Sentences with phrase «by modern art movements»

Pictorially, Auville's aesthetic vocabulary is influenced by modern art movements such as Geometrical Abstraction, Arte Povera and Street Art.

The former, along with other programs from TV's formative years, were influenced by the Modern Art movement, not just visually but in their aesthetic experimentation.

Not exact matches

In a tip of the cap to the Berliner Weisse style, which was wildly popular in Germany during the 19th century, the beer features label art inspired by the Steampunk movement — a mashup of the 1800s with modern technology.

De Stijl was the name of a famous Dutch modern art movement, initiated by Piet Mondrian and Theo van Doesburg, c. 1914.

Influenced by Minimalism, American Conceptual Art, and Brazil's Neo-concrete movement, Dávila's artistic practice questions the inherent qualities of modern architecture and art throughout histoArt, and Brazil's Neo-concrete movement, Dávila's artistic practice questions the inherent qualities of modern architecture and art throughout histoart throughout history.

In 1965, Riley exhibited in the Museum of Modern Art in New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movement.

By 1911 Cubism attracted a long list of adherents and became the important international measuring stick against which all the modern art movements and important avant garde ideas were weighed.

Developed by the Tate Modern in London and debuting in the US at Crystal Bridges, Soul of a Nation: Art in the Age of Black Power examines the influences, including the civil rights movement, Minimalism, and abstraction, on artists such as Romare Bearden, Noah Purifoy, Martin Puryear, Faith Ringgold, Betye Saar, Alma Thomas, Charles White, and William T. Williams.

The exhibition, which reflects the gallery's focus on both Modern and contemporary art, will encompass a variety of schools and movements (such as the Cubists and British Modernists) and will feature artists who are contemporaries of, or influenced by, one another.

The acquisition of three works by Lee Ufan and five by Kishio Suga — both key members of the Japanese Mono - ha movement that emerged in the 1960s — will add a significant new dimension to the foundation's collection of modern and contemporary art.

Giacometti made Femme in 1928 - 29 and it was purchased by the painter Winifred Nicholson in the mid-1930s just as the European modern art movement was beginning to influence British art.

The exhibition is curated by Julia Peyton - Jones, Hans - Ulrich Obrist and Gunnar B. Kvaran together with Stinna Toft and organised in collaboration with the Serpentine Gallery, London and the Astrup Fearnley Museum of Modern Art, Oslo, Norway The highway's impact on and importance for movement and development is the overall theme of the exhibition.

Be sure to check out booths by Galerie Ernst Hilger from Vienna, representing the works of artists such as Erró and Mel Ramos, along with exponents of Austrian modernism from the 1960s onward and the main exponents of the most important international art movements of the 20th century; Galerie Lisa Kandlhofer from Vienna, representing emerging and mid career artists; Galerie Thaddaeus Ropac from London, Paris and Salzburg, specialised in international, contemporary art representing around 60 artists and a number of renowned estates; SUPPAN FINE ARTS from Vienna, focusing on international and modern as well as representatives of art after 1945; and PIFO Gallery from Beijing, representing a selection of Chinese and international artists with a core focus on minimalism and abstraction; among others.

Tracey Emin, Sarah Lucas and Mona Hatoum are among the artists of today whose work is linked with the surrealist movement of the 1920s and 30s by this exhibition; one of the first modern art movements to involve a significant number of women.

The history of modern art, from dada onwards, is littered with movements whose subversive force has been emasculated by cultural acceptance, a fact of which the artists here are painfully aware.

Co-curated by Sylvie Patry, Consulting Curator at the Barnes Foundation and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot: Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the impressionist movement and the development of modern art in Paris in the second half of the 19th centuArt, Berthe Morisot: Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the impressionist movement and the development of modern art in Paris in the second half of the 19th centuart in Paris in the second half of the 19th century.

«Drawing Surrealism,» co-organized by the Morgan Library & Museum in New York and the Los Angeles County Museum of Art, clearly demonstrates why no other art movement of the modern era is as ubiquitous as SurrealiArt, clearly demonstrates why no other art movement of the modern era is as ubiquitous as Surrealiart movement of the modern era is as ubiquitous as Surrealism.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Organized by the DAM and curated by Gwen Chanzit, Women of Abstract Expressionism brings together 51 paintings to examine the distinct contributions of 12 artists who played an integral role in what has been recognized as the first fully - American modern art movement.

