Sentences with phrase «by other artists represented»

The exhibit showcased works by other artists represented by Leo Castelli, including Andy Warhol, Robert Rauschenberg, Jasper Johns, Roy Lichtenstein and Frank Stella... American artists who broke traditional conventions and turned the eyes of the art world away from Europe and straight to the U.S.

Works by other artists represent voices from Israel, Iraq, Guatemala, Darfur, Nigeria, Rwanda, and Bosnia.

Not exact matches

Okemo's collection represents a variety of mediums (paintings, photography, photo montage, printmaking) and nearly a dozen Vermont artists (in addition to other artists from MA, NH, NY, and Canada), including a commissioned series of paintings by Vermont artist Donald Saaf at Solitude Village.

Even in this case, it must be noted that certain photographs represent a private sketch group meeting in one of the women artists» homes; in the other, the model is draped; and the large group portrait, a co-operative effort by two men and two women students of Repin's, is an imaginary gathering together of all of the Russian realist's pupils, past and present, rather than a realistic studio view.

Works representing «a pan-African sensibility in contemporary art» by American artist Robert Colescott, Ghanaian artist El Anatsui, and British artist Cornelia Parker, among others, will be on view in the last gallery.

Artists like David Hare, Ibram Lassaw, Adolph Gottlieb, David Smith, Willem de Kooning and several other artists are represented by Surrealist inspiredArtists like David Hare, Ibram Lassaw, Adolph Gottlieb, David Smith, Willem de Kooning and several other artists are represented by Surrealist inspiredartists are represented by Surrealist inspired works.

In a provocative article titled «The Curious Case of Contemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artists.

From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived tradition of African - American abstract painting (which has historically had a primarily black audience) is intermingled with the tradition of so - called self - taught or outsider artists such as Bill Traylor and Bessie Harvey (whose audience has been mostly in the rural south and mostly black); the more recent wave of African - American conceptualism represented by Adrian Piper, Lorna Simpson, and others (whose work

More than 150 artists are represented — from the well - known to the underappreciated — including works by artists not previously in PAFA's collection such as Louise Bourgeois, Kiki Smith, Joan Brown, Viola Frey, Ana Mendieta, Christina Ramberg, and Beatrice Wood (among others), as well as complementary works by artists already in PAFA's collection such as Alice Neel, Louise Nevelson, Gertrude Abercrombie, Edna Andrade, Sue Coe, Janet Fish, Sarah McEneaney, Gladys Nilsson, Elizabeth Osborne, Betye Saar, and Nancy Spero.

And rather than visiting individual galleries — and perhaps discovering new talent — collectors are focusing on market - tested trophy works carried by major dealers; are sometimes buying from Instagram or other online images without seeing the work in person; and are less willing to gamble on the emerging artists represented by small and midsize galleries.

From the group of artists represented by Denver's William Havu Gallery, art critic Michael Paglia has selected a group of contemporary artists active in Colorado and other Western states.

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

They represent the first full - length studies by Ingres to enter the Morgan's collection, joining three portraits and four additional sheets from the Thaw collection and nine other drawings by the artist.

Other works by artists including Miguel Calderon (whose 2004 video Mexico v. Brasil represents a 17 - 0 victory for Mexico), Robin Rhode, Kehinde Wiley, and Andy Warhol provide a sense of the miraculous possibilities of the sport as universal conversation piece.

She joins 19 other professional artists and architects — all elected by their peers — who represent some of the most distinguished practitioners in their respective fields.

The third installment of Prospect, the New Orleans triennial, follows suit with work by 58 artists on view at 18 venues and is further distinguished by three attributes: Franklin Sirmans serves as artistic director; He curates the show with a decidedly New Orleans lens that doesn't lose sight of the global perspective; And most significantly, there are more Black artists represented at Prospect 3 (more than 20) than at any other American biennial - style gathering in recent memory, perhaps ever.

Giuliani's attempt to punish the Brooklyn Museum by withholding city funds ultimately failed but not before generating widespread media attention and global visibility for Ofili and the other artists represented.

