Sentences with phrase «by new generations of artists»

Wachtel's paintings and Beckmans's new media installations emerged in overlapping American generations of artists active in New York and Los Angeles in the 1980s whose contributions have increasingly become admired by new generations of artists and curators.

The 18th Street Artist Fellows are addressing basic questions about how artistic legacy is passed down, whether it should be passed down, and whether ephemeral performative and media - based work can be re - performed / re-envisioned by the authors or by new generations of artists.

Our Artist Fellows will address basic questions about how artistic legacy is passed down, whether it should be passed down, and whether ephemeral performative and media based work can be re-performed and re-envisioned by the authors themselves or by new generations of artists.

The exhibition's title aims to reflect Borgmann's prescience in acquiring works by a new generation of artists.

Starting around 1970, this movement has been revived by a new generation of artists born during or immediately after the Second World War.

In 1968, she went to Documenta, an international art show in Germany, and was bowled over by the freshness and originality of the work on display by a new generation of artists seeking to come to terms with their nation's past.

The works in The Valentine - Adelson Collection range from small discrete objects to room - scale installations and include many of the key works by this new generation of artists who are rapidly emerging with national and international recognition.

In correspondence with the exhibition curators Julia Mullié and Nick Terra planned a performance programme, which presents work by a new generation of artists that includes Béatrice Balcou, Abner Preis and Yuki Okumura.

Over the course of the symposium, the invited participants, ranging from artists to literary scholars, cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.

This is an existential question faced by each new generation of artists.

Nevertheless, the event has become nothing short of legendary in the realm of kinetic art, creating a nice metaphor for the failures of mechanized Modernism that were, in the spring of 1960, just beginning to be reckoned with by a new generation of artists.

The acquisitions program has followed a three - pronged approach: to strengthen the holdings of landmark works by modern artists collected by the museum in depth; to widen its breadth with works by historical artists new to the department's collection, especially work by women, artists of African descent, and artists working outside of Europe and North America; and to actively collect works produced by the new generation of artists.

The exhibition Surfing Club at the new media art institution plug.in in Basel, Switzerland, shows works by a new generation of artists working with and within the internet.

Following this gesture, the gallery will exhibit this winter works by a new generation of artists who live and work partly in Turkey, focusing on their relationship to that notion of «ev».

Color field painting, minimalism and their recent revisiting by a new generation of artists make more immediate sense in the perspective «Barnett Newman» provides.

Coinciding with the AAW, guest curators Julia Mullié & Nick Terra planned a performance programme, which presents work by a new generation of artists that includes Béatrice Balcou, Abner Preis and Yuki Okumura.

In the intervening years, Hendricks's post-modern, realist images have become a barometer against which portraiture by a new generation of artists is compared and contrasted.

Since the early 1990s, film and video has been embraced by a new generation of artists, some of whom received their first museum showing at the Whitney, often in Biennial exhibitions.

Not exact matches

His arrival with films like The Living End and The Doom Generation signalled a voice synonymous with the New Queer Cinema movement of the early 1990s that saw gay stories told by gay artists.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Disc 1: Rise of the Planet of the Apes Blu - ray ** 11 Deleted Scenes ** The Genius of Andy Serkis ** Scene Breakdown ** A New Generation of Apes ** Breaking Motion Capture Boundaries ** The Great Apes ** Mythology of the Apes ** Composing the Score with Patrick Doyle ** Audio Commentaries by Director and Writers ** Character Concept Art Gallery ** Digital Disc 2: Dawn of the Planet of the Apes Blu - ray ** Journey to Dawn ** Andy Serkis: Rediscovering Caesar ** Humans and Apes: The Cast of Dawn ** The World of Dawn ** The Ape Community ** Move Like an Ape: An Artist's Medium ** Weta and Dawn ** The Fight for a New Dawn ** Deleted Scenes With Optional Audio Commentary by Matt Reeves ** Feature Audio Commentary by Matt Reeves ** Gallery ** Digital Disc 3: War for the Planet of the Apes Blu - ray ** Audio Commentary by Director Matt Reeves ** Deleted Scenes with Optional Audio Commentary by Director Matt Reeves ** Waging War for the Planet of the Apes ** All About Caesar ** WETA: Pushing Boundaries ** Music for Apes ** Apes: The Meaning of It All ** The Apes Saga: An Homage ** Concept Art Gallery ** Theatrical Trailers ** Digital

