These large - scale paintings were made
by nude female models, directed by Klein, carefully applying paint to the canvas with their bodies.
Walter is represented
by the nude females in this series, and the mythical minotaur is used as a proxy for Picasso himself.
Not exact matches
McLaughlin's final months in the Assembly were dogged
by the revelation that he had used abusive language against a
female aide, and he was sanctioned
by the chamber's ethics committee — after election day — for allegedly asking another lawmaker's aide for
nude photos.
The Ethics Committee also finds that Assembly Member McLaughlin did, in fact, violate the Policy
by making offensive comments to a
female Assembly employee
by asking her for
nude photos.»
Jennifer Lawrence said she was «degraded and humiliated»
by nude line - up request from
female producer
An amusing example of this taboo on confronting a dressed lady with a naked man is embodied in a group portrait of the members of the Royal Academy in London in 1772, represented
by Zoffany as gathered in the life room before two
nude male models: all the distinguished members are present with but one noteworthy exception — the single
female member, the renowned Angelica Kauffmann, who, for propriety's sake, is merely present in effigy, in the form of a portrait hanging on the wall.
For centuries, iconic
female nudes were produced
by male painters like Titian, Rubens, and Rembrandt.
«Seated
Female Nude,» possibly Anna Akhmatova
by Amedeo Modigliani, c. 1911.
A glance at three recent works
by Kate Davis (b. 1977) from a numbered series Disgrace appear to have pencil scrawls on pages of an art catalogue featuring
nude studies of the
female figure.
First held at the Galerie Internationale d'Art Contemporain in Paris in 1960, Klein's performances (now considered
by many to be outrageously sexist) featured
nude female models — who the artist referred to as «human paintbrushes» — rolling themselves in his patented International Klein Blue paint.
Two of the most striking; paintings on display in London now are
by women firmly seizing the traditional male territory of the
female nude.
It assembled stills from a performance where Davis drew her body over projections of
female nude drawings
by Modigliani, as a recording of how a present body interacts with
female representations in art history.
At this space, the figure of a
female nude tied to what looks like a torture device is the disturbing central image of a nine - panel 1975 painting called «Moving Through»
by the American artist Juanita McNeely.
In the Raw: The
Female Gaze on the
Nude was co-curated
by feminist artists Coco Dolle and Indira Cesarine.
Several works from the 20th century close the exhibition: three masterly drawings
by the young Pablo Picasso, Two Fashionable Women (1900), a blue - period Head of a Woman (c. 1903), and a cubist Standing
Nude (summer 1910); an imposing study of a female nude by Georges Braque (1927); and three drawings by Louise Bourgeois, including M is for Mother (1998), a drawing of a large, red letter M that conveys not only maternal comfort but also maternal cont
Nude (summer 1910); an imposing study of a
female nude by Georges Braque (1927); and three drawings by Louise Bourgeois, including M is for Mother (1998), a drawing of a large, red letter M that conveys not only maternal comfort but also maternal cont
nude by Georges Braque (1927); and three drawings
by Louise Bourgeois, including M is for Mother (1998), a drawing of a large, red letter M that conveys not only maternal comfort but also maternal control.
He creates otherworldly and surreal encounters
by a
female nude with Cattelan's art, has Gilbert & George awkwardly interacting in their would - be home with an androgynous male model, and places Harland Miller's large - scale paintings of book covers into actual book covers held
by 50's pin - ups.
Her dreamy, finely woven narratives often feature
female protagonists —
nude women hooked up to IVs of orange juice mingle in a garden; a morose woman carries groceries; a naked, blindfolded blonde spreads her legs atop a pool table — most of which are inspired
by personal experiences.
«I wouldn't like to stereotype and say that all male artists who do
female nudes are sexually motivated, but traditionally the
female nude by the male artist was an object of desire.
An upcoming show at Untitled Space challenges that unfair truth
by presenting the work of 20
female artists depicting the
female nude in an empowered, autonomous, and non-sexualized way.
It has cast light on a wealth of
female artists who have been denied their due, and has also shown that history has an ingenious knack for writing us out: denied access to the male
nude, her anatomical skill was found to be lacking; sponsored
by the court, her work has remained in private ownership and lacks proven market value, etc..
Art for every body on display at Color of Energy gallery
By Brittany Erwin Photo: Parrish's untitled
nude figure calls viewers to confront the
female form Is the ideal
female body tall and long - limbed?
Alison Saar hangs a
female nude by her ankles, as the victim of a lynching, for Strange Fruit.
Images such as
nudes dr02 (2011) become painterly illustrations of vague desire in which anonymous women sport and pose, their erotic power modified
by a muted palette and hazed resolution, while in
nudes ar09 (2011) the fetishistic power of the
female subject is all but reduced to lush formal qualities — a cascade of thick blonde hair, the curve of pink thighs, the glossy black of a stiletto heel.
Nature served as the inspiration for his sculptural works and his output was devoted to lyrical works of reclining
female nudes and elegant stone faces and torsos influenced
by Greek classicism as well as sculpture from Asia, the Pacific, and Africa.
