Sentences with phrase «by other artists into»

He arranges paintings, drawings, sculptures, found objects, and works by other artists into freely improvised installations that roam across the walls, floors, and ceilings of an exhibition space.

Mirza often incorporates references to or even works by other artists into his installations and his pieces extend beyond formal experimentation to consider the social, historical, and political conditions in which his compositions are sited.

Not exact matches

Kenneth Lonergan's Manchester By the Sea (six nominations) is another film by a real movie artist: a study of grief and the ways in which it is denied and displaced into other human activities which in turn have their effects on other peoplBy the Sea (six nominations) is another film by a real movie artist: a study of grief and the ways in which it is denied and displaced into other human activities which in turn have their effects on other peoplby a real movie artist: a study of grief and the ways in which it is denied and displaced into other human activities which in turn have their effects on other people.

Like those other films, Gallery is divided into a series of segments highlighting different aspects of the institution: the tour guides explaining a work or an artist; the craftsmen and women building frames, gallery spaces, designing and testing lighting; restorers at work fixing paintings damaged by time; and administrators debating the best ways to persevere the museums brand and grow its audience.

The best horror films of the 1980s might not have all went so far into the ether as Kubrick or Carpenter, but each one clearly came from both a unique point of view and an ambitious, capable artist, surrounded by technical geniuses and other artists who help them out as best they can.

Also, thrown into the mix, are the other tenant, a crazy artist with a dark passion for post-modernism, and Simon Pegg's best mate slacker, played by... Nick Frost?

ASSESSMENT OBJECTIVE: develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding Analysis Activity - follow Mark - making analysis of artists Put students into PAIRS give out an example of each of these artists drawing — photocopy to pair CULLEN AND AUERBACH, VAN GOGH AND POLLOCK FEININGER AND GILMAN NICOLSON AND MICHELANGELO Students to describe the marks, the quality of the lines and shapes that define the artist.

By organising visits to theatres and other arts experiences, or inviting artists into the classroom, schools open a door for their students not just to inspirational learning experiences but to lifelong opportunities.

I imagine it it does well, we'll see it for other devices in time, but I'm surprised by some of the reactions - getting the artists of Naruto, One Piece and Ouran Host Club to all sign onto digital editions must of take a lot of work and negociating with Shonen Jump Japan's editorial and Hakuensha [who did dip their toes into digital in the past with that english digital manga site that closed that they were involved in, mind you]

Inspired by the more than 700 letters the Van Gogh brothers wrote to each other, Heiligman uncovers fresh insights into Vincent's development as an artist and his relationship with the brother who supported him emotionally and financially throughout his life

A large striped armchair calls out to be snuggled into with a good book, and the eclectic art works include works by former local artist Russell Pick, antique Daumier cartoons and other works collected on the boys travels.

- dev starts with rough 3D models of a stage from the level directo - includes wireframe sketch of the sand - surfing section of the Jakku level - the team will open up the level into the game's engine and play it - that early concept is transformed with their 2D artists - artists can turn out images that capture the essence of what a level might look or feel like in a couple of days - might take six weeks to do a final pass on a level - feedback from designers and other members of the development team comes in every few days - once sketches are approved, the level is passed along to the environment artists - their job includes building the props and assets that fill levels - after the level is «built» Pick takes a look to ensure that it looks good and is consistent to the game as a whole - levels get played hundreds of time by the game's completion

Time: Friday, April 6, 12:00 pm — 1:00 pm EDT Location: Dragonfly Theatre Featuring: SNK Heroines: Tag Team Frenzy director Kaito Soranaka, veteran artist Naoto Abe, and other SNK staff Join us for a look into the history of the legendary developer of King of Fighters, Metal Slug, and SNK Heroines: Tag Team Frenzy, hosted by SNK staff.

In this piece submitted by pixel artist Alex Campos, Adventure Time's stars — Jake, Finn, Princess Bubblegum, Ice King, Rainicorn, and others — are dropped into the title screen of Super Mario Bros. 2, itself a bizarre entry for the platformer series.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley There are many ways to mask yourself, some more effective than others, and artists — the good ones — venture further into the business of masking than most.

