Sentences with phrase «by other artists who»

Six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — select one of their own recent paintings as well as works by other artists who have been significant in their thinking about their work.

Six contemporary abstract painters each have been asked to select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.

Her exhibition les vases communicants pairs these hybrid sculptures with works by other artists who explore the link between antiquity and the present: Fay Ray, Whitney Hubbs, David Korty, Matt Lipps, and Sara VanDerBeek.

The IMMA exhibition takes Six Painters as its starting point and builds on this by showing other examples of the six artists» paintings, which display similar qualities, and works by other artists who were equally influential in Feldman's work, including Francesco Clemente, Barnett Newman, Jasper Johns, Robert Rauschenberg and many others.

In keeping with The Met Breuer's mission to present modern art in the context of the history of art, this exhibition will include select works from The Met collection by other artists who shaped Hartley's vision, including French modernist Paul Cézanne, Japanese printmakers Utagawa Hiroshige and Katsushika Hokusai, and American painters Winslow Homer and Albert Pinkham Ryder.

Through this lens he nurtured ideas of shapes, lines, and colors to be painted onto walls, often by other artists who would follow his detailed instructions, which would eventually be painted over to make room for the next exhibit, a transient reality of art that he accepted and even preferred.

As a central component of this exhibition, a series of public programs will introduce the work by other artists who have also created work in the Amazon.

It also includes works from The Met collection by other artists who shaped Hartley's vision.

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

In this exhibition six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — were asked to select one or two of their recent paintings to be shown alongside works by other artists who have had a significant impact on their thinking and the development of their practice.

Yi and Rose show up here too, and are joined by other artists who bake science and technology into progressive practices.

Her exhibition les vases communicants pairs these hybrid sculptures with works by other artists who explore the link between antiquity and the present: Fay Ray, Whitney Hubbs, David Korty, Matt Lipps, -LSB-...]

The exhibition also includes works by other artists who have been influenced by and collaborated with the Groupe.

Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.

They are shown alongside works by other artists who have shared Albers's fascination with color.

Not exact matches

The obsessed artist and entrepreneur works and operates the best when they are surrounded by others who understand and support their obsession.

Upon careful analysis, at least ten such points become apparent: (1) Blake alone among Christian artists has created a whole mythology; (2) he was the first to discover the final loss of paradise, the first to acknowledge that innocence has been wholly swallowed up by experience; (3) no other Christian artist or seer has so fully directed his vision to history and experience; (4) to this day his is the only Christian vision that has openly or consistently accepted a totally fallen time and space as the paradoxical presence of eternity; (5) he stands alone among Christian artists in identifying the actual passion of sex as the most immediate epiphany of either a demonic or a redemptive «Energy,» just as he is the only Christian visionary who has envisioned the universal role of the female as both a redemptive and a destructive power; (6) his is the only Christian vision of the total kenotic movement of God or the Godhead; (7) he was the first Christian «atheist,» the first to unveil God as Satan; (8) he is the most Christocentric of Christian seers and artists; (9) only Blake has created a Christian vision of the full identity of Jesus with the individual human being (the «minute particular»); and (10) as the sole creator of a post-biblical Christian apocalypse, he has given Christendom its only vision of a total cosmic reversal of history.

I make them in the oven too and my son calls them Defeated Potatoes because I flatten them with the potato masher before they go in and they look like they've been stomped on by a dinosaur or some other large creature only an 11 - year - old boy who aspires to be a comic book artist could dream up.

Other diversions included Ms. Redd the mermaid snapping «shellfies» with guests, a live tiki carving by noted tiki artist Billy the Crud, the Son of Lord Baltimore greeting guests and leading tours, and The Golden Tiki's resident animatronic skeleton Captain William Tobias Faulkner telling his shipwreck tale of woe to all who would listen.

Most importantly, however, the film has a new site where people can set up their own screenings, and purchase copies of the film along with other stuff like screening kits and UNITE FOR LUNCH American Apparel T - shirts designed by the artist who did the illustrations in the film.

When fed brain scans produced by students looking at fresh paintings by the same artists, the program correctly identified the painter better than chance alone: it was correct 83 per cent of the time among the six students who were art majors and 62 per cent of the time among the others (NeuroReport, DOI: 10.1097 / WNR.0 b013e3283331322).

Deutsch provides inspiration by describing the personal trials of artists and scientists who have overcome self - doubt or other setbacks to ultimately achieve success.

Because we believe that liquid liner, cat - eyes, winged flicks, and every other synonym for very kick - ass eyes deserve to be worn by ordinary people who are not professional makeup artists or 14 - year - old YouTube stars.

I gotto say, I was surprised by Pharrell Williams, who has never struck me as a powerful artist, but in picked singles he was the best choice over any other.

The Lives Of Others helmer tells the story of an artist who is haunted by is childhood during the Nazi regime.

The (probably) most pessimistic signal is that in the re-telling of the evening we see that Llewyn is followed on stage by a young Bob Dylan — the artist who, arguably more than any other, swept away the classic folk tradition by writing and performing his own songs.