A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual Young Women of Achievement Award; 1 of 3 Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.

by Jill Andreasen and Wendy Rancier, Collection Development Librarians It's clear that authors, artists, and creators in the children's publishing world feel a responsibility, an urgency, to raise a level of empathy and awareness in the newest generation around many issues our country is facing.

A Character Artist at our BioWare Austin studio will influence a new generation of character fidelity by utilizing their exceptional skills and working with the latest engine and tools.

Curated by Dr Nicholas Cullinan, Director of the Gallery, this major new show spanning several generations of artists across all media will open in the summer of 2018, to coincide with what would have been the King of Pop's 60th birthday (on August 29, 2018).

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytArtists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytartists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

At the beginning of 2013 Tate Britain commissioned Adam Chodzko to create a new work in response to its Kurt Schwitters retrospective - a link between one generation of artists and another that, by chance, links the legacy of Marlborough to its future.

The work of these artists was brought into fresh focus and given renewed impetus by the revival of interest in figurative painting by a younger generation that took place in the late 1970s and the 1980s (see neo-expressionism and new spirit painting).

Leonard Hutton Galleries is pleased to present an exhibition of artworks by renowned first generation «Irascible» and New York School artists James Brooks, Willem de Kooning, Jimmy Ernst, Sam Francis, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Robert Motherwell, Jackson Pollock, Richard Pousette - Dart, Theodore Roszak, David Smith and Jack Tworkov.

1957 She participated in the Artists of the New York School: Second Generation exhibition organized by Meyer Schapiro at the Jewish Museum in New York.

COVER ART April 7: Work by Chicago - based artist Hebru Brantley appears on cover of «The BreakBeat Poets: New American Poetry in the Age of Hip - Hop,» which the publisher describes as «the first poetry anthology by and for the hip - hop generation.»

BOOK > Featuring the work of Sam Gilliam on the cover, a new volume, «Four Generations: The Joyner Giuffrida Collection of Abstract Art,» is published documenting the collection established by Pamela Joyner, which spans four generations of artists bridging the 20th and 21st centuries with a focus on abGenerations: The Joyner Giuffrida Collection of Abstract Art,» is published documenting the collection established by Pamela Joyner, which spans four generations of artists bridging the 20th and 21st centuries with a focus on abgenerations of artists bridging the 20th and 21st centuries with a focus on abstract art.

This group show establishes a dialog between three young São Paulo artists represented by the gallery — Pedro Caetano (b. 1979), Rafael Carneiro (b. 1985), and Tiago Tebet (b. 1986)-- and a selection of artists from the same generation who are based in New York City: Gustavo Prado (b. 1981, Brazil), Nicole Wittenberg (b. 1979, USA), Guy Yanai (b. 1977, Israel), and G.T. Pellizzi (b. 1978, Mexico).

Indeed, the social histories and identity politics explored in work made during the Civil Rights, Black Power, and Black Arts Movements is being investigated by a new generation of scholars and curators, bringing attention to overlooked artists central to the era, AfriCOBRA artists in particular.

Willamson has been described by Robert Storr, former director of the Museum of Modern Art in New York as «one of the foremost artists of her generation», and her early series A Few South Africans, acquired by the Tate Modern, London last year, is currently on display on Citizens and State.

His early works were inspired by the Abstract Expressionists he encountered in New York, Stella later commenting: «I wouldn't have bothered becoming an artist if I didn't like the artists of that generation so much.»

