Sentences with phrase «by modern criticism»

Not exact matches

We have here an updated version of Kant's criticism of the Leibnizian monad in the «Amphiboly» in the Critique of Pure Reason: the spatially situated existent is indeed made up of relations rather than being a substance containing its «inhering» attributes internally as predicates which are part of its concept; only the relations are no longer those of the synthetically connected manifold, but the relational connections between the particulars of modern functional or mathematical logic, expanded to include within itself the spatial and temporal relations which Kant could only account for by means of the synthetic a priori.

This may be partly because the moderns had some success in undermining confidence in the classic proofs by their criticism without winning any lasting confidence in their own, but the main cause is not any defect in the proofs for the existence of God, at least in the classic proofs, but the general discredit which has fallen upon all systems of thought which ante-date the last century.

Historical criticism is the process by which modern scholars examine the text of ancient documents and try to determine when they were truly written and whether or not they were authored by the person whose name is on the document.

The great theologian and preacher Friedrich Schleiermacher (1768 - 1834), who has been called the father of modern Protestant theology, did so at the beginning of the nineteenth century, but was subject to strong criticism in the twentieth century by Karl Barth, whose emphasis on the objective revelation of God in Jesus Christ has dominated much theological thinking in the twentieth century.

And if modern criticism enables us to get a little way behind the Christ of the New Testament proclamation towards the historical Jesus, then the identification we make will the more nearly resemble that made by the first disciples.

It is for a modern mind, formed by historical criticism, that companionship with Jesus and the encounter with the resurrected Lord are distinct things.

Tolkien's reference to «ancient shepherds» seems to carry with it an implicit criticism of «modern» and «urban»; that modern man, surrounded by concrete and reliant on mechanical devices, has lost touch with nature.

His uncompromising sermons on «The Sins of Society» attracted large audiences; they also drew criticism, and he was described by a contemporary as a modern Savonarola.

Among these modern beliefs is the suspicious attitude in which symbolic expression is now held by philosophy, psychology, sociology, anthropology, literary criticism, and theology.

In contrast to the late modern sensibility, however, this criticism is fueled by the conviction that religion is of utmost importance and that it needs to be liberated from the shackles in which it is now bound.

A modern criticism in the same vein argues that for higher forms to have evolved by chance is like the chance that a tornado sweeping through a junkyard will assemble a Boeing 747 aircraft from the materials there.

His primary commitments, however, are to Aquinas, whom he defends not only against modern criticism of the sort made by process thinkers but also against the older criticisms of Medieval Jewish, Muslim and even other Christian thinkers (e.g., Duns Scotus).

They were not, of course, the first critics of dogma but they carried through systematically the criticisms of an earlier age by people such as Fausto Socinus of the sixteenth century, perhaps the first «modern» process theologian.

Those of us who have been affected by the modern spirit of criticism can not refrain from at least momentarily indulging in such suspicion.

The later Liechtenstein Address continues the criticism of modern Western life, challenging its notion of progress for diminishing the human soul by glorifying materialism and trivializing death.

As one critic has said of the reliance of Wheelwright's diaphor on epiphor: «The net effect of diaphor is to increase the possibility of pluri - signification by forcing the reader to create a relationship or a number of relationships, more or less cognitive, without finally insisting on a particular version» (David M. Miller, The Net of Hephaestus: A Study of Modern Criticism and Metaphysical Metaphor [The Hague: Mouton and Co., 1971], p. 113).

But the term «postmodernism» became current outside this general discourse, within artistic and literary criticism, and in this other more specialized discourse, the «modernism» to which «post -» was prefixed has meant the sensibility that emerged in the arts around the turn of the present century, in deliberate rejection of the world shaped by Enlightenment and Romanticism, i.e., of the world otherwise called «modern.»

So Wenger, in an interview reported by Metro, decided to push a few buttons himself and knowing how sensitive the Portuguese prat is to criticism of his team's playing style, the Frenchman delivered the perfect response, thinly veiled of course as a general observation on modern football.

One of the least edifying spectacles in modern football is that of managers attempting to deflect criticism for a defeat by making spurious attacks on the opponents who beat them.

While there are criticisms associated with extended breastfeeding, your instinct which is backed by modern science, will tell you that you are in fact doing the right thing for you and your little one.

This week, Tinder is looking to push back against these criticisms with its own piece of research, that seeks to counter some negative stereotypes about modern dating apps, and by association, Tinder, and tout the benefits of dating online.

ANDRE BAZIN By Dudley Andrew The founding father of modern film criticism continues to make waves

After a brief, bonding conversation about the sorry state of modern film criticism (fed by the sorry state of modern major - daily entertainment editors) and the lack of a critical tradition in the United States in comparison to Europe, we moved on to Suture.

