Sentences with phrase «by modern literature»

Both reflect a devaluation of the fictive but realistic «reality» offered by modern literature.

Not exact matches

• Sadegh Hedayat, The Blind Owl: The greatest work of modern Iranian literature, by a writer whose devotion to Poe inspired at least one work far greater than anything of which Poe was capable.

Eissfeldt, «The Prophetic Literature,» The Old Testament and Modern Study, edited by H. H. Rowley (New York: Oxford University Press, 1951), pp. 125ff.

Following on the British government's decision in favour of promoting English rather than Oriental or Vernacular education in India, and to seek the help of private agencies in the task, the Missions started Christian colleges for imparting education in Western culture and modern science with the teaching of English literature at the centre of secular courses and spiritually interpreted by the teaching of Christian Scripture.

It generates great loyalty among its readers, many of whom discover the book in adolescence and are inspired by the nobility, heroism and beauty with which, unusually in modern literature, the book is charged.

At the same time in France, another Catholic revival had emerged, guided by novelists Georges Bernanos and François Mauriac and poets Paul Claudel and Pierre Reverdy, all of whom were widely read in the U.S.. Another factor inspiring American Catholic authors, a disproportionate number of whom were Irish - American, was the rise of modern Irish literature.

The wonder of it has been obscured for most readers by the fact that it comes to them in their own language, hence is accepted, half unconsciously, almost as modern literature.

Some characteristics of biblical narrative are easily recognised as literature by modern standards.

But by far the bulk of the scientific literature hand - wrings, ponders, and philosophizes about the most familiar form of the Frankenstein myth, which Shelley flicked at in her «Modern Prometheus» subtitle: the idea that mad scientists playing God the creator will cause the entire human species to suffer eternal punishment for their trespasses and hubris.

The Kanapoi elbow, dated at 4.5 million, is «fully human», so all these australopithecines and whatnot can not be ancestral to us because a modern human was already in existence; his thorough - or, let us say, thoroughly selective - combing of the literature has overlooked a paper by Marc R. Feldesman (1982, American Journal of Physical Anthropology, 59:73 - 95) which finds that Kanapoi is very far from being modern human.

As we humans move along in the concept of time, eras and lives — we tend to romanticize past decades by literature, movies and modern interpretations of past clothes and trends.

This series is sponsored by the College of Arts and Sciences, the Department of French and Italian, Mary - Margaret Barr Koon Fund, Olga Ragusa Fund for the Study of Modern Italian Literature and Culture, College Arts and Humanities Institute, Provost Lauren Robel, Emeritus Professor Eduardo Lebano, and IU Cinema.

Divergent by Hope Madden High school sucks, but like all harrowing experiences and universal truths, it can lead to valid and valued artistic expression — nearly all modern adolescent literature,... read more →

That film is Call Me by Your Name, an adaptation of the 2007 André Aciman novel that is something of a modern classic of gay literature.

It's as if the stoic / pragmatic spirit of that earlier time, also to be found in English literature (think of Ford Madox Ford's World War I — era Parade's End), had survived the transposition to modern cinema, specifically the strain initiated by Alain Resnais with the somber uncertainties and temporal splintering of Hiroshima mon amour (1959).

The early childhood research community, to its credit, has begun to come to grips with the mixed signals about longer term benefits that are being sent by the totality of the modern research literature on the impact of pre-K programs.

This detailed and high quality unit includes: * 18 lesson plans (with 13 differentiation strategies) * 95 slide PowerPoint presentation (divided into lessons) * All resources and worksheets (9 sheets) * Homework project (7 tasks) that includes both reading and writing skills * A copy of the key scene, with original version on the left and space for students to «translate» into modern English on the right * End - of - unit reading / writing exam * End - of - unit exam mark scheme (suitable for KS3 Levels 3 - 6, with GCSE 1 - 9 conversion) Unit's lessons include: * Quiz on the life and times of Shakespeare * Group «collective memory» activity on the Globe Theatre * Activities focused upon «translating» Shakespearean language * Storyboarding the play * Reading and translating Act 3 Scene 1 * Analysing characters in the key scene * Structing an essay response * Designing costumes for Puck and Titania * Designing a set for the key scene * Spelling tests on key vocabulary (differentiated by writing level) * SPaG starter activities * Crosswords * End - of - unit reading exam (GCSE English Language / Literature style) * End - of - unit writing exam (GCSE English Language style) * Teacher / peer / self assessment opportunities

