Sentences with phrase «by other black women»

Otherwise when individual black women try to seek healing and try to move away from the Strong Black Woman, they're very much critiqued by other black women who are still in the throes of that identity.

Not exact matches

That's why Unilever and other businesses large and small are working to figure out how to effectively tap into the spending power of African Americans — $ 1.2 trillion, largely controlled by black women.
SAN FRANCISCO — After nearly five months of digging into Uber's internal culture, its new chief human resources officer says the ride - hailing company's treatment of women — which gave it a public black eye after charges of persistent sexism and discrimination were detailed by a former employee — is no worse at Uber than at other companies.
If you and the other black women were to get together and agree among yourselves to live by that principle, you'd be in control and things would change.»
Yet amid all the casual summer wear, in some neighborhoods more than others, Hasidic men wear dark three - piece suits crowned by black hats made of rabbit fur, and Hasidic women outfit themselves in long - sleeved blouses and nearly ankle - length skirts.
In Black Feminist Criticism: Perspectives on Black Women Writers, Barbara Christian points out that «a persistent and major theme throughout Afro - America women's literature [is] our attempt to define and express our totality rather than being defined by others.&rWomen Writers, Barbara Christian points out that «a persistent and major theme throughout Afro - America women's literature [is] our attempt to define and express our totality rather than being defined by others.&rwomen's literature [is] our attempt to define and express our totality rather than being defined by others
The old newspaper clipping shows two families, one descended from a white man and a black woman and the other descended from two white people, with the text, «Interesting researches by the Carnegie Institute disprove the popular notion that a «pass - for - white» person married to a pure white may have a negro child.»
With AIDS spiraling out of control in the ghettos the last thing Blacks need is to encourage activities that spread the disease, particularly to Black women who are tricked by men posing as straight but living in sin with other men and depositing their deadly AIDS virus into the bodies of innocent, unsuspecting women and hapless men.
In other words, while a woman might claim discrimination on the basis of sex, and a black man might claim it on the basis of race, neither sex nor race alone could capture the discrimination endured by a black woman.
The old newspaper clipping shows two families, one descended from a white man and a black woman and the other descended from two white people, with the text, «Interesting researches by the Carnegie Institute disprove the popular notion that a «pass - for - white» person married to a....
Westin said Nixon's focused on voters, especially black women and other women of color and that de Blasio will be influenced by «the last four years of how Cuomo has treated him.»
Accompanied by her The Other Woman co-star, Kate Upton, Leslie was out about in Paris a few days ago wearing a black and white accordion - pleated skirt.
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As we can see through the peep or pointy - toe pumps with high or medium heel, strappy or sling back sandals, lovely ballerinas, slippers, sneakers and other must - have footwear selection enlivened by attractive zebra stripes, polka dot, snakeskin, multicolored leopard or floral prints in elegant black, poppy yellow, turquoise, pink or coral, glam metallic gold, silver or many other appealing tones to accomplish women's spring / summer 2015 wardrobe and create a distinguished look in any occasions throughout the new season.
Hi, I'm a black woman like no other you will meet, I would like to get off to a great start by telling you that.
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What a nice way to market other black women by calling them «thirsty» and mannish and suggesting that you have to teach them how to act.
What a nice way to market other black women on a by calling them «thirsty» and mannish and suggesting that you have to teach them how to act.
If you're ready to start dating white men or black women in a way that cuts out all the uncertainty as well as most potential prejudice and rejection, then you can start visiting dating websites that are used by others interested in interracial dating.
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By the end of Black Panther, T'Challa — flanked by Shuri and the other remarkable women in his life — informs the United Nations that Wakanda is now willing to share some of its innovations in order to make the world a better, safer placBy the end of Black Panther, T'Challa — flanked by Shuri and the other remarkable women in his life — informs the United Nations that Wakanda is now willing to share some of its innovations in order to make the world a better, safer placby Shuri and the other remarkable women in his life — informs the United Nations that Wakanda is now willing to share some of its innovations in order to make the world a better, safer place.
