Sentences with phrase «by mythic figures»

Mir's paintings present a world populated by mythic figures, creatures, machines, and fragments of ambiguous forms that are at odds with their surroundings.

Not exact matches

Captured indelibly by cinematographers Nestor Almendros and Haskell Wexler, Malick's film has a visual syntax so eloquent and graceful — its fields of gold cause its quiet characters to stand out like mythic figures — it would play powerfully as a silent film.

In «Regeneration Through Violence,» his classic study of the mythology of the frontier, from colonial times to the eve of the Civil War, the literary historian Richard Slotkin identifies two essential mythic figures: the captive, usually an innocent woman held against her will by ruthless and alien usurpers, and the hunter, who is obsessed with protecting her honor and, sometimes secondarily, securing her freedom.

Instead of making the guy a mythic figure «of superhuman strength who can not be killed by bullets, stab wounds, or fire,» as Nicholas Rogers described him in his 2003 book Halloween: From Pagan Ritual to Party Night, McBride thinks it's scarier to have him be some weird dude who likes to murder people.

Where there's little modeling in work by Leon Golub and George Cohen, Lerner's paintings and drawings have always had a sense of volume, and his work since the 1970s has continued to tap similar mythic and metaphorical material (mummies, hanged or tortured figures) but in a more classical figurative style.

Work dealt with the shadowy, mysterious realm of mythic subject matter and the unconscious, later marked by a poetic feel, with abstracted figures against a timeless, mottled ground.

As distinct from such mythic references, the upward thrust of Hepworth's works of the late 1950s takes on a combination of figurative and spiritual aspects, as suggested by Figure (Requiem) and Cantate Domino (Tate Gallery T00956).

There is mythic construction of Wróblewski as a self - destructive, melancholic figure who was encroached upon by tragedy from all sides, but this is too simplistic.

However, by including such figurative works as «Figure at Window with Boat» (1964) and the later mythic paintings, «Figure, Boat, Clouds» (1971) and «Figure with Tree» (1972), the exhibition suggests that there are more sides to Bischoff's figurative paintings than his urban scenes, and the full extent of what he did between 1952 and» 72, is still unknown, particularly on the East Coast.