Sentences with phrase «by other women artists»

Because women artists have often been overlooked and ignored in the history of art, it is rewarding to see women artists celebrated by other women artists.

Not exact matches

Like those other films, Gallery is divided into a series of segments highlighting different aspects of the institution: the tour guides explaining a work or an artist; the craftsmen and women building frames, gallery spaces, designing and testing lighting; restorers at work fixing paintings damaged by time; and administrators debating the best ways to persevere the museums brand and grow its audience.

The other nominees are Call Me by Your Name, a Best Picture contender written by Hollywood luminary James Ivory; Dee Rees and Virgil Williams's literary, astute Mudbound, which marks the first time a black woman has ever been nominated in this category; Aaron Sorkin's 10 - quips - per - minute poker drama Molly's Game; and Scott Neustadter and Michael H. Weber's The Disaster Artist.

Even in this case, it must be noted that certain photographs represent a private sketch group meeting in one of the women artists» homes; in the other, the model is draped; and the large group portrait, a co-operative effort by two men and two women students of Repin's, is an imaginary gathering together of all of the Russian realist's pupils, past and present, rather than a realistic studio view.

Every man or woman painted by Alice Neel comes across as an intriguing person with an interesting story to tell, and it shouldn't come as a surprise that, unlike other artists, she loved chatting with her models while they posed for her.

Other recent group exhibitions include Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth, Los Angeles (2016); Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York (2017); and Where We Are: Selections from the Whitney's Collection, 1900 - 1960, Whitney Museum of American Art, New York (2017).

The collective mind of Art F City critics suggest that you will quite enjoy yourself visiting and chatting with artists Carla Gannis (digital and fan of emojis and Wonder Woman), Nicholas Cueva (who probably knows more about spiritual archaeologist Klaus Dona than any other artist), and Liliya Lifanova (who's had one of her performances presented by the World Chess Hall of Fame).

Other lots to watch at Christie's are a 1982 painting by Jean - Michel Basquiat, Woman Reading by Roy Lichtenstein, and a 2004 work by Cy Twombly created by the artist in his home off the coast of Italy.

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Women's Fund.

She has edited several titles including the recently released Dorothy Iannone; You Who Read Me With Passion Now Must Forever Be My Friends, along with It Is Almost That: A Collection of Image + Text Work by Women Artists & Writers, Torture of Women by Nancy Spero, and The Nancy Book by Joe Brainard (co-edited with Ron Padgett), among others.

The thematic section «Strong Women» includes work by Frida Kahlo and her lesser - known but equally distinguished compatriots, including artists like Nahui Olin, photographer Tina Modotti, multidisciplinary artist Rosa Rolanda, and photographer Lola Álvarez Bravo, among others.

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

An Opening Reception and Gallery Talk with the curator takes place on Sunday, August 7, 2016 from 5 to 7 p.m. «Innovation and Abstraction: Women Artists and Atelier 17» presents abstract graphics and works in other media by eight aArtists and Atelier 17» presents abstract graphics and works in other media by eight artistsartists.

The works are organized thematically into groups including self - portraits, portraits of fellow artists and intimate scenes with family and friends, among other genres most practiced by women artists at the time.

Other women include another black artist in Mildred Thompson with Galerie Lelong, nudes by Jane Freilicher with Paul Kasman, thickly woven paintings by Harmony Hammond with Alexander Gray, mixed media on dark monochrome by Carol Rama at Fergus McCaffrey, and glitter - soaked rags from Lynda Benglis with Cheim & Read.

Other projects in the works include artist and outreach workshops for at - risk youth groups and women's groups focusing on the power of autobiography and self - discovery and an original work of fiction inspired by the artwork on view at Girls» Club to be featured in the upcoming exhibition catalog, to be published in Spring 2014.

May to September were electric building - filling months at the New Museum, with four standout concurrent solo shows by women artists: the late under - known Italian visionary Carol Rama, the gnarly art of Kaari Upson, the materially complex alchemical sculptures of Elaine Cameron - Weir, and the steamy, seductive portraits of a beautiful community of black dancers and others by Lynette Yiadom - Boakye.

With some of my daughter's heartbreaking reproaches about my art practice seared in my brain, I ventured out this week to see «To Be A Lady: Forty - five Women in the Arts,» a superb exhibition, curated by Jason Andrew, that features work by many legendary artist mothers, including Louise Nevelson and Grace Hartigan who famously left their offspring to be raised by others, and Alice Neel, an unconventional mother whose grandson Andrew's documentary reveals his father's deep resentment about Neel's choices.

You can join the NMWA and several other institutions in the conversation by sharing stories of women artists using the hashtag # 5womenartists on Twitter and Instagram.