A recent article in The Guardian by We Need to Talk about Kevin author, Lionel Shriver (who I was lucky enough to meet at a literary festival a few years ago) rightly said: «If all modern literature comes to toe the same goody - goody line, fiction is bound to grow timid, homogeneous, and dreary.»

Rabid maps the history of rabies — from its earliest depictions (and most dubious treatments), to its source as inspiration for the monsters of mythology and literature, to its modern defanging by the rabies vaccine.

Speak: The Graphic Novel by Laurie Halse Anderson, illustrated by Emily Carroll FSG • February 6 Anderson's 1999 novel Speak is a bonafide modern classic in the world of young adult literature.

According to the Symposium's program, Atwood (author of 40 books) is a giant of modern literature, «a rare writer whose work is adored by the public, acclaimed by the critics and studied on university campuses around the world.»

Modern Mexican literature was influenced by the concepts of the Spanish colonialization of Mesoamerica.

2008 Text / Messages: Books by Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ouby Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ouby Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far OuBy Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!

Having grown up surrounded by literature, magazines, and comics that depict captivating women, her impulse is to both emulate and subvert the imagery that informs her view of what it is to be a woman, a person, really, in this modern age.

2007 PhD (Art & Visual Culture) Middlesex University, Hendon (London), UK 1985 MA (Modern Thought and Literature) Stanford University, Stanford, CA 1982 BA (Literature and Society / Semiotics, magna cum laude) Brown University, Providence, RI The Undiscovered Amerindians; «They Are Too White to Be Indians,» Said the Skeptic 2012 intaglio, engraving, and drypoint etching on paper ca. 21 by 18 3/8 in.

2015 Wonder Women, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN Tchotchke: The Mass - Produced Sentimental Object in Contemporary Art, Gund Gallery, Kenyon College, Gambier, OH Represent: 200 Years of African American Art in the Philadelphia Museum of Art, Philadelphia, PA Letters and Shadows: African American Art and Literature Since the Harlem Renaissance, Bowdoin College Museum of Art, Brunswick, ME America Is Hard to See, Whitney Museum of American Art, New York, NY I Like It Like This: S 2 x Drake, Sotheby's Contemporary Art Gallery, New York, NY Collector's Legacy: Selections from the Lloyd and Sandra Baccus Collection, David C. Driskell Center, College Park, MD Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, FL Take an Object, Museum of Modern Art, New York, NY A Constellation, The Studio Museum in Harlem, New York, NY

A modern cultural collision moving across the U.S. landscape, Station to Station, organized by artist Doug Aitken, was a three - week train ride from New York to California that connected leading figures and underground creators from the worlds of art, music, food, literature, and film.

Hinman first received critical attention in the ground breaking exhibition «Seven New Artists» at the Sidney Janis Gallery in May, 1964 Literature: Pop Impressions Europe / USA, page 52, Museum of Modern Art, 1999, 1st Edition, published by MOMA.

Sjón, James McBride and Daniel Kehlmann was interviewed by Kasper Bech Dyg at the Louisiana Literature festival at the Louisiana Museum of Modern Art, August 2014.

Méndez Blake who is known for his play between art, literature and architecture exhibit a new body of work based on multiple texts by Mexican, modern writer José Gorostiza (10 November 1901 — 16 March 1973).

Publications include Lubricants & Literature (2017), published with Tenderbooks and Tenderpixel, with writings by Sasha Craddock and Chris McCormack, launched at OFFPRINT London, Tate Modern, London UK (2017) and NY Art Book Fair, MoMA PS1, New York USA (2017).