Be sure not to miss booths by Blain Southern from London and Berlin; Galleria Continua from San Gimignano, Beijing, Les Moulins and Havana; Gagosian from New York, Beverly Hills, San Francisco, London, Paris, Rome, Athens, Geneva and Hong Kong, featuring a vibrant contemporary program; Galerie Lelong from Paris, representing prominent contemporary artists and estates from the United States, Latin America, Europe, Asia, and Australia; Pace Gallery from New York, Palo Alto, Paris, London, Hong Kong and Seoul, a leading contemporary art gallery representing many of the most significant international artists and estates of the 20th and 21st centuries; Galerie Perrotin from New York, Paris, Hong Kong, Tokyo and Seoul; and David Zwirner from New York; among others.

Simões de Assis Galeria de Arte will bring together eight historical works by the Brazilian modernist Cícero Dias (b. 1907, d. 2003), which represent the height of his abstract creations and were produced following his move to Paris, where he became associated with other prominent artists at the time including Alexander Calder, Fernand Léger, Joan Miró and Pablo Picasso.

Be sure to check out booths by Galerie Ernst Hilger from Vienna, representing the works of artists such as Erró and Mel Ramos, along with exponents of Austrian modernism from the 1960s onward and the main exponents of the most important international art movements of the 20th century; Galerie Lisa Kandlhofer from Vienna, representing emerging and mid career artists; Galerie Thaddaeus Ropac from London, Paris and Salzburg, specialised in international, contemporary art representing around 60 artists and a number of renowned estates; SUPPAN FINE ARTS from Vienna, focusing on international and modern as well as representatives of art after 1945; and PIFO Gallery from Beijing, representing a selection of Chinese and international artists with a core focus on minimalism and abstraction; among others.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Other artists and estates represented by the gallery are Edward Avedisian, Walter Darby Bannard, Stanley Boxer, Dan Christensen, Eric Dever, Perle Fine, Judith Godwin, Balcomb Greene, Gertrude Greene, John Goodyear, Ken Greenleaf, Raymond Hendler, Jill Nathanson, John Opper, Stephen Pace, Charlotte Park, William Perehudoff, Ann Purcell, Mike Solomon, Syd Solomon, Albert Stadler, Susan Vecsey, James Walsh, Joyce Weinstein, and Larry Zox.

Martos Gallery, which recently began formally representing a roster of artists after long maintaining a more laissez faire policy of doing shows with artists represented by other galleries, will use the former STL space in Chelsea as an office and show room.

Among other purchases at ZsONA MACO, he'd picked up two paintings by Carlos Amorales (who will represent Mexico at the 2017 Venice Biennale) and a timely work by Mexican artist Minerva Cuevas, which sees a landscape dipped in chapopote or tar.

Fifteen countries will be represented in the exhibition by more than one hundred artists, with 260 works in photography, video, and other experimental mediums.

As an artist, he is represented by none other than Gagosian Gallery....

Together with solo presentations by seven other artists closely associated with Feature Inc. and a booth representing the recently launched non-profit Feature Hudson Foundation (FHF), For Your Infotainment honors a man remembered in The New York Times as «one of the most prescient, independent - minded and admired gallerists of his generation.»

Such were the concerns at the heart of the Spiral Group, whose only exhibition, the 1965 First Group Showing: Works in Black and White, is represented by works by Emma Amos, Reginald Gammon, Norman Lewis, Hale Woodruff, and others — along with additional works by these artists, including Woodruff's large abstract painting Blue Intrusion (1958).

Other artists included Jim Dine, who had a one - person show; Renée Rubin, whose Coney Island Pinball (1958), made of aluminum and oil on canvas and wood, is on view; Martha Edelheit, represented by her multi-media painting Frabjous Day (1959); and Rosalyn Drexler, whose one - person show included works made of found objects, plaster, and melted lead.

More than just a visual style, their daring mindset inspired the attitude of many other artists, including artists represented by ALICE; but the cooperation doesn't stop there - Mission artist Barry McGee joined us in 2010 under the moniker «Lydia Fong,» now in welcoming his wife, Clare Rojas, we complete the circle with the work of a couple that continues to inspire.