Co-curated by Sylvie Patry, Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris and Consulting Curator at the Barnes Foundation, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot, Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the Impressionist movement and the development of modern art in Paris in the second half of the 19th centuArt, Berthe Morisot, Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the Impressionist movement and the development of modern art in Paris in the second half of the 19th centuart in Paris in the second half of the 19th century.

In opening his museum in 1921, Phillips sought to establish a collection that included these «immediate ancestors of the modern art movement» — a tactic that was followed by the founders of the Museum of Modern Art, New York, inaugurated inmodern art movement» — a tactic that was followed by the founders of the Museum of Modern Art, New York, inaugurated in 19art movement» — a tactic that was followed by the founders of the Museum of Modern Art, New York, inaugurated inModern Art, New York, inaugurated in 19Art, New York, inaugurated in 1929.

Influenced by the formal language of the minimal and conceptual art movements of the 1960s and 70s, Santiago Sierra's work addresses the hierarchies of power and class that operate in our modern society and everyday existence.

The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of AArt and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Aart at the National Gallery of ArtArt.

Modern Summer: AbEx + brings together work by these key players in a post-WW II movement that had lasting effects on art as we know and appreciate it today.

Influenced by the Art Deco movement that began in Paris in the early 1920s and propelled to prominence in 1927 with the success of the International Exhibition of Modern Decorative and Industrial Arts, automakers embraced the sleek new streamlined forms and aircraft - inspired materials, creating memorable automobiles that still thrill all who see them.

Intuition at Palazzo Fortuny looks at its titular theme through works ranging from ancient sculptures to modern movements (some great Abstract Expressionism, Surrealism and Fluxus) to contemporary art by figures such as Anish Kapoor RA.

Two decades later, poet and critic Charles Baudelaire recognized flânerie as the powerful engine of a new art movement in Paris and, inspired by Poe's man of the crowd, promoted it in his landmark 1863 essay «The Painter of Modern Life,» which heralded the arrival of the quintessential artist - flâneurs — the French impressionists.

A highlight will be four paintings from the Museum of Modern Art's groundbreaking 1965 exhibition The Responsive Eye, curated by William Seitz, which placed optical, kinetic, and concrete art into one perception - based movement which the press dubbed «Op Art.&raqArt's groundbreaking 1965 exhibition The Responsive Eye, curated by William Seitz, which placed optical, kinetic, and concrete art into one perception - based movement which the press dubbed «Op Art.&raqart into one perception - based movement which the press dubbed «Op Art.&raqArt.»

The following extract from «The World Backwards» gives some impression of the inter-connectedness of culture at the time: «David Burliuk's knowledge of modern art movements must have been extremely up - to - date, for the second Knave of Diamonds exhibition, held in January 1912 (in Moscow) included not only paintings sent from Munich, but some members of the German Die Brücke group, while from Paris came work by Robert Delaunay, Henri Matisse and Fernand Léger, as well as Picasso.

By the early 1940s the main movements in modern art, expressionism, cubism, abstraction, surrealism, and dada were represented in New York: Marcel Duchamp, Fernand Léger, Piet Mondrian, Jacques Lipchitz, André Masson, Max Ernst, André Breton, were just a few of the exiled Europeans who arrived in New York.

A member of the Pictures Generation — a movement named by Douglas Crimp that collects artists like Cindy Sherman, Sherrie Levine, and Barbara Kruger by their witty institutional critiques via the appropriation of pop culture iconography — Louise Lawler is the subject of a newly - open retrospective at the Museum of Modern Art.

Eight years of preparation went into crafting «WACK,» the first comprehensive effort to correct modern art history's shameful gender bias, focusing on work that emerged from the feminist art movement of 1965 through the 1980s and organized by theme.

Arshile Gorky was one of a generation of artists in 1930s New York who were fed by Roosevelt's New Deal while they studied the works of the European modern movement in Manhattan's Museum of Modermodern movement in Manhattan's Museum of ModernModern Art.

Often unrightfully overshadowed by his more famous colleague masters of modern art, Arshile Gorky was one of the last grand Surrealist painters who played a major, although in many ways indirect role in the famed movement of Abstract Expressionism.

Greatly influenced by the early modern art occurring in America, British painters followed the birth of every major movement across the ocean.

The core of modern art in the Colección Patricia Phelps de Cisneros [CPPC] consists of works by Latin American artists of the twentieth century, particularly the major figures of geometric abstraction movements in countries such as Argentina, Brazil, Uruguay and Venezuela.

