Sentences with phrase «by narrative projects»

Not exact matches

That history, coupled with the generous use of interview narrative from rescuers, the rescued, and non-rescuers throughout the book, more than offsets any fear that the Oliners» project, by focusing on rescue activities, might diminish the horror of the Holocaust.

Andrew Walls begins the project by examining some of the implications of the other worlds that are bursting in upon what has long passed as the standard historical narrative.

The «Preparation of Communities: Using personal narratives to affect attitudes to disability in Kilifi, Kenya (Pre-Call)» project was set up to promote disability awareness in small communities in a rural part of Kenya, by encouraging a process of reflection and education.

A narrative text written by Damasio for the project inspired the combinations of instruments and melodic textures.

The Forbidden Room may (or may not) be inventing narratives from thin air, but whatever history these abandoned projects might have had is completely supplanted by the present Maddin (and co-director Evan Johnson) invents for them.

It was especially poignant to see Robinson, a lesbian filmmaker who's been working in the industry for years on various projects including The L Word, present such a radical film to both older audiences who were familiar to the character and young audiences who are growing up with the chance to see a complex women - centric narrative propelled by her.

The project received financing first through Telefilm Canada and Elevation Pictures, followed by Narrative Capital.

While the narrative flow of Woodrow's character in Bellflower is presented as a relentless succession of inter-related episodes, I'd argue that everything in the film is either reconstructed or projected by Woodrow from a single point in the film.

The album will be her third solo effort, and is set to be accompanied by a «narrative film project».

Projects at King have included an aquarium design judged by local architects; a CD narrative of Whitman's «O Captain!

These students at Claremont Middle School have just completed their slave narrative project, a unit that's been taught at the school by eighth - grade history and English teachers for three years.

Educators can use Paul Salopek's Out of Eden Walk as a teaching tool by exposing classrooms to the the project and having students design and implement a narrative walk of their own.

Once I followed King's lead by focusing on intimacy and letting go of my aspirations of a sweeping and grand narrative, the project finally become manageable.

As a community outreach project, guide students to connect with community centers, schools, and libraries to share their own personal narratives or conduct their own interviews based on ideas and questions prompted by Malala Yousafzai and the Girls of Pakistan and Interviews with Muslim Women.

Projects like Wattpad prove that for many readers dividing a longer narrative into easily digested chunks (usually on a mobile device) is a fun way to follow a story, not so unlike the serial approach employed by Dickens et al. starting in 1836.

Bangkok Found by Alex Kerr pierces deeply into the art, culture and people of Thailand in a book that reads more like an inspiring travel narrative than a research project.

The announcement also detailed what the studio is currently working on: Vampyr, coming out on June 5th, the Life is Strange sequel (announced in May 2017), a narrative game for Bandai Namco (revealed exclusively by MCV at Gamescom last year) and a fourth secret project that already has a name and a publisher.

Regardless, the newest Uncharted project isn't marked by its lineage, but is instead referred to as the «Uncharted project» and «our Uncharted» by developers, denoting that there could be an intentional shift in narrative or even directionality of story!

Their game design focus is on visual storytelling and digital narratives mostly placed in fantasy or horror settings.The studio was founded in 2015 by René Bühling, PhD, who worked on international projects in industry, research and education before.

Winifred Phillips» latest project is the story - driven narrative music for the open world first - person shooter video game Homefront: The Revolution, developed by Dambuster Studios and published by Deep Silver.

In addition to geographic borders, the project sought to look at the limits of race, culture, and gender by centering the series around Ramoncita, a «two - spirit» person of mixed racial heritage played, like all of the characters in the narrative, by Gonzales - Day.

Incorporating images, words, marine debris and memorabilia and postcards collected by the Seine, the collages reject the literal and narrative, instead projecting freedom.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

The project also consists of an installation at both museum buildings and a live web component that incorporates live footage of viewers from the Legion of Honor by digitally inserting and implicating them into the narrative.

News of the latest discoveries was sent back to England and Europe by way of travel journals and published maps, which mixed factual insight with subjective narratives aimed at sparking imaginative interest in the exploration project.

Underneath, in the attic space that the roof creates, visitors will hear projected narratives — recorded by Hart in spring 2017 — that trace the intersecting histories of Storm King's region.

Recent projects by Da Corte have been immersive installations that play with the malleability of time, the fluidity of space, and the design of cinematic narratives as an invisible and plastic architecture.

Where a broad narrative traditionally underpinned each project, recent works have shifted to be driven by an exploration of their materiality and the creative process through his interest in modernism and its aesthetic relationship to tribal and folk arts traditions.

