Sentences with phrase «by other artists like»

African American history, from the Great Migration and Jazz age are depicted by other artists like Romare Bearden (1911 - 88) and Robert Scott Duncanson (1821 - 72).
Come to the Yancey Richardson Gallery booth for «Four Heart Cakes,» and stay to see great photography by other artists like Mickalene Thomas and Rachel Perry.
Her first child, Ajax, got to be a real result of an artistic project, which was inspired by other artists like Chris Burden, Vito Acconci and Marina Abramovic, according to Marni Kotak.
Gare Saint Lazare was immortalized by other artists like Zola (The human beast), Manet (The Railway), Gustave Caillebotte and many more.

Not exact matches

The company was founded by celebrity tattoo artist Scott Campbell and longtime fashion executive Clement Kwan, and feature key pot economy products like designer vaporizer pens, edible pastilles, and other curios expected to roll out this year.
On the other side, artists like Emily Dickinson champion the idea that art can transcend time and place as a means by which reality can be experienced.
Like the artist Gale, we can feel exposed by our unfinished product — the imperfect parts of us that others typically don't see.
I make them in the oven too and my son calls them Defeated Potatoes because I flatten them with the potato masher before they go in and they look like they've been stomped on by a dinosaur or some other large creature only an 11 - year - old boy who aspires to be a comic book artist could dream up.
Most importantly, however, the film has a new site where people can set up their own screenings, and purchase copies of the film along with other stuff like screening kits and UNITE FOR LUNCH American Apparel T - shirts designed by the artist who did the illustrations in the film.
Featuring a diverse array of internationally renowned musical artists alongside interactive science activities organised by Jodrell Bank with projections on the 76 metre high Lovell Telescope, it's a show like no other.
Brazil About Blog Origami channel where Tadashi Mori show you how to make unique origami pieces that he designed or show how to make origami by other popular origami artists like Kade Chan, Naomiki Sato, Robert Lang, etc...
Like those other films, Gallery is divided into a series of segments highlighting different aspects of the institution: the tour guides explaining a work or an artist; the craftsmen and women building frames, gallery spaces, designing and testing lighting; restorers at work fixing paintings damaged by time; and administrators debating the best ways to persevere the museums brand and grow its audience.
The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.
Not only was the section quick to identify the merits of work by Andrew Bujalski, Matt Porterfield, Joe Swanberg, Josephine Decker, Alex Ross Perry and J.P. Sniadecki, among others; it has also placed their work in the historical company of more established U.S. filmmakers and artists like Jem Cohen, James Benning, Frederick Wiseman and Amie Siegel or the Canadian Forum alum Guy Maddin.
Their work has been critiqued by other writers, combed over by a hired editor errors, has a cover designed by a graphic artist, and has been e-book formatted either by a professional, or with a program like Scrivener.
Finally, any indie authors still choosing to operate under a half - arsed mentality of, «eh, I'll just publish it through Amazon», will inevitably get pushed to the bottom of the pile as those who are serious about making things work will continue to hike to the top — egged on by readers, peers and other like - minded artists within this incredibly supportive community.
The works Rabbit Ears produces are narrated by celebrity actors the likes of Jeremy Irons, Danny Glover, Jack Nicholson, Denzel Washington, Mel Gibson, Garrison Keillor, Nicolas Cage, Jonathan Winters, Michael Palin, John Candy, Morgan Freeman, Sigourney Weaver, Anjelica Huston, Meg Ryan, Meryl Streep, Glenn Close, Amy Grant, Kathleen Turner, Catherine O'Hara, Cher and others accompanied by musical scores composed and performed by top musicians of the day and illustrated by the best artists of our day.
Brazil About Blog Origami channel where Tadashi Mori show you how to make unique origami pieces that he designed or show how to make origami by other popular origami artists like Kade Chan, Naomiki Sato, Robert Lang, etc...
With a powerful combination of world - class art from some of the world's most exciting artists and best - in - class service delivered by a talented team, art» otels offer a hotel experience like no other.
- dev starts with rough 3D models of a stage from the level directo - includes wireframe sketch of the sand - surfing section of the Jakku level - the team will open up the level into the game's engine and play it - that early concept is transformed with their 2D artists - artists can turn out images that capture the essence of what a level might look or feel like in a couple of days - might take six weeks to do a final pass on a level - feedback from designers and other members of the development team comes in every few days - once sketches are approved, the level is passed along to the environment artists - their job includes building the props and assets that fill levels - after the level is «built» Pick takes a look to ensure that it looks good and is consistent to the game as a whole - levels get played hundreds of time by the game's completion
- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects
Finally, donate at this level and I'll be throwing in a number of other bonus physical goods, like an embroidered Venus Patrol patch (final design TBD) featuring the MUSI • ARTE • CODE design by Montreal - based artist, gamemaker & musician Devine Lu Linvega.
Other tools: similarweb.com Facebook graph search for pages liked by your friends, pages liked by people who like your page, groups your friends have joined look at the blogs of artists you like, who is on their blog roll or who do they talk about?
Most galleries like to work with established and known artists to be safe.How does an upcoming artist break through this glass wall created by galleries?Either I have to be terrific in my work for them to want me or I have to go gallery hopping to show them my works.What are the other options?
@CoryHuff Not necessarily «easy» — and I do believe Kiva works with artists, too (so I / we could ask how they do it)-- but I wonder if the beginning could look like this: a trip (by you or you and Melissa) to a country / town / village that is having a well dug through the water charity project — with eyes to see what the art of the area is, who the artists are — very face to face... I like the idea of broadening the vision and helping others.