Just watch any of his interviews: He has a sharp wit and great comedic timing (when asked by BuzzFeed whether he'd rather be on the Dora Milaje's or the Avengers» wanted list, he says the Avengers because «black women is stress») and he effortlessly draws the attention of other, equally beautiful people around him.
The other nominees are Call Me by Your Name, a Best Picture contender written by Hollywood luminary James Ivory; Dee Rees and Virgil Williams's literary, astute Mudbound, which marks the first time a black woman has ever been nominated in this category; Aaron Sorkin's 10 - quips - per - minute poker drama Molly's Game; and Scott Neustadter and Michael H. Weber's The Disaster Artist.
January Dog Day Afternoon (1975, Sidney Lumet) 35 mm — 5.6 Always Shine (2016, Sophia Takal)-- 6.1 The Other Side (2015, Roberto Minervini)-- 6.7 Silence (2016, Martin Scorsese) DP — 8.6 Hidden Figures (2016, Theodore Melfi) DP — 3.9 Lumière and Company [segment](1995, Zhang Yimou) + Café Society (2016, Woody Allen)-- 6.2 [up from 5.7] Valley of Love (2015, Guillaume Nicloux)-- 6.0 Happy Hour (2015, Ryûsuke Hamaguchi)-- 7.6 + Moonlight (2016, Barry Jenkins) DP — 6.8 [up from 6.4] Red Sorghum (1987, Zhang Yimou)-- 6.7 Live by Night (2016, Ben Affleck) DP — 4.4 Paterson (2016, Jim Jarmusch) DP — 7.2 Don't Think Twice (2016, Mike Birbiglia)-- 3.6 A Monster Calls (2016, J.A. Bayona) DP — 4.9 + Silence (2016, Martin Scorsese) DP — 8.7 [up from 8.6] Indignation (2016, James Schamus)-- 5.9 + Elle (2016, Paul Verhoeven) DP — 7.3 [same] Split (2016, M. Night Shyamalan) DP — 5.8 Ju Dou (1990, Zhang Yimou)-- 7.0 Chronicle of a Summer (1961, Jean Rouch & Edgar Morin)-- 6.9 + The Nice Guys (2016, Shane Black)-- 5.8 [down from 5.9] Hunt for the Wilderpeople (2016, Taika Waititi)-- 5.2 + Cemetery of Splendour (2015, Apichatpong Weerasethakul)-- 7.4 [up from 7.2] Throne of Blood (1957, Akira Kurosawa) 35 mm — 7.0 20th Century Women (2016, Mike Mills) DP — 6.9 Tampopo (1985, Juzo Itami) DP — 6.2 Swiss Army Man (2016, Daniel Scheinert & Daniel Kwan)-- 3.1 The Bad Sleep Well (1960, Akira Kurosawa) 35 mm — 7.0 The Mermaid (2016, Stephen Chow)-- 6.0 Black Girl (1966, Ousmane Sembène)-- 7.0 Christine (2016, Antonio Campos)-- 4.4 Resident Evil (2002, Paul W.S. Anderson)-- 6.3 Resident Evil: Apocalypse (2004, Alexander Witt)-- 5.4 Resident Evil: Extinction (2007, Russell Mulcahy)-- 6.6 Resident Evil: Afterlife (2010, Paul W.S. Anderson)-- 6.9 Resident Evil: Retribution (2012, Paul W.S. Anderson)-- 7.3 Resident Evil: The Final Chapter (2016, Paul W.S. Anderson) 3D — 7.2 Raise the Red Lantern (1991, Zhang Yimou)-- 7.2 Julieta (2016, Pedro Almodóvar) DP — 6.5
One is black and one is white, but both have sons changed by war, both struggle with making a living on the land, both have women who dream of a wider world, both resent and disappoint each other but rely on and admire each other, too.
by Sasha Stone and Ryan Adams A friend of mine said to me the other day, «two of the biggest box office hits of 2017, one directed by a woman and the other by a black man.»
