This involves talking to many gallery owners, and I find that having an understanding of the challenges faced
by modern gallery owners puts me in a better position to understand THEIR goals and discuss how my work would benefit their program.
Not exact matches
The Website Builder with over 85,000 images in the
gallery and 175 + mobile - responsive themes curated
by professional designers, gives your website a
modern look.
A four - minute video clip
by the late artist David Wojnarowicz was part of a larger exhibit titled «Hide / Seek: Difference and Desire in American Portraiture,» which looks at «sexual difference in the making of
modern American portraiture,» according to
gallery curators.
Fair Work's investigation into systemic underpayment of wages, the role of head office, and a decision last week
by the Fair Work Commission to terminate 26 enterprise bargaining agreements (EBAs) between Domino's and the Shop, Distributive & Allied Employees Association sets the scene for a colourful annual general meeting on November 8, at the
Gallery of
Modern Art in Brisbane's cultural precinct.
My particular model sports a clean, white plastic seat covered
by a gray foam cushion that is tastefully decorated with a
modern and minimal design of lines and circles — something you'd expect to see more in an art
gallery than on a baby product.
Weissman - Unni's images took first place in a 2006 contest sponsored
by the Barcelona Science Museum and have been featured everywhere from an online photo
gallery for the journal Cell to the Web site of the Museum of
Modern Art.
Other large - scale projects for rehousing the Tōhoku people are in the pipeline, such as one
by renowned architect Toyo Ito — designer of the 2002 Serpentine
Gallery Pavilion in London — that employs a
modern take on traditional architecture but built on higher ground.
The imaging techniques developed
by Northwestern and the National
Gallery have allowed Kenneth Brummel, the AGO's assistant curator of
modern art, to better understand Picasso's style, influences and process.
Yet here I was, in London's Tate
Modern gallery, moved
by a Pollock.
Marley wears a charming Before Long
by Modern Trousseau Chantilly lace dress from Lily & Iris, and vintage pearl and diamond earrings and a diamond engagement ring set from Lanny Barnard
Gallery.
Featuring contemporary and
modern art, the world - renowned collection boasted
by the
gallery fails to disappoint.
The Cake Shop
Gallery is a
modern answer to London's long - lost literary coffeehouses, serving cakes inspired
by books, extraordinary lunch options, and excellent tea and coffee.
He was born in Roman Britain and when he was fourteen or so, he was captured
by Irish Tate is a family of four art
galleries in London, Liverpool and Cornwall known as Tate
Modern, Tate Britain, Tate Liverpool and Tate St Ives.
Grades: Pre-K-2 This is the Web site for the exhibit (January 28 - May 7, 2006) at the National
Gallery of Art and includes images of more than thirty paintings and drawings
by Paul Cezanne, often seen as the father of
modern art.
Nevertheless, the painting, which features Christina Olson reaching toward her home in the distance, was purchased during its first showing at a New York
Gallery in 1948
by Alfred Barr, the founding director of the Museum of
Modern Art (MoMA).
Modern artworks created especially for the hotel
by locally born artist Marco Lanza have been added to the ground - floor entrance hall, the
gallery and the lounge bar, depicting details of original paintings of Caterina de» Medici that now hang in the Uffizi G
gallery and the lounge bar, depicting details of original paintings of Caterina de» Medici that now hang in the Uffizi
GalleryGallery.
The most popular were topped
by the British Museum in London followed closely
by the National
Gallery and Tate
Modern, National History Museum, Southbank Centre, Somerset House and the Science Museum.
Upscale shops,
galleries and
modern office buildings line the streets of downtown George Town, while West Bay Road is lined
by high - end beachfront resorts and the gateway facades of new residential developments.
While practically untouched
by the
modern world, Kelusa is also a surprisingly short drive up the hill from Ubud, a very large, bustling village which, with its world - renowned restaurants, dance performances, art
galleries and nearby 5 - star hotels, is considered the cultural center of Bali.
The collection at the Scottish National
Gallery of
Modern Art includs works
by Matisse, Picasso, Vuillard and Dix, as well as a superb selection of paintings
by Scottish artists such as Peploe, Fergusson, Gillies and Redpath.