... [snip much amazing thinking and description of great artists and their work]... Greg Allen's Destroyed Richter Paintings channel the elder artist's own private documentary images back into the photo - based painting feedback loop he once deemed «photography by other means.»

All other artist juried into the exhibition will receive an Award of Merit by email after exhibition closes.

Throughout 2016, major museums around the country announced acquisitions of works by black artists, bringing into their collections works by Njideka Akunyili Crosby, Sam Gilliam, Wadsworth Jerrell, Alma Thomas, Mickalene Thomas, Kara Walker, and Marshall, among many others.

The opportunity to develop additional programming as the result of the Tooker loan allows PAFA to pursue a symposium on a group of artists, including Peter Blume, George Tooker, Ivan Albright, and other Americans who used a realist method to invent their own worlds by transforming the symbolic language of Old Master painting into a contemporary idiom.

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

When invited to create a retrospective of her sculptural works, Janine Antoni preferred to ask herself what her works would look like when interpreted by other artists and translated into movement.

With work by both post-war artists and emerging practitioners — including Pablo Picasso, Roy Lichtenstein, Bruce Nauman, Carolee Schneemann, Jason Rhoades, Martin Kippenberger, Elaine Sturtevant, Anna Oppermann, Tetsumi Kudo, and Andrea Zittel, among others — the exhibition reflects the museum's expanded curatorial purview in its new home, which creates intergenerational dialogues between post-war and contemporary artists, and champions new narratives that provide insight into the most innovative artists working today.

A number of paintings from this phase in California — exemplified by PH - 613, 1942 — establish Still's early move into an Abstract Expressionist style well in advance of other artists in New York City.

The Ghanian artist combines old aluminum and other recycled materials and weaves them into tapestries inspired by West Africa's traditional textiles.

The mural room will be turned into a gallery for works by LeWitt and other artists «who relate to Sol's minimalist aesthetic,» museum director Susan Talbott said.

Influenced by Italian art in general, and arte povera in particular, Bolognese artist Francesca Pasquali (b1980) creates fully immersive — often site - specific — installations, using everyday and industrial materials, reappropriating them and bringing them into the public's realm of vision, and of the other senses too.

The works are organized thematically into groups including self - portraits, portraits of fellow artists and intimate scenes with family and friends, among other genres most practiced by women artists at the time.

More importantly — and more in Mr. Kim's» case than with many other artists overtly wrestling with multiple traditions — Mr. Kim's success lies in his assimilation of both eastern and western traditions, his acknowledgement of being influenced by and unavoidably immersed in several cultures, and his ability to forge his experience into successful paintings which are singularly his own.

There are also disembodied legs protruding from the walls, fixture-less sinks that oddly seem to smile at you, a headless Christ spouting water from his nipples, a gallery transmuted into a mirrored autumn forrest, and other hints that you have entered the land of the suburban surreal — the mesmeric realm occupied by Robert Gober, the artist now receiving a career retrospective at the Modern.

Perhaps the most surprising work of this trio and the one that looks the most disconcertingly new — as if painted by a young zombie formalist feminist artist — is «Voyage,» in which appliquéd bits of textile melt into the surface while other textile patterns appear as silhouettes, not literally collaged on but, rather, spray - painted.

By mixing images found in electronic or print media with imagined subjects, or by performing types of painting (like gestural abstraction or photo - projection) as self - collaboration, the artist sets up dialogs with others into his procesBy mixing images found in electronic or print media with imagined subjects, or by performing types of painting (like gestural abstraction or photo - projection) as self - collaboration, the artist sets up dialogs with others into his procesby performing types of painting (like gestural abstraction or photo - projection) as self - collaboration, the artist sets up dialogs with others into his process.