No such provincialism here: although the exhibition is firmly rooted in Wales (now in its seventh edition, it has for the past 12 years taken place at the National Museum Cardiff and other nearby arts centres), selected artists not only represent a broad range of national identities, but are also united by their works» concern with what Artes Mundi's director Karen MacKinnon describes as «global issues».

Other events include a talk with artist Jordan Martins at the Room and Board showroom, Thursday, October 16, from 6 - 8 pm and a private studio tour with artist Dan Gunn, represented by monique meloche gallery, on Thursday, November 13, from 6 - 8 pm.

Together with two other artists, Salazar is selected by curator Martí Manen to represent Spain in the exhibition «Los Sujetos» in the Spanish Pavilion at the 56th Ve...

The show is hung really well, but editing would have benefitted viewers to a «taste» rather than a survey, some artists represented by one piece and others represented by too many, making for a diluted experience in some cases.

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young artists.

Kagge's collection includes works by a total of 16 artists who are represented by the gallery, in addition to a number of works by other artists that have been exhibited at the gallery in the course of its history.

Scheyer, a German art dealer and collector who had represented these artists and settled in L.A. in 1925, left 450 works by the Blue Four and other modern artists (plus an archive of 800 documents) to the Pasadena Art Institute after plans had failed to give them to UCLA.

The Leipzig context will be expanded and activated by a dialogue with works by three other German contemporary artists represented in the collection: Daniel Richter, Ruprecht von Kaufmann and Stephan Balkenhol.

Through an examination of ideals of freedom and of the power of collective action, the works on view represent a range of perspectives within a local and global context by artists including: Pawel Althamer, Cyprien Gaillard, Melanie Gilligan, Shilpa Gupta, Susan Hefuna, Yoav Horesh, Sala - Manca, Wolfgang Tillmans, Danh Vo, Lawrence Weiner, Artur Žmijewski, and Natalia Zourabova, among others.

The gallery serves as a laboratory for experimentation by our represented artists as well as other leading contemporary practitioners.

And, of course, it also omits artists represented by other Atlanta galleries, making this inevitably a partial if far - ranging perspective on the aesthetic practices respected by the Atlanta art world.

But now, in a rare pairing, this 77 - year - old artist will be represented worldwide in an exclusive arrangement shared by Dominique Lévy and Marianne Boesky, who run their own, very different, galleries — one uptown, the other in Chelsea.

The Association of Mouth and Foot Painting Artists is a worldwide organization representing authors who create their artworks by manipulating their brushes and other tools with their mouth or foot.

And therein lies the power of these artists and many others represented by the adventurous 333 Montezuma: by reinterpreting past masters, not only do these contemporary artists bring their forebears (and the contentious issues they addressed) alive today, but they also infuse even their newest works with the weight of history.

Interviewees represented in this book include Gerhard Richter, Jeff Koons, Richard Serra, Gabriel Orozco, Elizabeth Murray, Harald Szeemann and Mike Kelley (among many others), and each text is accompanied by relevant works and previously unpublished photographs of the artists.

With more than 70 works by 39 artists — almost half of whom were not represented in the 1976 exhibition — Drawing Then includes works by Josef Albers, Mel Bochner, Chuck Close, Dan Flavin, Eva Hesse, Jasper Johns, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Brice Marden, Agnes Martin, Cy Twombly, Andy Warhol, Barnett Newman, Robert Rauschenberg and Ed Ruscha, among other greats.

In the second Behind the Scenes podcast produced on the occasion of the exhibition Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500 - 1800, Grasselli talks to host Barbara Tempchin about the Gallery's exceptionally rich collection of 18th - century drawings by the major artists - Boucher, Fragonard, Greuze, and Watteau, among many others - each represented by several works of outstanding quality.

The artist's landmark exhibition 66 Signs of Neon is represented through approximately one dozen assemblage works by Purifoy and other artists, including Judson Powell, Debby Brewer, and Arthur Secunda.

Other artists original to Black Folk Art in America are represented by objects not shown in the earlier show but exemplify their bodies of work.

The show was curated to present iam's output in the context of other, object - based works that were also elements of the broader projects undertaken by each of our artist / authors — projects that iam is otherwise only able to represent via our publications and editions.