Your afternoon is free to discover Lille's beautiful Flemishinfluenced «Old Town», admire the stunning central Grande Place and its surrounding historic buildings or be inspired
by artworks both classical and
modern in
galleries such as the Musée des Beaux Arts or Musée d'Art Moderne.
Discover the
Gallery of
Modern Art, the Performing Arts Centre and the Museum, which are all close
by.
Representing more than 60 established artists from Guatemala, North and Latin America and showcasing
modern contemporary works
by artists from Puerto Rico, Chile, Colombia and the US, this
gallery is not to be missed.
Conveniently located in the heart of beautiful Palm Springs, this Palm Springs Spanish Revival estate rental is conveniently located just 2 minutes from downtown Palm Springs
by car and a 5 minute walk to all the great restaurants, shopping, art
galleries, antique stores, mid-century
modern shops, theaters, and supermarkets.
Although the Airships used
by the Koopa Troop themselves don't appear in Game & Watch
Gallery 2, a similar flying ship appeared in the
Modern version of the game Parachute.
In contrast to the gloriously eclectic wonderland of the Tate
Modern shop, Tate Edit is an industrially simple, understated space offering a carefully curated range of products, including classic design works; furniture, tableware and cutlery as found around the
gallery, and favourite pieces hand - picked
by the Tate team.
When it's a Photograph, curated
by Soo Kim, Otis College of Design's Bolsky
Gallery, Los Angeles, CA Busan Biennial, curated
by Nancy A Barton and Michael Cohen, Busan Museum of
Modern Art, Busan, Korea Mel's Hole, curated
by Doug Harvey, Grand Central Art Center, Santa Ana, CA (exhibition catalogue)
1996 «
Modern Masters», Salander - O'Reilly Galleries, New York, NY 1988 «Art for All», Edmonton Art
Gallery, Edmonton, Alberta 1988 «Studio Watch», Edmonton Art
Gallery, Edmonton, Alberta 1987 «
Modern Masters», Salander - O'Reilly Galleries, New York, NY 1986 «Gender & Gesture», Women's Studies Symposia, Picker Art
Gallery, Colgate University, Hamilton, NY 1986 «The Mid Year Show», Butler Art Institute, Youngstown, OH 1985 «Pre Post
Modern», curated
by John Link, Richard R. Brush Art
Gallery, St. Lawrence University, Canton, NY 1985 «Two Americans», an exhibition with Keiko Saito, Nicola Jacobs
Gallery, London, Eng 1982 «10 Years of Acquisitions», The Hirshhorn Museum and Sculpture Garden, Washington, DC 1983 «Selection from the Collection», The Hirshhorn Museum and Sculpture Garden, Washington, DC 1982 «The Syracuse Show» juried
by Lawrence Alloway, Everson Museum of Art, Syracuse, NY 1978 «New Acquisitions», Boston Museum of Fine Arts, Boston, MA 1977 «The Syracuse Show», juried
by Clement Greenberg, Everson Museum of Art, Syracuse, NY 1976
Works
by Wright are held in the following collections:
Gallery of
Modern Art, Glasgow; Hamburger Kunsthalle, Hamburg; IMMA, Dublin; Arts Council of Ireland; Rhode Island School of Design Museum; Towner Art
Gallery, Sussex, and private collections in Ireland and the UK.
Moore recently wrote, directed and recorded a performance 10 voices and two drummers commissioned
by Wysing Polyphonic 2016, recorded live punk record at Tate
Modern, ran an educational performance space in an occupied firestation in Norway, and has performed at Serpentine
Gallery, BFI London with Jarvis Cocker, Block Universe Performance Festival, London; Metaphonica, Central Saint Martins; The Barbican with This is Not This Heat, and made a series of live interventions for Late at Tate Britain.
And because it's
by Caro, and because he's now dead (R.I.P.), and because it's a piece of art history merchandising already, and because it's the prestigious Pace
Gallery; because of all this and more, and for no reason due to its inherent value, since it transparently has none, unless you view it through a thick haze of sentimental regret for simpler and more certain times in abstract art; this pathetic little piece of twaddle has become a luxury commodity, imbued with all the myths of modernism, reflecting back at us our own «good - housekeeping -
modern - but - weren't - we - ever - so - radical - back - in - the - sixties» taste.
