Sentences with phrase «by other composers»

Matt Rogalsky works in sonic arts, with a focus on live electroacoustic music performance, intermedia installation, and study of late - 20th century live electronic music works by other composers.

The music for Dissidia 012 Final Fantasy was composed by Takeharu Ishimoto and features multiple rearrangements from previous Final Fantasy themes by other composers.

Some of Mozart's greatest works of this period will be featured in Festival programming, along with boundary - breaking works by other composers.

He was well respected by other composers including John Williams, who stated on Jarre's death,» (He) is to be well remembered for his lasting contribution to film music... we all have been enriched by his legacy.»

What really gives this music a mark above that written by other composers for similar films is that there is no schmaltz, no Hollywood glitz detracting from proceedings.

Not exact matches

Stoneman Douglas students will also perform new music written in collaboration with New York composers Joe Iconis, Bobby Cronin, Zoe Sarnak, Drew Gasparini and others, along with a tribute by shooting victim Jaime Guttenberg's dance troupe.

It's a lively volume with contributions by Terry Teachout (drama critic for the Wall Street Journal), Carol Iannone (editor of Academic Questions), and Asia himself (a distinguished composer and professor of composition at U of A), among others, and they all get to the heart of the problem of high culture at the present time in America.

In this sense, the composer literally must leave his work to be finished by others....

The audience — other young pianists and their parents — watched as I played the first eight notes of a piece by composer Edvard Grieg.

What does seem to be important is that human composers often listen to hours of music made by others.

Researchers studied 117 volunteers attending two concerts of music by composer Eric Whitacre - one at Gloucester Cathedral, the other at the Union Chapel in London.

It is certainly easy to create romantic, music inspired vignettes with Beethoven front and center, (a Romantic composer, both in genre and by nature) along with vintage sheet music and some other lovely, vintage shabby - chic treasures.

Sophisticated music lovers can go to the Grand Opera House to enjoy performances by well - known composers, comedians, bands, and other artists.

Between him and Hans Zimmer, the two composers are seemingly going to be working on every other film due to hit theaters by 2012!

Other than the premise, the only other redeeming quality is the beautifully haunting score by composer James Newton HoOther than the premise, the only other redeeming quality is the beautifully haunting score by composer James Newton Hoother redeeming quality is the beautifully haunting score by composer James Newton Howard.

Other extras are extended and deleted scenes, high definition theatrical trailers and three audio commentaries (by director Alex Proyas and screenwriterAkiva Goldsman, screenwriter Jeff Vintar, and composer Marco Beltrami).

It was the first of four collaborations between Thompson and composer Jerry Goldsmith, coming before The Reincarnation of Peter Proud, Caboblanco and King Solomon's Mines - none of them is a great movie but the quality of the scores go to show the affection Goldsmith must have had for the director (who also made films scored by Dimitri Tiomkin, Bernard Herrmann, Franz Waxman, Elmer Bernstein, John Williams and John Barry - an unbelievable fact which I doubt could be matched by any other director).

But where the film doesn't work is that a lovely score by Oscar winning composer Dario Marianelli is buried beneath the other layers.

It comes with three commentary tracks: the first by Scorsese and editor Thelma Schoonmaker, the second by cast & crew (producer Irwin Winkler, composer Robbie Robertson, actor John Turturro (who was an extra in the film), cinematographer Michael Chapman and others) and the third by the «storytellers» (Paul Schrader, Mardik Martin, Jason Lustig and Jake La Motta).

There's terrific action music all over the place in the score, with Young at times becoming the latest composer to use the ostinato - based action sound popularised by Hans Zimmer, particularly in Inception (though there's no mistaking this for anyone other than Christopher Young).

Whereas a director like Ryan Coogler may have in the past sought out luminaries in film scoring like John Williams, Hans Zimmer, or Thomas Newman — and does in fact have original music by composer, Ludwig Göransson (best known for his work with Childish Gambino)-- his decision for the soundtrack is something that other directors will surely copy.

«Äú [S] cores diluted by the use of tracked themes or other preexisting music, diminished in impact by the predominant use of songs, or assembled from the music of more than one composer shall not be eligible.

Condon, the same Oscar - winning writer of Gods and Monsters, also notes in the commentary track how a few cues from Strange Behaviour were later re-used by the composers in other films.

DVD Details: Extras on Lionsgate's DVD include a commentary track by director Rich Wong and writer / composer / actor H.P. Mendoza, deleted scenes, and trailers for other Lionsgate releases (including the vile Good Luck Chuck).

Hop over to the other similarly sterling yakker to hear DP Peter Deming (later cinematographer for David Lynch, Wes Craven, and Sam Raimi), co-screenwriter Richard Jefferies, and composer Terry Plumeri go into all aspects of the production, such as the possibility of a remake, the Chris Walas film The Vagrant (also written by Jefferies), and how the film was so very angry.

Piano was made by Estonian filmmaker Kaspar Jancis, a director, animator, and composer, who has made a few other films previously.

