Muslim woman with a
desire to own a nightclub in Dearborn is dissuaded
by her se xist
male Muslim partner, saying, «You're a woman, this is not for you here (in Dearborn), maybe somewhere else, because you'll have problems with family here.»
The
desired goal should not be to substitute a church dominated
by male and female clergy for one dominated
by male clergy.
The accusation that the Church
by the masculine nature of the language it has used of God has for centuries reflected and reinforced a patriarchal society, which has shut out female forms of self - representation and seen women in terms of
male desire, is hard to refute.
Is it inspired
by the
desire to fortify the bastions of
male supremacy?
Yet, once again, Genesis seems to speak truly, not only
by presenting as a distinct «aspect» this basic level of sexuality — animal lust for union — but also in hinting that, at this level, sexual
desire may be asymmetrically distributed, with perhaps differing focus, direction, and intensity among
males and females.
I do say that in creation the ideal for the fullness of human life is found in that union of the
male and female toward which we are driven
by our deep emotional need, driven
by our intense physical
desire, and driven
by an inner sense of our incompleteness.
The photo and others like it quickly went viral, and for good reason: the all -
male panel encapsulated many women's sense that the pushback against the new rule was driven
by certain men's
desire to control female sexuality.
Sexual activity is largely fueled
by male appetite: women are less likely to be active if their partners do not experience much
desire and more likely if their partners do.
Fishman speculates that the drug companies» accelerated effort to find a sexual -
desire booster for women is motivated
by their sex - pill - popping
male customers.
By Anne Harding MONDAY, Jan. 19, 2009 (Health.com)-- When presented with a juicy cheeseburger, cinnamon bun, or other tempting treat, women may have a tougher time reining in their
desire to eat when they are on a diet than their equally hungry
male counterparts.
looking to be used sexualy or naked domestic it deserves tu be humiliated
by BLACK
males if
desired by you IT IS EXPERIENCED IN MOST FETISHES the dominant black
male is superior over white crackers it can be as raunche as you
desire no is not in my vocabulary
Pleasingly, this also helps to unseat the ridiculous (and sexist) notion of the «friend zone», a common trope in advice aimed at men, according to which the world is full of lovelorn
males cruelly relegated to friend status
by the women they
desire.
Unfolding like Roman Polanski's take on «The King of Marvin Gardens» while simultaneously serving as a suitable spiritual sequel to the director's debut, «Afterschool,» in which the
male desire to connect meaningfully with others is frayed and warped
by life experience, «Simon Killer» is Antonio Campos» latest chilly, chilling character study, with Corbet effectively replacing Ezra Miller, who led the previous film, as a neuroscience major who studied how the eyes and the brain relate, but has a seriously loose wire between his own brain and his heart.
Heather Graham's directorial debut, Half Magic, displays a sprightly tone and blissful sense of liberation in charting the exploits of Honey (Graham), Eva (Angela Kinsey), and Candy (Stephanie Beatriz) as they seek to live
by their own feminine - centric rules and apart from a social world catered to
male desire and pleasure.
Chadha and co-screenwriter Paul Mayeda Berges offer a wry, low - key feature - length commentary with some fairly interesting / entertaining recollections, including the thinking behind the somewhat ballsy use of a corporeal David Beckham in the epilogue, the unblinking national reaction to the Sikh rituals depicted in the film, and Chadha's
desire to exploit her
male cast members
by getting their shirts off as often as possible.
Again, Stewart doesn't shape her role
by what men want or
desire and Em doesn't exist solely to leverage the growth of the
male leads.
As Gray described to us in our very recent interview, the inspiration was multi-tiered, a Puccini opera he saw directed
by director William Friedkin («The Exorcist,» «The French Connection»), tales from his grandparents from the same time period, and the copious amounts of research he did, but moving out of his moody
male comfort zone was part of the
desire as well.
And so the movie goes, with each character — even the small ones — confronting an unexpected rush of emotion and
desire brought on
by the mere presence of a captive
male in their midst.
