Sentences with phrase «by noble savages»

Nor is it brought into existence by noble savages or by saints untainted by sin.

Not exact matches

Avram Grant's side were savaged by Manchester United last weekend, the Hammers relinquishing a 2 - 0 lead courtesy of two successful Mark Noble spot - kicks to lose 4 - 2 at Upton Park, shipping all four goals in the second half, as their previously encouraging four - match unbeaten streak in the league came crashing to an end.

As long as women remain the gender most responsible for children, we are the ones who have the most to lose by accepting the «noble savage» view of parenting, with its ideals of attachment and naturalness.

S. Craig Zahler's Bone Tomahawk is an unassuming genre hybrid, and the impact of its finale is magnified by the fact that, for most of its 132 - minute runtime, it plays out like a lackadaisical The Searchers - inspired Western throwback about a group of noble frontiersmen (Kurt Russell, Patrick Wilson, Matthew Fox, Richard Jenkins) on a mission to rescue a maiden kidnapped by unholy savages.

by Walter Chaw There is a moment in the middle of John Frankenheimer's relentlessly campy (and prophecy - free) Prophecy when noble savage John Hawks (essayed by Irish - Italian Armand Assante), eluding the fuzz, runs through a forest clearing, into a cabin, and out a closed window.

He's found it worthwhile to wonder that the broadest strokes of Noble Savage Syndrome reflect a natural human tendency to revert to the natural to valorize cultures (objects) that are ambiguous by their nature.

As it starts, we find him playing the part of «The Noble Savage» in a 1933 carnival sideshow (and wearing impressive age makeup reminiscent of that worn by Dustin Hoffman at the beginning of 1970's «Little Big Man»).

Dragonfly's characters are stock, its scares are telegraphed (the script by committee mistakes «eye - rolling» for «tight»), and before it's done, it dips into a shocking Mead - era noble savage syndrome complicated by more conventional exploitations of race and illness.

I understand that he's trying to make The Terminal — inspired loosely by a true story — a post-modern fairy tale (Lost in Translation for the emotionally neutered), but monumentalizing all of its unionized labour, focused in a scene where whimsical and wise Indian fugitive Gupta (Kumar Pallana, better in the superior post-modern fairy tale The Royal Tenenbaums) tells the tale of Viktor to a rapt audience of food - service workers, is trite verging on Noble Savage Syndrome.

By contrast with his fellow noble savage, this Newman has had the benefit of reading Clement Greenberg and working through Surrealism.

Written by Kyla Ryman, each page of this unusual seek - and - find book reveals a small part of Mutu's artwork Le Noble Savage (2006), allowing readers to explore each part of the collage work closely.

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May