Sentences with phrase «by moving the character»

Early on in the tutorial-esque escape from the prison tower, you learn that you can dodge enemy attacks by moving characters between lanes on the left side.

You fight battles by selecting which battles you want to fight by moving your character around a board game map kind of thing, expending «Destiny Points» to enter encounters with enemies or open treasure chests.

The first isn't so bad, but the second one involves having to balance on beams by moving a character around very careful, and it's nothing short of painful thanks to the loose controls.

When entering arenas, like the one shown above, you will have to time the directional sword attacks, while also dodging attacks from sections of the arena floor by moving your character with the left thumb stick.

Enjoy the freedom in battle by moving your character around while in combat!

Auto - attacks happen simply by moving the character you're currently controlling into range of the enemy.

Now, each battle is engaged by moving your character to a new dot on your map.

Not exact matches

Over the last fifteen years or so I have seen (and been moved by) many of the aspirational / inspirational billboards sponsored by The Foundation for a Better Life, an organization that promotes common - ground character virtues while trying at the same time to avoid being a partisan in our contemporary....

Through all the «scenes» what we see and hear is a moving mosaic of many scenarios, schemes used and discarded by both central characters as they try to explain the causes of their misery and the forms of their salvation.

It is represented by a Chinese character with the bottom part of it meaning moving or going, and the top part meaning thinking or reflecting.

Size can also be determined by the freedom with which one's love of the other transcends the «in spite of» character of the traditional conception of love and moves toward an unqualified «because of.»

Fourth, with regard to the experience of value: When one is moved by attracting or repelling powers in different situations so as to become aware of the dynamic character of his existence, it is appropriate to use the word «God».

One example of the picturesque characters is found in Ps 1:3 a man is likened to a tree planted by the water which will not be moved.

In his effort to state tentatively and in his own way such apparently dawning agreements the author of this essay must employ the method of polar analysis; that is, he must try to do justice to the dynamic character of that social reality, the Church, by defining certain poles between which it moves or which it represents.

And being united by affinities of character, they move with less impediment and more vigor than any other bodies can move, and constitute, no doubt, that form of the sacramental host by which Jesus Christ intends to give freedom to the world.49

I've got this funny feeling that Mourinho's move to ManU is going to be the catalyst for an out - of - character spending spree by Wenger.

Abril, for example, moved up on the top 100 list, thanks to April O'Neil, a fictional character played by Megan Fox in the new Teenage Mutant Ninja Turtles movie.

In second and third grades, the children are encouraged to bring a story to life by moving as their particular character would move.

Principal characters include Albert B., J. Cheney, George B., and Ruth D. Wells, along with George Watson, the man behind moving the first buildings to the Village, and antiquarian Nina Fletcher Little, hired by Cheney Wells to coordinate decoration of the Towne house.

As the main character, Sage, moves from a rundown orphanage into a large palace, treachery and deceit begins to unfold chapter by chapter, twist by twist.

I can select a character by moving my cheek to stop the cursor.

We can be moved to tears by the story of an absolute stranger or even of a fictitious character.

Spatial symmetries in crystals are distinguished by whether a crystal can be rotated or otherwise moved without altering its basic character.

UB licenses to Guger Technologies a system that controls a virtual character that can be moved by the company's brain - computer interface system.

More happily for Jeffrey Katzenberg and Co., Megamind's title character (voiced by Will Ferrell) should prove endearing enough to move some merchandise.

Finding yourself in a mysterious forest, you will navigate your way through the game by controlling your character's hand using Playstation Move technology.

They've perfected the elusive art of combining memorable characters (Wallace and Gromit, a dotty British inventor and his trusty and far smarter dog, in «Curse of the Were - Rabbit»; Rocky and Ginger, the leading rooster and hen, respectively, of «Chicken Run») with fast - moving, subtly cheeky stories, resulting in family entertainments made all the more appealing by their primitive production values.

Only in the last half - hour do the usual Emmerich absurdities pile up: I laughed outright at the character who, past 65 and diagnosed with a massive brain tumor that will kill him within months, can not be stopped by a ferocious beating, being stabbed in the neck with a sharp implement, then being crushed against a wall by an SUV moving at a minimum of 30 mph.

for example, at one part the 2 main characters are on top of a moving helicopter and manage not to fall off by running in place super fast on the spinning blades.