We've argued, in lifting the age limit, that the purpose of the prize is established to the point where it can confidently reflect the fact that new art, art taking new directions, can be made by artists of any generation.

Painters such as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects such as the landscape, the figure or interiors with new expressive energy - stirred by Pop, and influences from an older generation of artists such as George Segal, Agnes Martin, Alice Neel and Alex Katz.

The three «informalisms» in Bill by Bill are in part an attempt to create what artist Christopher K. Ho has termed «modest Bushwick abstraction» and linked to a kind of Clintonian political neutrality of privilege that our generation experienced outside of New York in the mid - to late - nineties.

Strategies that emerged earlier in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,» photography as a form of literary pointing — adopted by the artists in this exhibition have subsequently been absorbed by the contemporary generation using photography as conceptual art, from Gabriel Orozco to Hank Willis Thomas.

1969 New American Painting and Sculpture, Museum of Modern Art, New York, NY Posters by Artists, Finch College Museum, New York, NY Sixth Biennial National Religious Art Exhibition, Cranbrook Academy of Art, Bloomfield Hills, MI Centennial Exhibition, Lincoln University, Lincoln, PA Ten Afro - American Artists, Mount Holyoke College, South Hadley, MA The First Generation, Museum of Modern Art, New York, NY Homage to Martin Luther King, Museum of Modern Art, New York, NY Contemporary American Painting, Whitney Museum of American Art, New York, NY

By the 20th century, a new generation of American artists sought an alternative to Impressionism.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

Powered by The Art Genome Project, a classification system that maps the connections between artists and artworks, Artsy fosters new generations of art lovers, museum - goers, patrons, and collectors.

In their most diverse exhibition to date, The Henry Moore Foundation's «Body & Void» exhibition draws connections between Moore's investigation of internal space and its relationship with the human body, and reveals how his ideas have been taken in new directions by subsequent generations of artists.

Golden speaks of Ligon's efforts in encouraging a new generation of artists, mentioning the behind - the - scenes role he played in organizing Freestyle, an exhibition of emerging talent mounted by the Studio Museum in 2001.

1985 Sarah Charlesworth, General Idea, Peter Halley, Jeff Koons, Peter Nagy, Richard Prince and Laurie Simmons, International with Monument, New York Metro Pictures, New York Paravision, Postmasters Gallery, New York (curated by Collins & Milazzo) Dealers and Critics, Mo David Gallery, New York (curated by Robert Nickas) Currents, Institute of Contemporary Art, Boston (curated by David Joselit, brochure) Final Love, CASH / Newhouse, New York (curated by Collins & Milazzo) Jay Gorney Modern Art, New York Post-Style, Wolff Gallery, New York Selected Works, Metro Pictures, New York Cult and Decorum, Tibor De Nagy Gallery, New York (curated by Collins & Milazzo) A Brave New World, A New Generation: 40 New York Artists, Udstillingsbygning ved Charlottenborg, Copenhagen; travelled to Lunds Konsthall, Lund, Sweden Biennale de São Paulo, Brazil (catalogue) Infotainment, Rhona Hoffman Gallery, Chicago; travelled to Texas Gallery, Houston (catalogue) Currents, Institute of Contemporary Art, Boston, MA

By 1960, a new generation of artists including Peter Lowe, Gillian Ware, Norman Dilworth and Jeffrey Steele joined and became closely associated with the group's ideas.

About Mana BSMT New Media Program Established by BSMT Director Grace Franck, the Mana BSMT New Media Program (NMP) is a community - based residency dedicated to supporting the next generation of new media artisNew Media Program Established by BSMT Director Grace Franck, the Mana BSMT New Media Program (NMP) is a community - based residency dedicated to supporting the next generation of new media artisNew Media Program (NMP) is a community - based residency dedicated to supporting the next generation of new media artisnew media artists.

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?