While works
by male painters (including Jackson Pollock, Arshile Gorky, Mark Rothko, and Barnett Newman) were prominently featured, only a single painting by the well - known female abstract expressionist Helen Frankenthaler was displayed and not one by Elaine de Kooning or Lee Krasner.
For centuries, iconic female nudes were produced
by male painters like Titian, Rubens, and Rembrandt.
Not exact matches
And it's hard to imagine a more hospitable moment than right now for a commercially viable movie based on the life of Lili Elbe, a Danish
painter in the 1920s who — with the help of a supportive wife (played
by Ex Machina and Man From U.N.C.L.E. newcomer Alicia Vikander)-- became the first person in history to undergo a
male - to - female sex - change operation.
The 1977 show also included female Old Masters of established reputation: Renaissance
painters like the Cremonese aristocrat Sophonisba Anguissola and the Bolognese Lavinia Fontana; eighteenth - century professionals like the pastel portraitist Rosalba Carriera, whose Venetian studio was once as essential a stop on the Grand Tour as that of her
male colleague Pompeo Batoni in Rome, and the Swiss - born Angelika Kauffmann, represented
by a self - portrait that showed the dark - haired, porcelain - skinned beauty making a definitive choice between painting and music.
This group of exclusively
male artists were often referred to as action
painters, a term coined
by Modernist art historian Robert Rosenblum, referring to the abstract, gestural painting style.
The New York - based artist joins a recent rash of figurative
painters, but sets herself apart
by fusing art - historical precedents (the supine muses of Renoir, for instance) with a rebuke of the traditional
male gaze.
Painter Deborah Brown's latest work both embraces and critiques the concept of the Chimera as she reimagines narratives taken from mythology, religion, and literature
by placing a powerful female figure at the center of these stories in which women are typically symbols of moral virtue or seductive evil, often held hostage
by male desire to possess.
Then we can show works
by male and female
painters of this movement side
by side and appreciate the distinct qualities of all these individuals.
Speakers will reassess the role of women
painters within this movement that has been customarily defined
by heroic
male painters.
NO BOUNDARIES: ABORIGINAL AUSTRALIAN CONTEMPORARY ABSTRACT PAINTING The current interest in abstract Aboriginal painting is underscored
by this show, drawn from a single collection, of nine
male painters, who are also community leaders.
Paul McCarthy's seminal video,
Painter (1995), is a clownish parody of the Abstract Expressionist artist Willem de Kooning, using eschatological and visceral performance to demount the myth of a heroic male artist by satirizing the painter's grandstanding studio persona and his notorious interactions with collectors and d
Painter (1995), is a clownish parody of the Abstract Expressionist artist Willem de Kooning, using eschatological and visceral performance to demount the myth of a heroic
male artist
by satirizing the
painter's grandstanding studio persona and his notorious interactions with collectors and d
painter's grandstanding studio persona and his notorious interactions with collectors and dealers.
Often associated throughout art history with the Jackson Pollock myth of the individual
male painter expressing his physical prowess on the canvas, Abstract Expressionism has been recently reassessed
by casting a new light on female artists who played an important role in the movement such as Lee Krasner or Grace Hartigan.
But since a major exhibition at Stockholm's Modern Museum in 2013, she's been hailed as the first abstract
painter, whose mysterious spirit - guided compositions predate the efforts of
male modernist titans such as Piet Mondrian, Kazimir Malevich and Wassily Kandinsky
by a good decade.
The name «Brad Jones», a loose reconfiguration of Twilley and Rubell's first names, was imagined
by the artists as belonging to the next sensational, aggressive American (
male)
painter.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist
by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired
by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The
male pseudonym that the Abstract Expressionist
painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop
painter of odd image - and - word combinations who was invented
by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led
by Jacques Servin and Igor Vamos
Devalued
by male gestural
painters, the medium has stayed in her practice since university.
by Caroline Picard Chicago - based
painter Andrew Holmquist thinks and works through multiple mediums to reflect — not only on the act of painting and its central position in his practice, but also the (primarily
male) body moving through space.
A new series of diptych portraits
by Brad Jones — the «next sensational, aggressive American (
male)
painter,» according to the press release — is opening Wednesday, October 29 at Sargent's Daughters in Lower Manhattan.
She drank as heavily as her
male cohorts at the Cedar Tavern; she was included in «The Ninth Street Show,» organized
by charter members of the Club; she began an affair with the
painter Michael Goldberg that led to her divorce from Mr. Rosset in 1952; and she started deep friendships with the poets Frank O'Hara, John Ashbery and James Schuyler.
This exhibition highlights some of their work
by displaying selected prints and books from the Tozzer Library collection, looking beyond the familiar 19th century white
male painters to include women artists, Native artists, and even one living artist.The exhibition also includes artists who were primarily illustrators, designers, and printmakers rather than
painters.
Some of these
painters are well known
by the public either through their own merits or through their relationships to more famous
male painters and art critics (and sometimes, partners).
In other words, I felt in sync with their subjects, but in terms of the physical delivery or the gesture, I was challenged
by those
painters who happened to be
male.
I walked around the National Gallery yesterday and noticed how it contains many paintings of nude women, such as Francesco Hayezs 1850 painting of Susanna at her Bath and Diego Velázquezs The Toilet of Venus, but noticeably fewer of the
male nude and certainly none
by female
painters.
A specialist in representational art - including
male as well as female nudes along with various types of portrait art - he is regarded
by most critics as being among the best English
painters of the 20th century, and one of the best portrait artists of his generation.
In more recent decades, the «ambition» to be the next important
painter, usually
by coming up with the next «style,» has tended to be a
male game; I'm not sure why.
With encouragement from their teacher that summer, the powerhouse feminist
painter Joan Semmel, the young pair hatched a plan to curate a show of works
by like - minded women, with aims to quash the dominant
male perspectives on the female body in art.