Black cohosh (cimicifuga racemosa) is a native North American plant that has been used for thousands of years by Native Americans to treat women's health issues, as well as other conditions.
Other women include another black artist in Mildred Thompson with Galerie Lelong, nudes by Jane Freilicher with Paul Kasman, thickly woven paintings by Harmony Hammond with Alexander Gray, mixed media on dark monochrome by Carol Rama at Fergus McCaffrey, and glitter - soaked rags from Lynda Benglis with Cheim & Read.
The repurposing, by black rural women, of scraps of worn work clothes and other textile remnants into functional bedcovers became expressive, formally sophisticated testaments of the African American struggle.
May to September were electric building - filling months at the New Museum, with four standout concurrent solo shows by women artists: the late under - known Italian visionary Carol Rama, the gnarly art of Kaari Upson, the materially complex alchemical sculptures of Elaine Cameron - Weir, and the steamy, seductive portraits of a beautiful community of black dancers and others by Lynette Yiadom - Boakye.
Boyce's exhibition «Scat: Sound and Collaboration,» presented by Iniva in 2013, focused on the significance of sound in art bringing together two immersive video works along with artefacts from the Devotional Collection, Boyce's archive of CDs, cassettes, vinyl records and other ephemera charting the history of black women in the music industry.
Ola is the Creator & Director of The Free Black Women's Library, an interactive mobile trading library that features a collection of 600 books written by Black women, performance, readings, film screenings, workshops and critical conversations that has taken place at MOCADA, the Studio Museum of Harlem, Concord Church, the Afro Punk Music Festival, Community Future Lab, Bedstuy Pride, and Weeksville Heritage Center, among other plWomen's Library, an interactive mobile trading library that features a collection of 600 books written by Black women, performance, readings, film screenings, workshops and critical conversations that has taken place at MOCADA, the Studio Museum of Harlem, Concord Church, the Afro Punk Music Festival, Community Future Lab, Bedstuy Pride, and Weeksville Heritage Center, among other plwomen, performance, readings, film screenings, workshops and critical conversations that has taken place at MOCADA, the Studio Museum of Harlem, Concord Church, the Afro Punk Music Festival, Community Future Lab, Bedstuy Pride, and Weeksville Heritage Center, among other places.
Clark was more recently included in Radical Women: Latin American Art, Brooklyn Museum, New York (2018) and the Hammer Museum, Los Angeles (2017), Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros, J. Paul Getty Museum, Los Angeles (2017); The Other Transatlantic, MoMA Warsaw, MMK Musuem fur Moderne Kunst, Frankfurt (2017); Being Modern: MoMA in Paris, 1929 - 2017, Louis Vuitton Foundation, Paris (2017); Modern Art and St Ives, Tate St Ives (2017); The Shadow of Color, curated by Rita Kersting, The Israel Museum, Jerusalem (2016/2017); Making and Unmaking, curated by Duro Olowu, Camden Arts Centre, London (2016); Life Itself, curated by Daniel Birnbaum, Moderna Museet, Stockholm (2016); Adventures of the Black Square, Abstract Art and Society 1915 - 2015, curated by Iwona Blazwick and Magnus Petersens, Whitechapel Art Gallery, London (2015).
Critics have brought out the missing history of art by blacks, women, and other outsiders to the Western canon.
By resisting being labeled as a black woman artist, Thomas received criticism for «her abstract style as opposed to other Black Americans who worked with figuration and symbolism to fight oppression.&rblack woman artist, Thomas received criticism for «her abstract style as opposed to other Black Americans who worked with figuration and symbolism to fight oppression.&rBlack Americans who worked with figuration and symbolism to fight oppression.»
The creative imagination is framed by its palpable confines; the history of women is primarily written in relationship to men, of Blacks (and others) in relation to -LSB-...]