BEST DOCUMENTARIES: GROUNDBREAKER: A Walk To Beautiful: Mary Olive Smith ABOVE AND BEYOND: Wings Of Defeat: Risa Morimoto COURAGE IN FILMMAKING: Traces Of The Trade: Katrina Browne MOST OFFENSIVE
MALE CHARACTERS Aaron Eckhart: Towelhead Sam Rockwell: Choke Larry Bishop: Hell Ride Paul Rudd, Sean William Scott: Role Models Jason Mewes: Zack And Miri Make a Porno TOP TEN HALL OF SHAME Roman Polanski: Wanted And
Desired House Of The Sleeping Beauties The Women The Life Before Her Eyes The Hottie and the No ttie Savage Grace Made Of Honor The Family That Preys Hounddog Zack And Miri Make A Porno Alliance of Women Film Journalists Best Film Slumdog Millionaire Best Direction Danny Boyle — Slumdog Millionaire Best Screenplay Original Wall - E — Andrew Stanton, Pete Docter, Jim Reardon Best Screenplay Adapted Frost / Nixon — Peter Morgan Best Documentary (Tie) Man On Wire — James Marsh Trouble The Water — Tia Lessen, Carl Deal Best Actress (Tie) Sally Hawkins — Happy - Go - Lucky Kate Winslet — The Reader and Revolutionary Road Best Actress In Supporting Role Viola Davis — Doubt Best Actor Sean Penn — Milk Best Actor in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA FEMALE FOCUS AWARDS Best Woman Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement
By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mia!
But as messes go, The Boss is intermittently funny, occasionally bold and incredibly ballsy in its willingness, even eagerness, to push away audiences but like so many funny people through the ages,
male and female, McCarthy is undermined
by a universal but regrettable
desire to be loved.
Once she starts «flagging» she is ready; you can test for this either
by putting her with the
desired male and seeing if she stands for the breeding or, while she is standing, place your hand under the base of her tail and she should raise her rear up and «flag» her tail up and to the side.
Male cats and dogs that have not been fixed have a strong
desire to mark their territory
by spraying strong - smelling urine.
Conservatives and the Christian right turned their attention toward gay
male artists like Robert Mapplethorpe and David Wojnarowicz, both of whom depicted
male desire in their work, and both of whom had been censored
by museums.
By setting intimate moments alongside landmark events (such as the Black Popular Culture Conference in 1991, the truce between the Crips and the Bloods in 1992, the Black
Male exhibition at the Whitney in 1994, and the Black Nations / Queer Nations Conference in 1995), the archive constructs collective and private narratives to comment on identity,
desire, sexuality, and loss.
«I wouldn't like to stereotype and say that all
male artists who do female nudes are sexually motivated, but traditionally the female nude
by the
male artist was an object of
desire.
The choreography of these sculptures is accompanied
by a pulsating sound track and text statements, collaged from celebrated
male authors, which collapse the distinctions between art objects and social history artefacts, and the strange and compulsive
desires of consumerism.
Performance, and photographic and video documentation of it, became a major part of her strategy, which was always directed
by her goal to free the women's body from its use as a tool for
male expression and object of
male desire.
The works expand upon concepts of
desire and
male sexuality and are inspired
by events from Fratino's past, even if just through moods or remembered environments.
But when it comes to non-normative sexuality, how can we know what we
desire when we live in a culture dominated
by the heterosexual
male viewpoint?
This impulse to decentre the hegemony of the
male gaze is accompanied
by a
desire to focus on the archive's many narrative arcs, resulting in an exhibition in three parts.
Harnessing the
male gaze, she said of the series «I knew that I didn't want to keep perpetuating the use of the female body as the repository of so many emotions; it seemed as if everything — love, dread, longing, loathing,
desire, and terror — was projected onto the female
by both
male and female artists, albeit with often differing perspectives.
By tailoring and repurposing couture silk scarves into niqabs, Al - Badry investigates female objectification at the intersections of both
male and market
desires.
Organised
by Marie Beckmann and Julie Gaspard of EVBG, the weekend programme will feature video work
by four artists who use the lens and the «digital realm» to disrupt the control of the
male gaze, reclaiming their bodies «for their own to present how they wish, be it silly, funny, confronting or sexual, off - putting or
desired.»
As she stated the year she began the series, «I knew that I didn't want to keep perpetuating the use of the female body as the repository of so many emotions; it seemed as if everything — love, dread, longing, loathing,
desire, and terror — was projected onto the female
by both
male and female artists, albeit with often differing perspectives.
in the legal profession who
desire a salary that is more comparable to their
male equivalents fare best as paralegals or legal assistants — one of the few legal careers in which women earn 94 % of pay earned
by men who hold the same position.
The Title X family planning program is required
by law to provide family planning services, including information, education, counseling and clinical services to all individuals
desiring such services, including
males.