2015 Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich (November 14, 2015 — April 30, 2016) Marks Made: Prints
by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, Florida (October 17, 2015 — January 24, 2016) A Few Days, Lennon, Weinberg, Inc., New York (October 7 — December 19) The Ceramic Presence in
Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art
Gallery, Yale University Art
Gallery, New Haven, Connecticut (September 4, 2015 — January 3, 2016) America is Hard to See, Whitney Museum of American Art, New York (May 1 — September 27) What is a Line?
Published in: Ronald Alley, Catalogue of the Tate
Gallery's Collection of
Modern Art other than Works
by British Artists, Tate
Gallery and Sotheby Parke - Bernet, London 1981, pp.175 - 6, reproduced p. 175
Work
by the artist is held in public collections including The Broad Art Foundation, Santa Monica, California; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Tokyo; The Museum of
Modern Art, New York; National
Gallery of Art, Washington, D.C.; San Francisco Museum of
Modern Art; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate
Gallery, London; and the Whitney Museum of American Art, New York.
In 1965, retrospective exhibitions were organized
by the Tate
Gallery, London, The Museum of
Modern Art, New York, and the Stedelijk Museum, Amsterdam.
by Jens Hoffmann and Adriano Pedrosa, Istanbul, Turkey 2010 «Restless empathy», Aspen Art Museum, Aspen, USA «The traveling show», Fundación / Colección Jumex, México D.F. 2009 «Making Worlds / Fare Mondi», 53rd Venice Biennial, Venezia, Italy «Provisions for the future», 9th Sharjah Biennial, Sharjah, UAE SELECTED PUBLIC COLLECTIONS Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli (Torino), Italy MAXXI, Museo Nazionale Della Arti del XXI Secolo, Roma, Italy FRAC Languedoc - Roussillon, Montpellier, France MUSAC, Museo De Arte Contemporaneo De Castilla Y León, Spain Deutsche Bank Collection, Milan, Italy MAMbo, Museo d'Arte Moderna di Bologna, Italy Collezione Maramotti, Reggio Emilia, Italy Rennie Collection, Vancouver, Canada Queensland Art
Gallery &
Gallery of
Modern Art, South Brisbane, Australia Walker Art Center, Minneapolis, USA SELECTED BIBLIOGRAPHY 2018 «Lara Favaretto»
by Adam Carr, «Lara Favaretto: Post-Arte Povera»
by Courtney J. Martin Published
by Rennie Collection 2016 «Lara Favaretto: Ageing Process», Edited
by Lara Favaretto.
, curated
by Anne Umland, Museum of
Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of
Modern Art, curated
by René Zechlin and Matt Parker, Lewis Gluckman
Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated
by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel
Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated
by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated
by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project),
Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated
by Jens Hoffmann, Thomas Dane
Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated
by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated
by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated
by Daniel Birnbaum, Tbilisi String Show, curated
by Josh Smith, Greene Naftali
Gallery, New York
CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction
by Paul Bernard, 96 pages, Museum of
Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written
by Darcey Steinke, illustrated
by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts
by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview
by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text
by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter
Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts
by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman
Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.
IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street
Gallery, Scarsdale, NY 1986 — Favorable Review
by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love
Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation
by internationally known
modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art
Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend, WI
Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of
Modern Art, New York (2014 — 2015); 30 Americans, organized
by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran
Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).
2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro
Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave /
Modern Art, London, UK Fractured Figure, Curated
by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated
by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs
Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands
Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated
by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis
Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized
by Nana Kipiani in conjunction with Artisterium, National
Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan
Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, New York, NY 2009
Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room
Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized
by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard
Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena
Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump
gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
gallery / projects, Raleigh, NC (also traveled to Keith Talent
Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated
by Larry Krone, Mark Pasek
Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy
Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, New York, NY Nijinsky, Rupert Goldsworthy
Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated
by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized
by Mike Bidlo), Abraham Lubelski
Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, New York, NY Bowie, Rupert Goldsworthy
Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson
Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brook
Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY
Works
by Alex Katz can be found in over 100 public collections worldwide, including the Metropolitan Museum of Art, the Whitney Museum of Art and the Museum of
Modern Art in New York, the Tate
Gallery in London, and the Albertina in Vienna.