These bite - sized excuses for modern film criticism are created by people who presume they're being insightful, which is far from the truth.

A Visit From the Goon Squad, by Jennifer Egan (Fiction) The Warmth of Other Suns, by Isabel Wilkerson (General Nonfiction) How to Live: Or A Life of Montaigne by Sarah Bakewell (Biography) Half a Life, by Darin Straus (Autobiography) One with Others, by C.D. Wright (Poetry) Lyric Poetry and Modern Poetry — Russia, Poland, and the West, by Claire Cavanaugh (Criticism)

During an interview with IndieGames.com, Rodriguez was asked if the recent criticism leveled at modern Japanese games by entirely likable and not - smug - at - all indie developers, Jonathan Blow and Phil Fish - who I shall now collectively refer to as BlowFish, witty and original wordsmith that I am - was justified.

The CoD franchise has attracted a fair bit of criticism for its failure to innovate and offer an experience beyond the shadows of the template set by Infinity Ward all those years ago with Modern Wafare 1 and 2.

Lindfield makes the good point that criticism of Georgian Gothic as unscholarly was voiced in the 18th century as well as the 19th, not least by Walpole, and that the first person to make a distinction between true «Gothic» and modern «Gothick» was Batty Langley, whose invention in 1742 of the five Gothic «orders» has provoked the disdain of almost everyone who writes on the Gothic revival.

He co-authored the Dada and Surrealist Word Image (1987), Mike Kelley (1999) and Kwang - Young Chung (2014); and edited Rethinking Borders (1996), Institutional Critique and After (2006), The Aesthetics of Risk (2008), Black Sphinx: On the Comedic in Modern Art (2010) and writings by Mike Kelley: Foul Perfection: Essays and Criticism (2003); Minor Histories (2004); Mike Kelley: Interviews, Conversations, and Chit - Chat, 1988 - 2004 (2005).

1986 Art from the City University of New York - Approaches to Abstraction, Shanghai University, Shanghai, China Born in North Carolina, Jerald Melberg Gallery, Charlotte, NC Transitions: the Afro - American Artist, Bergen Museum of Art and Science, Paramus, NJ Masters and Pupils - The Education of the Black Artist in New York: 1900 - 1980, Jamaica Arts Center, Jamaica, NY; Metropolitan Life Insurance Gallery, New York, NY Choosing: An Exhibit of Changing Perspectives in Modern Art and Art Criticism by Black Americans, 1925 - 1985, Chicago Museum of Science and Industry, Chicago, IL; Chicago State University, Chicago, IL; Portsmouth Museum, Portsmouth, VA; Howard University, Washington, DC A Celebration of The Touchstone Gallery and a Tribute to its Founder Barbara Hirschl, Touchstone Gallery, New York, NY

When Tate Modern announced recently that it had commissioned him to fill its Turbine Hall later this year, it was a welcome reminder of his work, which in recent times has become almost overshadowed by his social and political criticism.

«An International Survey of Recent Painting and Sculpture,» the first major international survey exhibition at the Modern since 1970, is regarded as a response of sorts to persistent criticism by some artists and critics that the museum has long been biased in favor of work produced earlier in the century and has largely ignored living artists as a result.

Fifty Years of Latin American Art: Selections from the Neuberger Museum of Art was organized by the Neuberger Museum of Art, Purchase College, SUNY, and was curated for 1285 Avenue of the Americas Gallery by Patrice Giasson, Associate Curator of Art of the Americas, and Annabel Rhodeen, a candidate in the Masters Program in Modern and Contemporary Art History, Criticism, and Theory and a Neuberger Curatorial Fellow.

Group - Work was curated by four Graduate Curatorial Fellows: Ionit Behar (MA, Modern Art History, Theory, and Criticism, 2013), Natalie Clark (MA, Arts Administration and Policy, 2012), Michaela Hansen (MDes, Fashion, Body and Garment, 2012), and Laura - Caroline Johnson (Dual MA, Modern Art History, Theory, and Criticism, and Arts Administration and Policy, 2012).

In 2013 Lopez completed dual Masters at the School of the Art Institute of Chicago in Modern and Contemporary Art History, Theory, and Criticism and Arts Administration and Policy; her graduate thesis examined anthropology, museology, and performance in work by Guillermo Gómez - Peña and Coco Fusco.

A richly illustrated catalogue accompanies the exhibition with essays by leading scholars of Iranian art, modern art and cultural criticism.

When Emanuel raised his criticisms of NOAA in December, the worst hurricane season in modern history had just ended, and it had broken records set by the 2004 season.