While a younger generation of artists, led by Katharina Grosse, Carol Bove, and others, are finding renewed significance and surprising rewards in extemporaneous abstract painting and sculpture, certain veterans like Emily Mason never lost faith in its limitless possibilities.
Artists like David Hare, Ibram Lassaw, Adolph Gottlieb, David Smith, Willem de Kooning and several other artists are represented by Surrealist inspiredArtists like David Hare, Ibram Lassaw, Adolph Gottlieb, David Smith, Willem de Kooning and several other artists are represented by Surrealist inspiredartists are represented by Surrealist inspired works.
Art and the Feminist Revolution at LA MOCA and P.S. 1 in 2006 did not include her paintings (as they omitted work by other feminist artists like Judith Bernstein, Anita Steckel, and Betty Tompkins whose work may have appeared too transgressive).
If you are like me, a bit tired of the usually featured artists of the New York School (Pollock, Rothko, Tobey, etc.) then you will be pleasantly suprised by the «Other Talented Artists» that comprised the New York School.The starting point is the historic 9th Street Show oartists of the New York School (Pollock, Rothko, Tobey, etc.) then you will be pleasantly suprised by the «Other Talented Artists» that comprised the New York School.The starting point is the historic 9th Street Show oArtists» that comprised the New York School.The starting point is the historic 9th Street Show of 1951.
In a disconcerting way, he remains relevant by being, like so many younger artists today, not necessarily a painter per se, but an artist who uses painting coincidentally, as one of many other potential mediums available at any time; a phenomenon which in itself would merit its own investigation.
Exhibitions at West 19th Street, New York, and 24 Grafton Street, London, balance the program's historical component with presentations of recent painting, photography, sculpture, and video, among other mediums, by boundary - pushing contemporary artists like Kerry James Marshall, Oscar Murillo, Diana Thater, Wolfgang Tillmans, and Jordan Wolfson.
Her work is often an appropriation and repetition of works by other artists, like Andy Warhol, Joseph Beuys, Frank Stella, and Marcel Duchamp.
Henri had studied in Paris before returning to Philadelphia to teach and by 1892 he attracted a strong following of young illustrators including William Glackens, George Luks, Everett Shinn and John Sloan.1 In 1902, Henri began teaching at the New York School of Art where he widened his influence by instructing artists like George Bellows, Edward Hopper, Rockwell Kent, Randall Davey, Stuart Davis and others.
When invited to create a retrospective of her sculptural works, Janine Antoni preferred to ask herself what her works would look like when interpreted by other artists and translated into movement.
The thematic section «Strong Women» includes work by Frida Kahlo and her lesser - known but equally distinguished compatriots, including artists like Nahui Olin, photographer Tina Modotti, multidisciplinary artist Rosa Rolanda, and photographer Lola Álvarez Bravo, among others.
The agreement included sculptures, sets, costumes and other works by artists like Robert Rauschenberg and Jasper Johns.
Brilliantly combining world - serious and Miami playful, the Rubell Family Collection offered a mini-retrospective selected from its more than 6,300 works and 800 artists, as well as work commissioned for the exhibition from the likes of Mark Flood, Aaron Curry, Kaari Upson, Will Boone and, from newcomer Lucy Dodd, a room - long abstract painting inspired by Picasso's Guernica (watch her prices jump — the Rubells are opinion - makers, as we've seen with Hernan Bas among others).
The atmospheric townhouse was designed by Soane himself, and houses an impressive collection of Egyptian, Greek, and Roman antiquities — ancient works, yes, but ones that have proven an inspiration to contemporary artists like Fiona Tan, who made a haunting recent film about the museum, and others.
During Frieze, a group exhibition with works by artists like Dora Budor, Ann Hirsch, Donna Huanca, Carolee Schneemann, and others.
It's no surprise, of course, that a great artist like Bridget Riley should be inspired by other great artists.
Like that other revered conceptual artist Hans Haake, Macuga blurs the boundaries between artist, curator and collector by taking other artists» works and displaying them alongside objects she's found.
With a community over 65 years old comes a great history and an even greater archive... Shakespeare and Company, Paris: A History of the Rag & Bone Shop of the Heart not only examines the bookstore's presence within the city over time, but features works by acclaimed artists associated with the site, like Allen Ginsberg, Anaïs Nin, Ethan Hawke, Robert Stone and Jeanette Winterson, among others.
By mixing images found in electronic or print media with imagined subjects, or by performing types of painting (like gestural abstraction or photo - projection) as self - collaboration, the artist sets up dialogs with others into his procesBy mixing images found in electronic or print media with imagined subjects, or by performing types of painting (like gestural abstraction or photo - projection) as self - collaboration, the artist sets up dialogs with others into his procesby performing types of painting (like gestural abstraction or photo - projection) as self - collaboration, the artist sets up dialogs with others into his process.
It was with great humor, I soon found yet another linkage between the two artists; «Rivane Neuenschwander: A Day Like Any Other» was curated by Richard Flood, Chief Curator at the New Museum.
``... the general atmosphere was school - like in a good, utopian way: people working side by side, artists enjoying other artists, Manhattan a mere mirage in the wide Bushwick sky.»
Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.
For a cheeky group show «With friends like you...» — a subtle dig at the Cuban art Establishment — Aquiles covered the façade of their home in a Technicolor cladding of cans while six other artists took over the inside with process - based paintings made with human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the U.S..
Gallery guides and gallery hunts for families with children Teacher - directed gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit program
Visitors are treated to works by influential figures like Seth Price, Jill Magid, Cory Arcangel, Lynn Hershman Leeson, Oliver Laric, Sondra Perry, Trevor Paglen, Dara Birnbaum, and many other artists celebrated for revealing the aesthetic potentials of new technological developments.
Whether you're drawn here by painting, sculpture, ceramics, fiber, glass, or pieces that defy easy description, you know you're seeing — and buying — work that isn't like anything else, perhaps not even other works by the very same artist.
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