Since his representation at Pace, numerous public collections have acquired works
by the artist including the American Embassy in Abuja, Nigeria; the High Museum of Art, Atlanta; the Birmingham Museum of Art; the Museum of Fine Arts, Boston; The Brooklyn Museum; the Cleveland Museum of Art; the Hood Museum of Art at Dartmouth College; the Des Moines Art Center; the Detroit Institute of Arts; the Nasher Museum of Art at Duke University; Fogg Museum at Harvard University, Cambridge; The Museum of Fine Arts, Houston; the Tate, London; the Memphis Brooks Museum of Art; the Pérez Art Museum Miami; the Montclair Art Museum; the Museum of
Modern Art, New York; The Nelson - Atkins Museum of Art, Kansas City; the San Francisco Museum of
Modern Art; The Toledo Museum of Art, and the National
Gallery of Art, Washington.
Co-published
by the Art Institute of Chicago, Museum of
Modern Art, and Whitechapel
Gallery
Solo exhibitions from the past decade include those organized
by Museo Archeologico Nazionale, Naples, 2003; Astrup Fearnley Museum of
Modern Art, Oslo, 2004 (traveled to the Helsinki City Art Museum, 2005); Château de Versailles, France, 2008; Museum of Contemporary Art Chicago, 2008; The Metropolitan Museum of Art, New York, 2008; Neue Nationalgalerie, Berlin, 2008; Serpentine
Gallery, London, 2009; Scottish National
Gallery of
Modern Art, Edinburgh, 2011; Fondation Beyeler, Basel, 2012; and Schirn Kunsthalle Frankfurt and Liebieghaus Skulpturensammlung, Frankfurt, a joint exhibition in 2012.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List»,
Gallery Project, curated
by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead
Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried
by Alyssa Monks, Six Summit
Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated
by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated
by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated
by Jamie Adams, Zolla Lieberman
Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University
Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios
Gallery, Charleston, SC 2010 — «Remnants», Fuse
Gallery, New York, NY 2010 — «Highlights» Island Weiss
Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper
Gallery, New York, NY 2010 — «Chicago Art Fair», shown
by Linda Warren
Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN
Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock
Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated
by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain
Gallery, Anaheim, CA 2008 — «City Lights», George Billis
Gallery, New York, NY 2008 — «Chicago Art Fair», shown
by Linda Warren
Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated
by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson
Gallery, New York, NY 2007 — «Small Works», Sarah Bain
Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown
by Linda Warren
Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown
by DFN
Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown
by Linda Warren
Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated
by Eric Fischl, Jane
Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear
Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain
Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain
Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis
Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma
Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren
Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain
Gallery, Brea, CA 2004 — «Still Life», Sarah Bain
Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated
by Peter Drake, Fish Tank
Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
Additional support provided
by: Brooklyn Museum, Chambers Fine Art, James Cohan
Gallery, The Metropolitan Museum of Art, The Museum of
Modern Art, New York Public Library, Sotheby's, Warwick Hotel, Whitney Museum of American Art, and Noelle Xie.
It includes contributions
by the artist and new essays
by Magnus af Petersen, Chief Curator, Whitechapel
Gallery and Achim Borchardt - Hume, Head of Exhibitions, Tate
Modern.
2016 Olympia, Organized
by Karma, New York, Patrick Seguin, Paris, France Extensions Made To Trouble Transformation, with Eric N. Mack, Almine Rech
Gallery, Paris, France Goulding the Lolly, Curated
by Brian Belott, Gavin Brown's Enterprise, New York, NY Theories of
Modern Art, Stuart Shave /
Modern Art, London, UK Before Sunrise, Karma, Amagansett, NY Paper in Practice, Moran Bondaroff, Los Angeles, CA A Shape That Stands Up, Curated
by Jamillah James, Art + Practice, Los Angeles, CA SURRREAL, Koenig Galerie, Berlin, Germany With Institutions Like These, Curated
by Victor Wand and Alex Meurice, The Averard Hotel, London, UK