Sentences with phrase «by outside curator»

On November 10th, Anytime Dept. opened «Replacing Place,» its first exhibition organized by an outside curator, the artist and educator MK Guth from Portland.

Not exact matches

In his satire The Square, the curator of an art museum attempts to gin up publicity by creating a literal, physical safe space just outside the building.
That's the title of the catalog essay by one of this Biennial's three outside curators, Stuart Comer of the Museum of Modern Art.
Along the way, she is joined by a roster of voices from both inside and outside the art world, including MoMA curators, conservators, and educators; Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem; artists such as Martine Syms, Jo Baer, and Carolee Schneemann; famous friends, including Hannibal Buress, Samantha Irby, Mark Morris, Questlove, RuPaul, and Tavi Gevinson; and even Abbi's three - year old niece, Stella.
Catalogue Carlos Rolón: Outside / In will be accompanied by a catalogue that features essays by NOMA's Curator of Modern and Contemporary Art Katie A. Pfohl, the Perez Art Museum's Curator of Contemporary Art Maria Elena Ortiz, and the Museo de Arte de Ponce's Associate Curator of European Art, Pablo Pérez d'Ors, an interview of Carlos Rolón by NOMA's Andrew W. Mellon Foundation Fellow for Modern and Contemporary Art Allison Young, as well as short essays by artist Theaster Gates and NOMA Curatorial Fellow Lucia Momoh.
Their living legacy will better prepare the participating artists to respond to grant proposals, calls for exhibitions, and present their works to curators during studio visits; thus enabling them to further their careers by taking advantage of opportunities at home and outside the Deep South.
To reaffirm our commitment to this vibrant and historically significant multicultural neighborhood, Artists Alliance sponsors the Lower East Side Rotating Studio artist residency Program with artists chosen by a panel of outside artists, curators, and arts professionals.
Founded by artist - curator Ria Keburia, the residency lasts between two weeks and one month, and covers all travel expenses (up to 400 EUR from Europe; up to 1000 EUR from outside of Europe) as well as production costs.
To reaffirm our commitment to this vibrant and historically significant multicultural neighborhood, AAI sponsors the Lower East Side Rotating Studio artist residency Program with artists chosen by a panel of outside artists, curators, and arts professionals.
Art outside the color spectrum fills the first exhibition organized by new Senior Curator Michael Goodson for the Wexner Center for the Arts
A prolific curator and writer outside of his artistic practice, Cattelan is seen by many as one of Duchamp's greatest contemporary heirs, enacting morbidly humorous transformations on objects and history alike.
With text and analysis by museum director Bill Arning, curator Dean Daderko and senior curator Valerie Cassel Oliver, Outside the Lines details, in three sections, Arning's UIA (Unlikely Iterations of the Abstract) and Painting: A Love Story; Daderko's Outside the Lines and Rites of Spring; as well as Cassel Oliver's Black in the Abstract: Epistrophy and Black in the Abstract: Hard Edges / Soft Curves.
SCHEDULE OF PLANNED EVENTS: 11 November, 6 - 8 pm — Performance of Covers by artist Harold Offeh 18 November, 6 - 8 pm — Threshold, gallery intervention & event by artist Can Altay 19 November,6 - 8 pm — Film Screening & artist talk with Grace Weir 2 December, 6 - 8 pm — Domusplinth, gallery intervention & event by artist Richard Venlet 3 December, 2 - 4 pm — Greatness Zine Launch with artist Sarah Pierce and CCS Bard students 9 December, 6 - 8 pm — FEEL OK, sound bath by artist David Blamey 10 December, 6 - 8 pm — Film screening & conversation by artist Jasmina Cibic 14 December, 6 - 8 pm — Book launch & conversation by artist Katarina Burin with curator Jacob Proctor and others 15 - 22 December — «We are the Margins,» a program - outside - of - a-program by CCS Bard graduate students
It also came just as the organizer of Radical Presence, Contemporary Arts Museum Houston senior curator Valerie Cassel Oliver, was preparing to open the first installment of Black in the Abstract, a two - part exploration of abstract painting by black artists, as part of CAMH's six - exhibition, two - installment abstraction extravaganza, Outside the Lines.
AAI sponsors the Lower East Side Rotating Studio artist residency Program with artists chosen by a panel of outside artists, curators, and arts professionals in order to reaffirm our commitment to this vibrant and historically significant multicultural neighborhood.
The winner was determined by an outside panel of three jurors: Polly Apfelbaum, a New York - based artist; Isolde Brielmaier, an independent curator and writer; Lucy Gallun, a curatorial assistant in the Photography department of The Museum of Modern Art; and Tina Kukielski, a member of the team curating the 56th Carnegie International, a leading global survey of contemporary art.
Organized by Evelyn Hankins, a curator at the Hirshhorn, this is also Mr. Irwin's first major American survey outside his native California in nearly 40 years and the first anywhere devoted entirely to his work from the 1960s, when, in full experimental mode, he was shifting the emphasis of his own art from psychic encounters to physical ones, from precious objects to environments, places of contemplation.