On the other hand the raucous humor of the various projects depicted by Barcelona based artist and activist Leonidas Martin was quite wonderful and contagiously funny although one of the best pieces was video of a bank occupation, when in a kind of flash mob event, people closed their accounts at a branch of a major bank and a huge crowd of revelers suddenly materialized, eventually even making an initially stunned woman banker burst out laughing.

Some artists have been inspired by Du Bois» poetic writing, his 1913 Star of Ethiopia pageant, some by his early anticipation of the women's rights and environmental movements, and his warnings against nuclear proliferation and other modern afflictions.

The beautiful group of works by Matisse is complemented by other important paintings, drawings and sculpture from the Cone Collection, including a haunting Blue Period painting by Picasso titled Woman with Bangs, along with a selection of drawings from 1906, a pivotal moment in the artist's career.

Nauman's piece also relates to other explorations of the body by artists in the 1960s and 1970s, including Yves Klein's Anthropometries (1960), in which Klein painted naked women with his distinctive International Klein Blue paint and made imprints of their bodies on large sheets of paper.

The conversation will also include a response by Weiss, focusing on her own work, as well as an examination of other contemporary women artists working with body, memory, and public space.

Gillian Wearing reveals design for suffragist statue on Parliament Square The artist Gillian Wearing today unveiled her design for a statue of suffragist Millicent Fawcett in London's Parliament Square, where it will join 11 other statues of notable historical figures — the first work at this site designed by and depicting a woman.

Other topics included an influential 1983 article by Sid Sachs (University of the Arts)-- who was in the audience — on whether there was such a thing as a Philadelphia Imagist tradition; a College Art Association conference chaired by curator Judith Stein (also in the audience); the number of artists who taught and lived in both Chicago and Philadelphia (particularly Ree Morton and Rafael Ferrer); and the equal representation of men and women among the Chicago Imagists.

Deutsche Welle reviews Virtual Normality — Women Net Artist's 2.0, the upcoming group show at Museum der bildenden Künste, Leipzig featuring works by Signe Pierce, Molly Soda, and Arvida Byström among others.

Peri, like other female artists working with similar materials, was restricted by the classification of her work as either «traditional woman's work» or «craft».

As a female painter, Glasgow - based Lucy McKenzie believes it is important that she and other women artists «don't just play by the rules.»

Now, though, some of the most revelatory art on sexual themes is being made by women like Bernstein, Betty Tompkins, Juanita McNeely and Joan Semmel, best known for their paintings, and multidisciplinary artists like Schneemann and Valie Export, among others, all of whom have been producing their work for decades to little notice — if not outright persecution — from critics, curators and audiences.

These include European art from the 18th through 20th centuries in Women Artists in Europe from the Monarchy to Modernism; dedicated exhibitions of works in photography from such noted artists as Anne Collier, Sarah Charlesworth, and Catherine Opie; and sculpture by Isa Genzken, Eva Hesse, and Annette Lawrence, among others, in the Museum's quadrant galArtists in Europe from the Monarchy to Modernism; dedicated exhibitions of works in photography from such noted artists as Anne Collier, Sarah Charlesworth, and Catherine Opie; and sculpture by Isa Genzken, Eva Hesse, and Annette Lawrence, among others, in the Museum's quadrant galartists as Anne Collier, Sarah Charlesworth, and Catherine Opie; and sculpture by Isa Genzken, Eva Hesse, and Annette Lawrence, among others, in the Museum's quadrant galleries.

The work on view is selected from the Girls» Club collection of works by contemporary women artists and from other artists and other art collections.

Gnyp observes that showing work by women artists, or other marginalized artists, is also one way curators distinguish themselves today, and «get points» for being inclusive.

Three Stones has inspired the exhibition's other theme, of repetition in representations by women artists: replicating or doubling, mirroring and masking.

Organized in groupings that explore varied themes — such as «Women, Men, and Other Beasts,» «Primal Landscapes,» «An Art of Memory,» and «Vicissitudes of the Grid» — the show features key works by artists such as Louise Bourgeois, Helen Frankenthaler, Adolph Gottlieb, Philip Guston, Willem and Elaine de Kooning, Louise Nevelson, Philip Pearlstein, and Robert Rauschenberg.

Flash forward to summer 2016 where concurrent shows continue to drive an ongoing dialogue — Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016 at Hauser Wirth & Schimmel, Sigrid Sandström's Other Places marking Anat Ebgi's finale to a one - year commitment showcasing female artists, and WACKing the Piñata at ltd los angeles.

If the politicized representation of bodies and language in the art world and beyond is one strand of the show — evident also in Frank Benson's 3 - D sculpture of the transgender - renaissance woman Juliana Huxtable (a Triennial artist herself), and in the installations of Njideka Akunyili Crosby, who deals with «what it means to be a cosmopolitan Nigerian» — the other side of the exhibition features the kind of futurist imaginings embodied by Trecartin.