There's more in the gameplay system itself to tempt Street Fighter IV fans with Critical Edge, Brave Edge moves and whatnot, and the array of options presented by the character creation suite are superb.

With a a messy script full of expository dialogue, confusing motivations and plot holes, this uninteresting and generic movie is also only able to move forward by relying on stupid characters who are no more a killer elite than a bunch of incompetent amateurs.

The film is a deep character study of Riggan Thomson played by a moving and stellar Michael Keaton a once - time big movie star struggling to regain importance in his contemporary setting while trying to establish himself as an artist worthy of praise and to get rid of his «Birdman» image.

Tony is a man whose unpredictable rage can be sparked by one wrong move, but Karam infuses the character with pathos through the subtlest gestures and facial expressions.

Introducing your main characters by having them hijack a plane is a bold move, and Entebbe never quite successfully reframes Pike and Brühl's characters after that.

This is Schrader at his sparest; characters rarely look warm — the cinematography by Alexander Dynan («Dog Eat Dog») accentuates the wintry bleakness — the camera rarely moves during scenes, silences and awkward pauses abound, and the score by Brian Williams is used sparingly, but always effectively.

Jordan infuses his character with pathos, electricity, defiance and empathy, so it's hard not to be moved by his journey.

I'm trying to like it but the dumb writing and the graphic novel character development and the idiotic moves made by the characters reminds me of Revolution (w / Zombies).

I was genuinely moved by all three characters, due to the acting, it was extremely well done, especially for an indie, James really plays his character well, I was surprised with his phenomenal performance, and Kristen was very good, stepping out off her stereotypical role as Bella, I'm sick off people saying she can not act, how can you judge an actress if you've only seen the twilight movies, she really stepped up to the mark.

The destructive nature of the family's inability to move on from the past starts being heavily telegraphed by characters having heart - to - hearts with the tree's branches, or those same branches invading the house in calamitous ways.

And just as Haneke respects these characters (and us) too much to trivialize them through overemphatic contrivance or too - easy intimations of emotion, so too does he exclude all non-diegetic music from the soundtrack, so that when we do hear the music played and appreciated by these inveterate music lovers — as when the characters do, finally and unavoidably, betray their unwanted, overpowering grief — it's something rare, precious, truly sublime, and profoundly moving.

In part an homage to tobacco farming, in part a story about standing up to «the man», and in part a love story, or perhaps better put, a story of young ladies falling all over themselves for Troy Donahue's character, a young man who has moved in to a rural farming area with his mother, played by Claudette Colbert.

A dauntingly versatile character actress by the 1980s, Lu racked up several impressive film and TV credits, including her chilling portrayal of the Dowager Empress in The Last Emperor (1987) and her moving performance as natural - born «survivor» An Mei in The Joy Luck Club (1993).

We've learned enough about the characters for the show to move on to point at hand and reveal more about the characters little by little while the plot moves forward.

It's still a show defined more by emotion than plot, but structuring it this way — and moving most of the action to Jarden, which has many mysteries of its own — creates a sense of more momentum, rather than a bunch of characters wandering around in a daze.

I was genuinely moved by all three characters, due to the acting, it was extremely well done, especially for an indie, James really plays his character well, I was surprised with his phenomenal performance, and Kristen was very good,

However, when Matthews is lured off his guard and badly wounded, Isaac moves centre stage as he finds himself pinned down by an unseen Iraqi sniper (loosely based on a real - life character called Juba, who was responsible for killing a huge number of Americans).

By limiting the amount of time you have to question the more bizarre aspects of the character, the film simply tells you to deal with it, and move on.

At points, the manner in which Cox delivers his character's mental disintegration is very moving, at others it's clearly a narrative tool, by which revelations can later be used to extra dramatic effect, and sometimes mere exposition.

By combining this move with the Rolling Leap, the character can move while spinning their tail, defeating every enemy in their way.

By contrast, every character in Howl's Moving Castle — derived from an English novel by Diana Wynne Jones — is both lovable and seriously flawed, and though a war does rage around them, the only villains are the faceless forces on both sides that keep it goinBy contrast, every character in Howl's Moving Castle — derived from an English novel by Diana Wynne Jones — is both lovable and seriously flawed, and though a war does rage around them, the only villains are the faceless forces on both sides that keep it goinby Diana Wynne Jones — is both lovable and seriously flawed, and though a war does rage around them, the only villains are the faceless forces on both sides that keep it going.