In addition it has been used by a number of modern art movements, notably Dada (c.1916 - 23), Die Neue Sachlichkeit (New Objectivity)(1920s), Surrealism (1924 onwards), Fluxus (1960s), and Pop Art (1960s / 70art movements, notably Dada (c.1916 - 23), Die Neue Sachlichkeit (New Objectivity)(1920s), Surrealism (1924 onwards), Fluxus (1960s), and Pop Art (1960s / 70Art (1960s / 70s).

Collecting priorities have included paintings and sculpture by nineteenth century artists who benefited from Jewish emancipation and work by Jewish artists whose pivotal involvement in avant - garde and modern art movements helped to shape the School of Paris and the New York School.

In visual art, the term «Neo-Dada» - coined by the American art historian and art critic Barbara Rose (b. 1938)- is usually applied to modern artists and modern art with similar methods or motivations to the earlier Dada movement (c.1916 - 23).

The office tower building was designed by architect Claud Beelman, a leader in the Art Deco and Modern movements on the West Coast in the middle of the last century.

During the final phase of the «modern» period several types of avant - garde art appeared, including conceptual art (pioneered by Robert Rauschenberg 1950s) and video art (pioneered by Wolf Vostell and Andy Warhol late - 50s / 60s), however, because these forms are more closely associated with contemporary art, we deal with them in our article on contemporary art movements (1970 onwards).

The social network of Pan Yuliang's early career as a modernist artist and an art educator in the period of the Republic of China resonated with larger social - political movements at that time: from the cultural construct of «New Woman» and the New Culture Movement, to the revolution and reform launched by the Nationalist Party and early Communists and the rise of modern nationalism in China, and from the end of World War I to the Japanese Invasion in 1937.

An important influence on modern art painting in the United States, Precisionism was an American movement (also referred to as Cubist Realism) whose focus was modern industry and urban landscapes, characterized by the realistic depiction of objects but in a manner which also highlighted their geometric form.

Other Modes of Modern Art A more fanciful sort of modern art was created by Jean Arp, Marcel Duchamp, and Kurt Schwitters in the irreverent manifestations of the Dada movModern Art A more fanciful sort of modern art was created by Jean Arp, Marcel Duchamp, and Kurt Schwitters in the irreverent manifestations of the Dada movemeArt A more fanciful sort of modern art was created by Jean Arp, Marcel Duchamp, and Kurt Schwitters in the irreverent manifestations of the Dada movmodern art was created by Jean Arp, Marcel Duchamp, and Kurt Schwitters in the irreverent manifestations of the Dada movemeart was created by Jean Arp, Marcel Duchamp, and Kurt Schwitters in the irreverent manifestations of the Dada movement.

Nearly every phase of modern art was initially greeted by the public with ridicule, but as the shock wore off, the various movements settled into history, influencing and inspiring new generations of artists.

As he initiated an inventive phase of abstraction, Barnet was inspired by modern movements such as Cubism but also looked to such diverse sources as European old masters and most importantly Native American art.

Also at Tate Britain, Art and Photography from the Pre-Raphaelites to the Modern Age will explore the relationship between pioneering early photographers and Pre-Raphaelite, Aesthetic and Impressionist artists, including works by John Everett Millais, John William Waterhouse, James Abbott McNeill Whistler, Julia Margaret Cameron and Henry Fox Talbot.Conceptual Art in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artisArt and Photography from the Pre-Raphaelites to the Modern Age will explore the relationship between pioneering early photographers and Pre-Raphaelite, Aesthetic and Impressionist artists, including works by John Everett Millais, John William Waterhouse, James Abbott McNeill Whistler, Julia Margaret Cameron and Henry Fox Talbot.Conceptual Art in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artisArt in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artisart from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artists.

A myriad of retrospectives on the artists, the art movement and the gallery itself have taken place in the last 20 years, including The Intrepid Denise René, a Gallery in the Adventure of Abstract Art organised by the National Museum of Modern Art and held at the Centre Pompidou in 20art movement and the gallery itself have taken place in the last 20 years, including The Intrepid Denise René, a Gallery in the Adventure of Abstract Art organised by the National Museum of Modern Art and held at the Centre Pompidou in 20Art organised by the National Museum of Modern Art and held at the Centre Pompidou in 20Art and held at the Centre Pompidou in 2001.

Spanning movements from Impressionism to Cubism and Surrealism, Sotheby's Impressionist & Modern Art Evening Sale (Nov 14) will offer remarkable paintings, works on paper and sculptures by the leading artists of the nineteenth and twentieth century.

This beautiful timeline, handwritten by children's illustrator Sara Fanelli, documents the major movements of 20th - century art, and forms a massive mural that runs across two floors of Tate Modern.