Patti Smith was interviewed by Christian Lund at the Louisiana Literature festival at the Louisiana Museum of Modern Art in August 2012.

James Thrall Soby, heir to a Connecticut tobacco fortune and art critic for The Sunday Review of Literature, curating, first for the Wadsworth Atheneum and later for the Museum of Modern Art, exhibitions of works by Balthus, de Chirico, and Gris, all then scarcely known in America.

T03191 Oil on canvas, 914 x 911 mm (36 x 35 7/8 in) Inscribed by the artist in pencil on back «CHANCE, ORDER, CHANGE 12 (RED, GREEN, BLUE, MAUVE) 1980 Kenneth Martin» on upper stretcher Purchased from the Waddington Galleries, London (Grant - in Aid) 1980 Exhibited: Kenneth Martin: Late Paintings, Serpentine Gallery, London, June - August 1985 (not in catalogue) Forty Years of Modern Art, Tate Gallery, London, February - April 1986 (no number, reproduced in colour) Kenneth und Mary Martin, Josef Albers Museum, Bottrop, March - April 1989 (60) Literature: Tate Gallery Acquisitions 1980 - 2, London 1984, p.176 - 7, reproduced The series of Chance, Order, Change compositions to which Chance, Order, Change 12 (Four Colours) 1980 and the closely related Chance, Order, Change 6 (Black) 1978 - 9 (Tate T03190) belong was begun by Kenneth Martin in 1976 and continued until his death in 1984.

Richly educated in literature by her mother, who with Harriet Monroe edited the modern verse journal Poetry, she was a natural lyric painter.

Although «magic realism» is a term today more commonly associated with the 20th - century literature of Latin America, it was first coined in 1925 by the German art historian and critic Franz Roh to describe an emerging style of modern realist paintings with fantasy or dreamlike subjects, and is often seen as parallel to or overlapping with the New Objectivity movement.

In an exceptionally informative catalog essay for the present exhibition (organized by Corey Keller, a curator at the San Francisco Museum of Modern Art, where it opened last November), the art historian Julia Bryan - Wilson surveys the critical and art historical literature that has proliferated around Woodman's oeuvre.