The subject of Christopher Brown's new multipanel paintings is a wooded landscape, crossed
by a river, and sometimes including a
nude female figure.
Double exposure, solarization, combination printing, montage, rotations, and other forms of distortions were employed
by the Surrealists to render their photographs of
female nudes uncanny and dreamlike.
Judith Linhares» oil paintings of dreamy
female nudes are also intensely colored, but they relate in an unexpected and intimate way to a pair of black and white photographs
by Rory Mulligan showing a torso of a woman and the back of a man gazing at a night sky.
Throughout the history of art, the
female nude been an object of desire created
by and for men for the pleasure of selling, owning, and beholding.
Photographs range broadly from the classic (Berenice Abbott, Ansel Adams, Ruth Bernhard, Imogen Cunningham, Alfred Stieglitz, Robert Mapplethorpe, Edward Weston) to the pioneering (an oddly humorous series of
female nudes in motion
by Eadweard Muybridge) to the buoyantly inventive (Dieter Appelt's image of a man breathing on a mirror) and the downright comically weird (Joel Sternfeld's 1982 «Exhausted Renegade Elephant, Woodland, Washington»).
RECLINING IN THE
NUDE or posed upright on sofas, Mickalene Thomas «s
female subjects are always surrounded
by a dynamic mix of patterned textiles.
The gallery is showing a solo booth
by the Israeli artist Lili Cohen Prah - ya including a selection of delicate illustrations of sensitively drawn
female nudes on gold tissue paper.
The show features an installation of monochromes that derive their colors from paintings of
female nudes by the Impressionist trailblazer, Pierre - Auguste Renoir.
Subverting this familiar image, Yinka has replaced the
female nude by a photograph of a well - endowed male.
This double - sided sheet, authenticated
by the Fondation Giacometti, presents studies of four heads on the recto and a standing
female nude on the verso.
Her most celebrated work began to emerge around 1970 when, motivated
by feminist art principles, she produced a series of paintings which featured male
nudes alluding directly to canonical
female nudes, for example those of Ingres, Titian and Velázquez.
Intended
by the artist as both a «playful piece» as well as a serious comment on male patriarchy, within this beautifully constructed kaleidoscope Shonibare has subverted the familiar image of Botticelli's THE BIRTH OF VENUS
by replacing the
female nude with a photograph of a well - endowed naked male.
Lord Leighton, P.R.A. (1830 - 1896), Study of a standing
female nude, probably for «Venus and Cupid» (crop), Probably
by ca. 1856.
From the 1970s Araki began to earn rave reviews for photos showing extraordinary intimacy with his
female subjects, and went on to establish a unique photographic realm suffused with the air of Eros and Thanatos (sex and death) exuded
by subjects ranging from voluptuous blooms to bondage
nudes, skyscapes, food, Tokyo street scenes, and his pet cat.
Currin's
female nudes, with their distorted breasts and necks, reference both soft - porn fantasy and Italian Mannerism, a style that itself was considered
by earlier Renaissance artists to be in dubious taste.
Surrounded
by his drying canvases, he would ask a young
nude female model to remain with him in the studio, not necessarily to paint her in a particular pose as Matisse or Bonnard might have done (he was wary of the anecdotal side of a pose and tried to avoid it as much as he could), but for a sheer physical presence next to him while he was painting, and for its influence on his perception of his subject.
Organized
by the Kunsthalle Bielefeld in Germany, Donald Judd: Early Work, 1950 - 1968, opens with a painting of a
female nude dated 1950.
In two versions of a
nude crouching
by pond, one has a Giotto - style face, the other the relatively enlarged eye - and - nose that Picasso liked to give his
female sitters.
Tom Wesselmann is represented
by a still life of products and objects found in many American homes, alongside paintings of stereotypical
female nudes that border on abstraction.
Inspired
by masters such as Marino Marini and Henry Moore, Caroline d'Andlau's work comprises original linear bronze
female nudes, animals and figured groupings, the latter including Massai warriors.
She is in the pose of a concubine in a harem popularized in the renderings of
female nudes by the early 19th - century French artist, Jean Auguste Dominque Ingres.
It's instructive to compare the brittle landscapes of the American Impressionist Childe Hassam to monumental works
by van Gogh and Cezanne; or Matisse's restless odalisque, «Blue
Nude,» to a static
female portrait
by the celebrated American academician Robert Henri.
There does seem to be some recalibration toward valuing the
female gaze, based on the careers of those four, not to mention the high prices recently paid for
nudes by artists like Mickalene Thomas, Jenny Saville, Lisa Yuskavage, and Ghada Amer.
The recurring formula of the reclining
female nude is reprised and subverted in works
by Sarah Lucas and Urs Fischer.
The work in this section, though, is patchy: a painting of a
female nude by Francis Gruber, in the Sainsbury Centre's collection, is memorably awful.
Angela Fraleigh's newest work reconsiders the classic
female nude by taking figures from Baroque and Rococo paintings and reexamining their surroundings, attire and gaze.