The Real Guerrilla Girls, four mysterious photographs that hang dramatically under spotlights in a room of their own among the group show Narrative / Collaborative, are the first four iterations of a long - term project by Petah Coyne and Kathy Grove, which seeks to gather and commemorate the women behind the first fifteen years of the Guerrilla Girls movement.

His early projects — including environments made with found objects; wry, narrative photo works; and a novel copied by hand — began a career - long practice of creating works that prompt both reading and looking, and that intertwine fact with fiction.

Marking the first U.S. project designed by Spanish firm Aranguren + Gallegos Arquitectos, the new 37,500 - square - foot building launches with a bold inaugural program that reflects the museum's mission of championing new narratives in contemporary art and providing a platform for the exchange of art and ideas.

Drawing from gender issues, the variety of ways in which people engage their sexuality using technology, and in an attempt to redefine the heteronormative standard narrative often found in porn, artist Faith Holland has spent the past few months collecting and selecting cum shots that have been submitted to her by a wide range of online users for her new project «Ookie Canvases».

By negotiating between the formal problems of abstract painting and the art historical narrative, the project highlights the tensions between the perceived authenticity of abstraction and the viewers» awareness of its authorship and background, both real and imaginary.

Starting with the premise that memory is political, her projects examine structures of time, memory, and the production of knowledge by engaging with archival materials, individual and collective narratives, and histories that span cultural and national borders.

The narratives are related by performers, and in turn, the recordings played out in a project space at Art Dubai.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

22/3 - 5/5/2018 CARLOS NORONHA FEIO narrative projects is pleased to present «even if at heart we are uncertain of the will to connect, there is a common future ahead» by Carlos Noronha Feio.

Hosted by Black & White Gallery / Project Space, this site - specific installation utilizes plastics and refuse that the artists have gathered from around Brooklyn to create a large - scale immersive environment mapping narratives and mythologies of creation, destruction and consumption.

Other select projects include: Artistic Producer for the 4th annual Chicago Home Theater Festival, a 10 - day festival of artistic exchange within neighborhoods that have experienced systemic disinvestment featuring narratives by and about artists of color, women and femmes, migrants and immigrants, LGBTQ artists, and artists with disabilities (2016), and Project Coordinator for Our Miss Brooks: A Centennial Celebration, a national a year - long multidisciplinary celebration on the occasion of the 100th birthday of Pulitzer Prize winning poet Gwendolyn Brooks (2017).

And yet, they remain artifacts, too, of the era on the other side of that threshold, when the project to master the coded narratives of consumer culture had not yet been made to seem, by a new flood of media, impossibly quixotic; and when it still seemed possible, in a sea of images, to make a personal and idiosyncratic claim.

«We at the Mitchell Center have been transformed by Marc Bamuthi Joseph's amazing talent and energy over the past several years and can not wait to see this project travel nationwide, carrying with it narratives and images of Houston.»

«False Narratives» proposes multiple notions of narrative and means of creating narrative: the fact that a narrative can be implied, suggested (by), or projected (onto); and the difficulty of pinning down a particular narrative as fact, as true or false, as reliable.

narrative projects is proud to be hosting a talk facilitated by Dr Alison Green, in which Rachel Lowe and Gavin Wade will be discussing the dynamics of collaboration between artists and curators, and the complexities entailed in this relationship.

narrative projects is pleased to present works by Mahmoud Bakhshi (b. 1977, Tehran), Goia Mujalli (b. 1985, Rio de Janeiro) and Carlos Noronha Feio (b. 1981, Lisbon) at the first edition of Crossroads Art Show in London.

For the first edition of UNTITLED art fair in San Francisco narrative projects joins forces with Kristin Hjellegjerde Gallery and presents curated booth with new works by Harm van den Dorpel (b. 1981), Jeremy Everett (b. 1979), Carlos Noronha Feio (b. 1981) and Martine Poppe (b. 1988).

narrative projects is pleased to present the works by Patrick Hough (b 1989, Galway, Ireland), Xiao - yang Li (b 1985 Harbin, China), Taus Makhacheva (b 1983 Moscow, Russia) and Carlos Noronha Feio (b 1981 Lisbon, Portugal) in the OPENING section curated by João Laia at the second edition of ARCO art fair in Lisbon.

In order to widen the debate of Lenin historical legacy, narrative projects will show works by Patrick Hough and Antonis Pittas that reference and analyze the mythology constructed around this historical figure.

narrative projects is pleased to present a new body of work by Rachel Lowe at Art - o-Rama in Marseille.

narrative projects is pleased to present Asking for a friend by Harm van den Dorpel.

The exhibition is the final chapter of a three - part multidisciplinary project that has included two other solo exhibitions by Harasymowicz at Centrala Gallery, Birmingham and narrative projects, London, curated by Dominik Czechowski, supported by Arts Council England.