Artists features on the game's «mixtape» include the following rap greats, who, we're told, are providing original songs inspired by MvsC2 and other fighting games and fighting game themes:

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Published in 1936, the tale of gentle Ferdinand, a bull who prefers sniffing flowers to fighting others, was accompanied with detailed black and white illustrations by artist Robert Lawson.

Interest is also sparked by two other characters — Mark Addy, the portly guy from «The Full Monty,» who plays Jack's keyboardist and best friend, and writer and performance artist Henry Rollins as an overly competitive hockey coach who yells a lot.

Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.

And on the other end of the age spectrum, I didn't expect to be as touched as I was by Jane Fonda in Our Souls at Night, in a role tailored to her by the expert screenwriting team of Michael H. Weber and Scott Neustadter, who also wrote The Disaster Artist.

It is also likely there will be new coveralls and a replica prop knife, and who knows what other accessories, along with the Myers mask, designed by Oscar and Emmy - winning makeup effects artist Christopher Nelson and Vincent Van Dyke.

The camera craves naive, untainted flesh on the brink of destruction — or in other words, «that whole deer in the headlights thing», as worldly wise make - up artist Ruby (Jena Malone) puts it to tremulous ingenue Jesse (Super 8 and Maleficent's Elle Fanning), who responds by doing a very serviceable impression of just that.

Those seeking a less indulgent portrait of a French artist could lose themselves in the meager charms of Michel Hazanavicius» «Redoubtable,» a self - consciously playful if largely panache - free sendup of Godard (played by Louis Garrel, with dark sunglasses and a heavy lisp) during his short - lived second marriage to the actress Anne Wiazemsky (an excellent Stacy Martin), who appeared in his film «La Chinoise,» among others.

Set in 1682 France, the romantic drama (which opened earlier this year in Australia, England and other foreign markets to mixed reviews) stars Kate Winslet as Sabine, a strong - willed landscape designer who is grieving the deaths of her husband and daughter and who is hired by landscape artist André Le Notre (Matthias Schoenaerts) to build one of the gardens at Louis XIV's (Rickman) new Palace of Versailles.

Penned by Eric Singer, the film will tell the true story of a famed financial con artist (Bale) and his mistress / partner in crime (Adams) who were forced to work with an out of control federal agent (Cooper) to turn the tables on other con artists, mobsters and politicians.

The best horror films of the 1980s might not have all went so far into the ether as Kubrick or Carpenter, but each one clearly came from both a unique point of view and an ambitious, capable artist, surrounded by technical geniuses and other artists who help them out as best they can.

I imagine it it does well, we'll see it for other devices in time, but I'm surprised by some of the reactions - getting the artists of Naruto, One Piece and Ouran Host Club to all sign onto digital editions must of take a lot of work and negociating with Shonen Jump Japan's editorial and Hakuensha [who did dip their toes into digital in the past with that english digital manga site that closed that they were involved in, mind you]

Finally, any indie authors still choosing to operate under a half - arsed mentality of, «eh, I'll just publish it through Amazon», will inevitably get pushed to the bottom of the pile as those who are serious about making things work will continue to hike to the top — egged on by readers, peers and other like - minded artists within this incredibly supportive community.

While Marvel and DC continue to focus on legacy properties that cater to a fairly narrow range of genre fans and are produced by artists who don't own the characters they work on, Image has gone in a different direction with an array of creator - owned comics that include superhero, science fiction, and other types of stories.

Renoir's Dancer is a captivatingly detailed study of an artist who should be better known for her contributions to the art world, beyond just the pretty face painted by others.

Mack, who is currently writing the series with Bendis, said that DC Exclusive artist Klaus Janson will not feature on the series, but instead it will be fully painted in the style of Elektra: Assassin by none other than Bill Sienkiewicz himself.

Inspired by the more than 700 letters the Van Gogh brothers wrote to each other, Heiligman uncovers fresh insights into Vincent's development as an artist and his relationship with the brother who supported him emotionally and financially throughout his life

It also holds more than 3,000 books and other publications, and it maintains a registry of more than 250 artists who are available by commission to paint dog portraits.

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Scenes of dialogue in the game are presented with highly detailed realistic artwork by Japanese artist Shinkiro, who some might be familiar with as the character artist from games such as Dead Rising, Resident Evil: Deadly Silence and Final Fight One as well as other Capcom titles.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Our mission is to promote independent artists in game creation by providing a space for them to showcase their work, the opportunity to reach an audience who craves to see it, and a forum to learn from each other.

Rubinstein writes: «Chia, Cucchi, Clemente, Mariani, Baselitz, Lüpertz, Middendorf, Fetting, Penck, Kiefer, Schnabel... these and other artists are engaged not (as is frequently claimed by critics who find mirrored in this art their own frustration with the radical art of the present) in the recovery and reinvestment of tradition, but rather in declaring its bankruptcy — specifically, the bankruptcy of the modernist tradition.