The seventy - seventh Whitney Biennial — on view March 7 — May 25, 2014 — is being organized by three outside curators: Stuart Comer, Chief Curator of Media and Performance Art at MoMA; Anthony Elms, Associate Curator at the Institute of Contemporary Art in Philadelphia; and Michelle Grabner, Professor in the Painting and Drawing Department at the School of the Art Institute of Chicago.
Lawrence Rinder is the Curator of Contemporary Art at the Whitney Museum of American Art, and was Chief Curator of the 2002 Whitney Biennial which was not restricted by a single theme, and aimed to expose multiple, sometimes conflicting currents, as well as extraordinary works that fall outside of any conventional aesthetic definition.
In this way the curator voluntarily decides to be subjected or ruled by the artist, becoming a subject of his work, rather than directing operations from the outside.
The Walker - produced exhibition catalogue offers an in - depth study of the international Pop phenomenon with essays by scholars, film critics, and curators from Argentina, Brazil, Japan, Britain, the United States, Hungary, and Italy; an extensive visual chronology; a roundtable discussion; and a selection of stunning images, many rarely seen outside their countries of origin.
The exhibitions, organized by a parade of well - regarded outside curators, kicked off with a three - year, three - part series on African photography accompanied by a trilogy of beautifully produced scholarly catalogues.
Organized by artist Harrell Fletcher and Jens Hoffmann, Director, Wattis Institute for Contemporary Arts, CCA, and produced by Independent Curators International (ICI), the traveling exhibition examines the work of artists who operate outside the MFA programs, commercial galleries, and major museums that make up the mainstream art world.
The 77th Whitney Biennial will, this year, be corralled by three curators sourced from outside the institution (but no less internationally regarded): Stuart Comer (Chief Curator of a Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and a professor in the Painting & Drawing Department at the School of the Art Institute of Chicago).
The Mana Residencies program was founded by two former gallerists, Ysabel Pinyol (now Chief Curator at Mana) and Karline Moeller (founder of Art Frankly), in efforts to provide artists access to the time and space needed to engage in process, and is devoid of outside pressures associated with the commercial and social elements of the art world.
The New Museum concentrates on expanding its global scope by presenting a series of one - person exhibitions of contemporary artists from outside of the US and Europe under the curatorial leadership of Senior Curator Dan Cameron and Curator - at - large Gerardo Mosquera.
He also founded the self - invented Novo Museo Tropical, an artwork and itinerant museum he describes as «a museum yet to physically exist somewhere in the tropics» most recently seen as part of the exhibition The Insides are On the Outside curated by Hans Ulrich Obrist at Lino Bo Bardi's Casa de Vidro in São Paulo in 2013, and was the curator of the first and equally self - initiated Bienal Tropical in San Juan (2011).
do it: the compendium is edited by Hans Ulrich Obrist and Kate Fowle and is co-published by Independent Curators International (I.C.I.) and Distributed Art Publishers (D.A.P.) do it (outside) coincides with the launch of the 2013 publication.
The biennial, after all, is sponsored in part by Sotheby's, and many of the auction house's clients packed the Tuesday night opening while hundreds of others (including at least one former Whitney Biennial curator) queued in the cold outside.
Inner Worlds Outside is co-curated by Jon Thompson, artist and critic, and Monika Kinley, curator and collector.
Organized by writer and curator Jan Tumlir, in the center of the exhibition stands a large structure, similar to a cage with work hung on its outside surfaces.
Made possible by a curatorial fellowship grant from the Andy Warhol Foundation for the Visual Arts, the convening was hosted by the Walker's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither, who invited a group of curators, programmers, artists, and producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platforms.
Vox is interested in exhibitions by national and international artists and curators from outside the larger Philadelphia area.
As experienced commissioners of large - scale contemporary art, curators from the Lisson Gallery, in association with Berengo Studio, are displaying a range of major pieces by 19 artists, both inside and outside the historic Venetian Palazzo Franchetti.
HAMMER LECTURES Hammer Lectures include artist talks, gallery walkthroughs, and discussions by Hammer Museum curators and outside experts.
He is one of four guest curators currently putting together an exhibition of 20th century art linked by the theme of the everyday, a subject which it transpires is close to his heart, at the Castello di Rivoli just outside Italy's motor city.
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