In the short documentary from the series Women Artists (2016) by Claudia Müller, Grosse curates a fantasy exhibition by eight other female artists and discusses her selection of artists and artworks, the relationship between their practices, and guides the viewer through a virtual realisation of her ideal group exhiArtists (2016) by Claudia Müller, Grosse curates a fantasy exhibition by eight other female artists and discusses her selection of artists and artworks, the relationship between their practices, and guides the viewer through a virtual realisation of her ideal group exhiartists and discusses her selection of artists and artworks, the relationship between their practices, and guides the viewer through a virtual realisation of her ideal group exhiartists and artworks, the relationship between their practices, and guides the viewer through a virtual realisation of her ideal group exhibition.

Among other prizes and awards, she was a recipient of the 1998 Guggenheim Fellowship in Humanities / Fine Art Research, and in December 2010 she was recognized by Spain's Association of Women in the Arts as the best female curator, with a special mention for her support of women artWomen in the Arts as the best female curator, with a special mention for her support of women artwomen artists.

I found out about the book from two other artists, both South African women who go by the name Rosenclaire, and whom I consider mentors.

His pioneering publication, Animal Locomotion (1887), included 781 plates, each a series of pictures that broke down the movement of a wide variety of animals — from horses, elephants, ostriches, and deer to men, women, and children — into discrete elements for study by scientists, artists, and others.

Other select projects include: Artistic Producer for the 4th annual Chicago Home Theater Festival, a 10 - day festival of artistic exchange within neighborhoods that have experienced systemic disinvestment featuring narratives by and about artists of color, women and femmes, migrants and immigrants, LGBTQ artists, and artists with disabilities (2016), and Project Coordinator for Our Miss Brooks: A Centennial Celebration, a national a year - long multidisciplinary celebration on the occasion of the 100th birthday of Pulitzer Prize winning poet Gwendolyn Brooks (2017).

By resisting being labeled as a black woman artist, Thomas received criticism for «her abstract style as opposed to other Black Americans who worked with figuration and symbolism to fight oppression.»

Like other domestic arts largely practiced by women, quiltmaking has been undervalued, its artists nearly always anonymous, their artistry unrecognized.

The artist's charged visual language — rooted in an exploration of identity and geography, two concepts she considers fluid — includes figures with the head of a tiger and the body of a woman, or others whose faces are obscured by astronaut's helmets, as they float, untethered, in space.

By contrast, Pretty Raw positions Frankenthaler as central to an alternative account of second - generation artists figured as more «feminine,» not only for the contributions of Frankenthaler, Grace Hartigan, Jane Freilicher, and other women, but also for the gay artists who presented a counterpoint to the previous generation's macho posturing.

Forty - five Pratt - related Brooklyn artists responded to social media inquiries and other means of networking initiated by the two women, and the institution itself jumped all over the idea, promoting it in an announcement as an opportunity «to strengthen your professional practice by making new links and finding new audiences.»

In Ellen Cantor's restaging of Coming to Power: 25 Years of Sexually X-Plicit Art by Women, the landmark show that she originally curated in 1993 at the David Zwirner Gallery, there are the obvious standouts: Yoko Ono's Object in Three Parts — Revolution (1966), recreated in 2016 with «new parts» but the same formula of objects (the diaphragm, condom and birth control pill); Louise Bourgeois» Janus and Janus in Leather Jacket (both 1968); Nancy Spero's Sheela and Dancing Figures (1986); Zoe Leonard's photographs, Frontal View and View from Below, Geoffrey Benne Fashion Show (1990); and other well - known artists protesting male - dominated worlds.

Through the increase of Women's Movement literature and the radical idea that gender is constructed and not predetermined by genitalia, Chicago felt the need to rediscover herself as a woman artist, to determine what women's art was, and to help other women become professional artWomen's Movement literature and the radical idea that gender is constructed and not predetermined by genitalia, Chicago felt the need to rediscover herself as a woman artist, to determine what women's art was, and to help other women become professional artwomen's art was, and to help other women become professional artwomen become professional artists.

While the other regional exhibitions (The Point Is... 2.0: Black Panther Party 50th Exhibit at Joyce Gordon Gallery, 50 Years Later: The Art Show at SoleSpace, and ICONIC: Black Panther at American Steel Studios) pay homage to the Party's rich visual legacy through specific aspects of the Party's history — including women's participation and influence throughout the Party or the Ten - Point Plan — All Power to the People provides both a thorough historical overview and contemporary meditations by artists Carrie Mae Weems, David Huffman, Hank Willis Thomas, Sadie Barnette, Trevor Paglen, and William Cordova.