Among those invited to join by other branches are Netflix's Ted Sarandos (Executives Branch), composer / musician Trent Reznor (Music Branch) and writers Graham Moore, Dan Gilroy and Rick Famuyiwa.

Musically, the challenge for composer John Debney was (being serious now) following in the footsteps of Alan Silvestri's genuinely beloved music for John McTiernen's revered 1987 film; he has (and I'm not sure whether this is a compliment or not, really) proved on numerous occasions that he is able to do very good impressions of other film composers, so he was an ideal choice here — and there are times when it's hard to believe this music wasn't written by Silvestri himself, even when not directly quoting the original themes.

The film focuses on a handful of the city's musicians, including Micha Biton, whose music is heavily influenced by Moroccan sounds; singer Hagit Yaso, whose parents emigrated from Ethiopia and who sings in Hebrew, English and Arabic, among other languages; Teapacs, a band whose members have Tunisian, Moroccan, Romanian, Syrian, Polish, Russian and Yemenite heritage and whose album sales exceed 300,000; and Avi Vaknin, a singer, composer and music producer who for many years managed Sderock, a music club and educational center for teenagers.

Other memorable pieces crafted by the composer include Harmony Korine's «Spring Breakers,» Steven Soderbergh's «Contagion» and the Cinemax series «The Knick.»

The readings will be scored with original music by Grammy - nominated composer Bill Sims Jr. and other composers who worked with Wilson, and the plays will appear in the order in which they premiered, starting with Ma Rainey's Black Bottom and ending with Radio Golf.

Youth (R for profanity, sexuality and graphic nudity) Surrealistic meditation on mortality by a couple of BFFs, one, a composer (Michael Caine), the other, a filmmaker (Harvey Keitel), reflecting on the meaning of life while vacationing in the Swiss Alps.

Classical 100, the new, government ‑ backed initiative from music exam board ABRSM, Classic FM and record company Decca Classics, was introduced by ABRSM strategic director Lincoln Abbotts: the resource is built around 100 recordings of classical music pieces which teachers can draw upon in lessons, school assemblies and other school activities, alongside which there is information about the composer and stories behind the music — it is free to use and open to all schools in the UK.

It is an unbounded open function that can not be logically put into a box, other than the fact that a act of creating something itself can only be bounded by the willingness of the composer to create his / her compositions.

Dragon's Crown's soundtrack was composed by Hitoshi Sakamoto, composer of Final Fantasy Tactics and dozens of other RPGs.

Pixel Noir will be another of our great bets for 2018, if not the biggest one: a classic RPG that will delight pixel art lovers and has, among other things, a soundtrack composed by Hiroki Kikuta, composer from Secret of Mana series.

The game also featuers a soundtrack by Keiji Yamagishi, legendary composer for Ninja Gaiden (NES), Tecmo Super Bowl, Dynasty Warriors, and numerous other classic games.

The music of «Castlevania» was composed by both Kinuyo Yamashita and Satoe Terashima, two veteran musicians who made a name for female video game composers in a time and place when such were rare, though the two worked independently of each other and never fully collaborated on their tracks.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

For the first time in the Final Fantasy series, Squaresoft / Final Fantasy composer Nobuo Uematsu is joined by two other composers, Junya Nakano and Masashi Hamauzu.

Protect Me Knight is the first XBL Indie Game from Ancient, a small studio managed by game soundtrack composer Yuzo Koshiro (Streets of Rage, Etrian Odyssey, Ys... and, like, a billion other games).

Unlike most other games in the series, none of the music in this game was composed by famed composer Koji Kondo with the exception of the overworld theme, which was partly based off of his original overworld theme.

Another homebrew coder, Shiru, played Alter Ego and liked the puzzle platformer enough to port it to NES, adding new graphics, original music (by composer Kulor), and other changes.

Nevertheless, because the new soundtrack is arranged by almost a dozen different composers, some tracks are better and more interesting than others.

Wintory and other composers have been unable to write game scores through the union due to the horribly written contract by the AFM for game music projects.

Several other game composers such as Greg Edmonson, Mike Reagan and more will attend for an hour - long Q&A panel followed by a meet and greet signing.

1 are written by Tomoya Ohtani, who is most well known as the main composer for many Sonic the Hedgehog games, but has also worked on other SEGA titles such as Nights: Journey of Dreams and Rhythm Thief.

This video game soundtrack was composed by the lead composer and senior audio director of Blizzard Entertainment, Russell Brower, who is known for his compositions on other popular Blizzard titles.

The music in Super Mario Bros. was written by Koji Kondo, one of the best known video game composers in history who has since worked on most of the other Mario games as well as the Zelda series and Star Fox 64, to name a few.

The soundtrack, primarily composed by Eveline Fischer (regular series composer David Wise only contributed a few tracks) is a good mix of music, but it fails to create the atmosphere and moods that the other games in the series did so easily.