While the other regional exhibitions (The Point Is... 2.0: Black Panther Party 50th Exhibit at Joyce Gordon Gallery, 50 Years Later: The Art Show at SoleSpace, and ICONIC: Black Panther at American Steel Studios) pay homage to the Party's rich visual legacy through specific aspects of the Party's history — including women's participation and influence throughout the Party or the Ten - Point Plan — All Power to the People provides both a thorough historical overview and contemporary meditations by artists Carrie Mae Weems, David Huffman, Hank Willis Thomas, Sadie Barnette, Trevor Paglen, and William Cordova.
... and check out the selection from Marilyn Minter and Andrianna Campbell's ANGER MANAGEMENT, a pop - up featuring resistant work by John Baldessari, Black Women Artists for Black Lives Matter, Zoe Buckman, Nicole Eisenman, Charles Gaines, Jenny Holzer, Rashid Johnson, Joan Jonas, Barbara Kruger, Glenn Ligon, Robert Longo, Laura Owens, Jack Pierson, Mary Ping, Faith Ringgold, Laurie Simmons, Rirkrit Tiravanija, and many others.
Akomfrah's 17 - minute work takes as its starting point two 16th - century drawings by Albrecht Dürer, one showing a bearded black male, the other of a black woman wearing a bonnet.
The other such party had happened Thursday at Soho House, with Russell Simmons hosting and Miguel singing, and had been attended by like a thousand fewer people than had lined up to see Miley Cyrus, accompanied by a six - foot - tall topless black woman, open Wednesday's Jeffrey Deitch party with a cover of «Super Freak.»
Art & Black Los Angeles 1960 - 1980 and The Female Gaze: Women Artists Making Their World have exploded into a tirade across Facebook — with complaints lodged by Kara Walker and Jerry Saltz among others — and now, an anonymous group has gone so far as to petition the Times to «acknowledge and address this editorial lapse and the broader issues raised by these texts.»
Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964 Robert Miller Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992 Robert Miller Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A Retrospective Susan Sheehan Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991 Robert Miller Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989 Robert Miller Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman Gallery, Los Angeles (catalogue) The Paintings of Joan Mitchell: Thirty - Six Years of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum of Art, Cornell University, Ithaca; traveled to: Corcoran Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Albright Knox Art Gallery, Buffalo; La Jolla Museum of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition of Paintings and Works on Paper Keny & Johnson Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell: Major Paintings Richard Hines Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979 Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club of Chicago, Chicago Whitney Museum of American Art, New York (catalogue) 1973 Ruth Schaffner Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Everson Museum of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Martha Jackson Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965 Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell Gallery, Southern Illinois University, Carbondale Dwan Gallery, Los Angeles Recent Paintings by Joan Mitchell Stable Gallery, New York Holland - Goldowsky Gallery, Chicago 1960 Galleria dell «Ariete, Milan Gallery Neufville, Paris 1958 Stable Gallery, New York 1957 Stable Gallery, New York 1955 Stable Gallery, New York 1954 Stable Gallery, New York 1953 Stable Gallery, New York 1952 New Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul Gallery and School of Art, St. Paul Paintings by Joan Mitchell Bank Lane Gallery, Lake Forest Solo Exhibition Home of Mrs. George Roberts, Lake Forest, Illinois 1943 Solo exhibition Francis Parker School, Chicago
The culmination came at a May 15 OPPD meeting, which was packed by members of the League of Women Voters, Black Men United, Malcolm X Foundation, Nebraska Interfaith Power & Light, Omaha Together One Community, Nebraska Wildlife Federation, Nebraska Farmers Union, and the Sierra Club, along with many other community leaders.
Interesting...... when women on «The View» shriek and threaten to pull each other's blonde hair out by its black roots, would you call that «estrogen poisoning»?
«As I take a moment to reflect on Black History Month, and what it means to me, I am humbled by the actions of Black men and women who paved the way for me, and others like me, to hold positions of leadership.
Last year, Amy Hoffman, M.F.A., editor - in - chief, Women's Review of Books (WRB) began thinking about the organizing by Black Lives Matter against police violence and other forms of racist oppression, the intersectional politics of this new movement, and its similarities and differences — in politics and strategies — from previous organizing.
Progress has been made in other areas but ownership of the sector by black people and women as well as leadership of property companies still has a long way to go.
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