Sentences with phrase «by other human figures»

In one panel surveyed, a motif of a flautist surrounded by other human figures probably depicts part of an indigenous rite of renewal.

Not exact matches

Recognition by other human beings figures centrally among our dignity needs, and being either included or excluded from various forms of human relations has significant consequences for our wellbeing.
The worms attempt to flee because they know that those vibrations mean burrowing moles and they come to the surface, so human beings have co-opted that vibrational form which they mimic by stamping to get the worms to come up, but so have these other species, have figured this out.
By figuring out how frogs regenerate tissue, Tseng hopes she and other scientists can learn how to get stem cells to better repair or regrow tissue in humans.
Given that there is continual heating of the planet, referred to as radiative forcing, by accelerating increases of carbon dioxide (Figure 1) and other greenhouses due to human activities, why is the temperature not continuing to go up?
In the highlands of Scotland, a scientific expedition led by Elizabeth Shaw (Noomi Rapace) and her significant other Charlie Holloway (Logan Marshall - Green) discover a long - lost cave where an over -30,000-year-old painting shows a tall human - like figure pointing toward a specific set of stars.
Charms worn by Assyrians, Babylonians, Persians and Hittites were created from lapis lazuli, rock crystal and other gems and inscribed with symbolic designs, like figures of gods, humans and animals.
If you plugged Goldeneye in, on the other hand, it would devolve into Stand By Me «s pie - eating contest as everyone tries to figure out the janky controls and squint hard enough to make the blurry blobs resemble human beings.
By the late 1950s, when Kinley painted Red, White and Black and other pared down palette - knifed abstractions of landscape with subliminal suggestions of the human figure, the Vienna - born, St. Martin's - trained painter had already enjoyed two solo exhibitions at Gimpel Fils, London.
De Kooning never abandoned the human form, Pollock sought (and failed) to reappropriate it after his signature drip paintings, and Gorky's abstractions, those lyrical elisions of biomorphic shape and washy veils of pigment, are nothing if not figure painting by other means.
Siskin and Fly are continuations, on a more intimate scale, of her recent large paintings inspired by English birds, in which she gives her human figures feathered collars but few other defining accessories.
Exhibition highlights include: two ornate, figurative paintings by Australian artist Del Kathryn Barton; three large - scale, realist paintings by Terry Rodgers portraying gaunt and privileged youth; conceptual portraits by Swedish artist Sara - Vide Ericson; a mixed - media fragmented figure by Brooklyn - based artist Nathaniel Mary Quinn; four small - scale sculptural works depicting contorted human forms by Korean artist Dongwook Lee; and one large - scale surrealist drawing by German artist Dennis Scholl; among others.
Fifty paintings, sculptures, prints, and drawings by Keith Haring, Romare Bearden, Louise Bourgeois, Chuck Close, Eric Fischl, David Hockney, Luis Jimenez, Alice Neel, Philip Pearlstein, Robert Rauschenberg, Alison Saar, Miriam Schapiro, Nancy Spero, and many others document the persistence of the human figure in the second half of the 20th century.
Park's spirit — and exploration of the figure — carries into the present in the other exhibition, «The Human Spirit,» which represents some of the many artists touched by the center.
At times these carvings are clearly recognizable as human figures, in others the form is cut into with holes, and parts of the figure are even removed completely, others again appear as groups of natural - looking stones or boulders which hardly seem touched by the sculptor's chisel.
Gormley is considered by this work, and others, to have rescued the human figure - a central theme of sculpture since classical antiquity - from its long period of abstention during Abstract Expressionism's popularity.
Inspired by landscape or the human figure, their work will be exhibited alongside 58 other entries selected for the 2014 edition of the Prize.
In the period around 1930, it was rivalled only by the human figure as a focus for his exploration of form, and may be contrasted with his often more naturalistic treatment of other animal subjects.
So it's relatively easy to figure out how much the absolute level of warming from AGW could EVER theoretically be, based on how much warming we have seen to date and accounting for the portion of the warming that was caused by factors other than human GHGs.
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