-- Opera Campana dei Caduti — Rovereto - Italy Fishwick Papers — The Smokehouse Gallery — London MAGNET OPEN ART PROJECT — Concord, New Hampshire — USA RARITIES — Hastings / Brighton 13 ELP Annual Exhibition — Triangle Gallery — London Show Me The Monet — Royal College of Art — produced by BBC Dreams — The Freud Museum — London LightBite 2011 — Nottingham — UK Type / Script — Chapel Gallery — Ormskirk 2010 Artisti Mitteleuropei 2010 — Casa della Cultura — Calitri (AV)-- Italy Wishing — ArteOra Spazio Arte Contemporanea — Foggia — Italy The Public Are Not Invited — The Nottingham Workshop - UK ELP Box Set 2010 Launch — 242 Gallery — London 6 × 4 Postcard Exhibition — Yorkshire ArtSpace — Sheffield Link — ArteOra Gallery — group show curated by Maria Vinella — Foggia — Italy Penang International Printmaking Exhibition — Penang State Museum — Malaysia Freud Experience — solo exhibition — Freud Café Gallery — London A Suite of Lighted Rooms — Pushkin House Centre for Russian Culture - London Acqua Bene Comune — Foggia — Italy Twelve — Space Gallery — London Print for Peace 2010 — Arte AC Tecnologico Institute — Monterrey — Mexico Prize Winner — «Copertine al Tratto» 2010 — Subway Edizioni — Milan — Italy C'era una volta Pasolini — group show — Galleria Terre Rare — Bologna — Italy F.A.C.T.S. — Center for the Study in Political Graphics — Los Angeles — USA London Fashion Week — MariaFrancesca Pepe collection — Somerset House — London 2009 The Grand Plasto - Baader - Books — Kaleid Gallery — London Alexandria MiniPrint Biennal — Bibliotheca Alexandrina Conference Center — Egypt Segni 20 × 20 — Micro Macro Gallery — Turin One Night Only — group show — Shoreditch Town Hall — London Quijiang International Print Festival 2009 — Quijian — China Eco Art Project ’09 — Rome IMPACT Centerpiece 09 — SpikePrint Studio — Bristol Pasquale Siniscalco Gallery — Milan Estetica 09 — Church of S.S. Annunziata — Calitri (AV)-- Italy Premio Spazi Evasi ’09 — Francavilla al Mare (CH) Unplug — Solo show — EstremaDura Café Gallery — Verbania — Italy Eleven — ELP Group show — Banside Gallery — London Ex Libris — Group show — Meliusz Center — Debrecen — Hungary 2nd Guanlan International Print Biennial — Guanlan Museum — Shenzen — China Biennial of Humour and Satire in the Arts — Museum of Humour and Satire — Gabrovo — Bulgaria Sorry If I'm Not in Line — Factory - Art Contemporanea — Trieste Ex Libris Mini Print Biennal — Sint Niklaas Dienst Museum — Belgium CDO's and Double Clubs — August Art Space — London Adreanlina 09 — Former Jewish Fish Market — Rome Wonderland — Brothers Grimm Museum — Kessel — Germany Vigna degli Artisti 09 2008 Light One Night — Group Show — ArteOra Gallery — Foggia — Italy Temptation — Group show — Cupola Gallery — Sheffield Urban Jungle — Group show — London City Hall Orange Calls Italy - Shortlisted for the final group show — PolarExpo Space — Bergamo ArteIngenua Second Act — ArteIngenua prize 08 — Guido Iemmi Art Studio — Milan — Italy Concorso Fumetto Giovani 2008 Jury Prize — illustration — Museum of Modern Art — Foggia — Italy Second Impressions — Romford Art Institute — Essex E17 Art Trail — Kelmscott School — walthamstow — London Sustainability — Latajaka Gallery — Warsaw — Poland Wonderland — Deutsches Maerchen und Wesersagen Museum — Bad Oeynhausen — Germany Lessedra International Mini Print — Lessedra Contemporary Art Gallery — Sofia — Bulgaria Evento MUSAE 08 — Museo Urbano Sperimentale Arte Emegente — Tourism Palace — Jesolo (VE) Decarbonart — Greater London City Hall — London — curated by Katja Rosenberg Art Fusion — Live painting performance — The Hub — Aldgate East — London I Am Ten — Bankside Gallery — London 2007 Tetovo IV International Biennial — Museum of Tetovo Area — Republic of Macedonia Dontpanic Design Exhibition — 93 Feet East — London Less Common Event — The Arts Gallery — Bond Street — London Shortlisted for San Fedele Visual Arts Prize — San Fedele Gallery — Milan — Italy Media Poster exhibition — DontPanicMedia — Cargo — Shoreditch — London Museo Urbano Sperimentale Artisti Emergenti — Motta Monte Corvino — Italy PROPAGANDA III WORLD TOUR 2007 — START SOMA gallery and CSPG Center for the Study of Political Graphics Los Angeles — Phoenix Hotel — San Francisco World Annual Print Show — Lessedra Contemporary Art Gallery — Sofia - Bulgaria Triangle Artists Open Studios — Arts Unwrapped 2007 — Hackney — London Innovative — Don't Panic Media, Playstation Season — Manchester International Festival 2007 PRE: CURSORI 2007 — Aragona Castle Museum Gallery of Taranto — Italian Ministry of Culture Illustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with Crossroad Works

I must turn to the great oracle and brain of the modern world, Google and Wikipedia, even to refresh my memory of things I have actually studied and know fairly well, and to go beyond them to textbooks, also written by «authorities», or the literature when the first two fail or appear likely to be unsound or I really need to see the results themselves to judge.

MAZE publications have published three books written by me on modern literature.

Dr. Heitler is an internationally known clinical psychologist who first established her reputation by bringing her understanding of conflict resolution from the legal, business, and mediation worlds to the professional literature on modern psychotherapy.