Taking the plunge into a fascinating imaginative world, Sigethy will again team up with sculptor Liz Lescault for «Fathom Full Five: Going Deeper,» a sequel to their May 2013 «Fathom» exhibition that featured beguiling forms, abstract but undeniably organic, started by one artist and completed by the other — with the promise, this time, of two large - scale installations.

All participating artists share an ambition and courage to venture out into the world and carve a name for themselves; some have already won important art prizes, others have been picked up by influential galleries or admitted to prestigious postgraduate institutions.

He has also seen tens of thousands of exhibitions, filtering these into his own curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director of London's Serpentine Galleries, as well as through various other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase work by artists born after 1989.

The works on display are: 432Hz (2009 - 2014), a wooden shell that contains honeycombs; Vorkuta (2003), a refrigeration chamber where the temperature of -30 °C contrasts with a chair maintained at a constant +37 °C by an internal thermostat; Mindfall (2004 - 2007), a container which contains a chair and tables, on which 21 electric motors turn on intermittently, one after the other, creating a sort of musical composition; Untitled (2003), a small iron room crossed by blasts of hot and cold air channelled into the space by powerful fans; and Sub (2014), a new work specially created for the exhibition at HangarBicocca, an assembly of aluminium and glass display units which the artist originally designed to exhibit her Inner Disorder (1999 - 2001) series of drawings.

At Kavi Gupta, her new sculptures will act as «Assists» for work by 16 other artists, including Polly Apfelbaum and Sol Lewitt; at the Smart, she'll wallop the prim lobby, bursting out into the garden and beyond.

Yi and Rose show up here too, and are joined by other artists who bake science and technology into progressive practices.

Through an extensive community engagement process, educational literacy workshops, and storytelling events, a curated collection of community narratives will be integrated by an artist into improved streets, sidewalks, benches, and other neighborhood infrastructure in the Oakland City neighborhood.

Jason Andrew has been a longtime activist in the Bushwick artists» community, which burst into unanticipated coherence and visibility last April at the Center for Performance Research, Brooklyn, with the three - evening run of In The Use of Others for the Change, produced by Andrew's nonprofit organization, Norte Maar.

Untitled (Healing pavilion), 2015, by Sam Falls seemed to channel Marina Abramović durational performance The Artist is Present, 2010, at MoMA with connected seating that situate two viewers looking face forward into each other.

At other times, the artist hurled bottles onto the canvas while raised on a platform or carried into the air by helicopter, hot - air balloon or crane.

In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.

The exhibition includes a ranting mop, a music box, a sculpture made of twisted plastic that rhythmically drums as it drops water into steel buckets, a whistling tree branch, an amalgamation of sensory organs made from bondo that rises more than 7 feet tall, and a drawing of a record that the artist produced by following the melody of a song with one hand and the rhythm with the other.

His interest for three - dimensionality and abstraction led him to incorporate into his works systems used by artists like Dan Flavin and Donald Judd, such as basic forms, grids and other superimpositions of materials, especially two - way mirrors.

Already, he sometimes incorporates other artists» works into his own shows; for instance, a delicate abstraction by Agnes Martin recently appeared in an otherwise rugged installation in London to enigmatic effect.

We are thrilled to provide our audiences with insight into Turner's masterful technique and process by reuniting the Frick's ports, which themselves have never before been the focus of an exhibition, with a third harbor scene from the Tate on a similar scale, along with other port scenes — both imagined and set in the present — in oil and watercolor that reveal how the artist developed this subject over time.»

The work is also framed by an accompanying text that quotes and misquotes authors such as J.G. Ballard, Hans Blumenberg and the New - York - based artist herself among many others, with an excerpt such reading, «the world is beginning to flower into wounds.

Edited by Cay Sophie Rabinowitz with texts by Nana Adusei - Poka and others, and designed by Garrick Gott, with color reproductions and in - depth critical essays, this book offers rare insights into the artist's extensive personal archive of images, concepts and ideas.

An artists and art dealer from Bergamo, Arzuffi has been so fascinated by the allure of the place that he decided to move his business into the premises, and to create a gallery for both his and other artists» work.