Sentences with phrase «by paint strokes»

Not exact matches

The Guadalupe image is made from everyday paint, the kind typically used by artists in the 1500's, and even shows brush strokes and perhaps pencil marks.
The old square three - tree design has been replaced by a modern - looking paint - stroke illustration of a single tree over a bridge and water.
«You can't blend colors together on the painted surface, so gradations have to be made by laying down successive strokes of lighter or darker paint,» says Gifford.
And that's not all, there are lots of ways you could vary this project to make scarves with a completely different look using the same paint — for example, you could try dragging the brush strokes all the way across the width of the scarf to create uneven stripes (like this beauty by Kate Spade) or you could wet your scarf first to make the paint bleed for more of a watercolour look.
The giclée reproduction on canvas is enhanced by hand with paint strokes that follow the lines of the original painting.
Make them pop by using an angled brush dipped in a gel formula to paint a thin stroke along your upper lash lines.
The instructor walks you through the entire painting, stroke by stroke.
This paint - stroke design, inspired by Portuguese Azulejo tile art, is the perfect pop of chic for your sleep space.
I created this design by painting nail in white and then adding a few short strokes and dots in black.
It's a smart movie — a quintessentially L.A. one, too, in its self - awareness (the nameless hero is a stuntman, Richard Rush fans take note), and it has an extraordinary quality of stillness that paints in confident strokes what it feels like to be completely alone by luck you call choice.
Loosely based on Walter Isaacson's best - selling biography with a screenplay by Aaron Sorkin («The Social Network»), Danny Boyle's («127 Hours») Steve Jobs is not a conventional biopic of the famous co-founder of Apple Computers but is more like an impressionist painting — short strokes of paint that capture the essence of the subject rather than...
After a promising start, buoyed by the prospect of Mitchum gumshoeing his way into uncharted Asian territories, Pollack stops to paint Kilmer in the finest possible strokes, and he does it all in dialogue.
OPTION PACKAGES6.7 L 32 - VALVE PWR STROKE V8 TURBO DIESEL ENGINE: 750 CCA 78 - AH dual batteries, intelligent oil life minder, 14K trailer hitch receiver w / 2.5 trailer hitch & 2 sleeve reducer, NAVIGATION SYSTEM W / HD RADIO: AM / FM stereo w / CD / MP3 player, USB port, in - dash touch screen, voice - activated controls, SIRIUS Travel Link capability, digital clock, (8) speakers, subwoofer, (4) 20 CHROME - CLAD CAST ALUMINUM WHEELS, KING RANCH W / CHROME PKG: Pale Adobe lower accent two - tone paint, accent color wheel lip molding, accent color box top & tailgate molding, body - color grille w / chrome insert, accent color front bumper, accent color rear bumper w / step pad, accent color lower bodyside moldings, King Ranch fender badges, body - color mirror caps, PowerScope mirrors w / memory, King Ranch center cap on wheels, front / rear floor mats w / King Ranch logo, unique King Ranch Chaparral leather - wrapped steering wheel w / SYNC controls, Chaparral Brown leather heated / cooled pwr front seats w / driver memory 4x4, Onboard Communications System.OUR OFFERINGSStop by Larry H. Miller Toyota Boulder and check out the beautiful selection of new and pre-owned vehicles with amazing pricing / financing options.
In text inspired by informal, ongoing interviews with a class of fifth - graders, Close talks about his paintings and life, including overcoming his physical disabilities: life - long dyslexia and a stroke that left him wheelchair - bound.
Whether it's searching for red - shouldered hawks at the precipice of a trail, painting broad strokes of the setting sun from an overlook, or meditating on a rocky outcrop discovered by following a lesser - known trail, the experiences we embrace on trails are limitless.
Developed by Climax Studios in collaboration with Ubisoft Montreal, Assassin's Creed Chronicles brings the thrill of being a Master Assassin to 2.5 D. Brought to life by fusing the essence of Chinese 16th - century traditional brush strokes with more contemporary impressionistic styles, Shao Jun's adventure will immerse players in a living painting as they traverse undetected across China's historical landmarks.
Imagine looking at a painting, of being moved by elements of its brush work or some other features within the strokes, of having feelings stir within you as a result of having looked upon it.
Across from Greenan, Peter Blum's booth reserved a small room for paintings and drawings by David Reed, most of which felt related to the «stroke» paintings from the 70s on view at the Rose Art Museum's recent show Painting Paintings (David Repaintings and drawings by David Reed, most of which felt related to the «stroke» paintings from the 70s on view at the Rose Art Museum's recent show Painting Paintings (David Repaintings from the 70s on view at the Rose Art Museum's recent show Painting Paintings (David RePaintings (David Reed) 1975.
Motifs glide in and out; graphite lines trace the contours of unknown plants and body parts, accented by strokes of green, yellow, orange, and red crayon drifting like blossom petals across the surface... the drawings in this show suggest that Gorky's aesthetic is invested in the cultivation of visual ideas that transcend the individual artwork, a process that is occasionally frozen in paint
In «The First of May,» a large canvas from 1960, he paints a landscape of soft colors dominated by a towering plane tree whose branches and leaves are rendered in a swirl of strokes evoking Mr. de Kooning's gestural style.
Composed by hand and painting knives, each stroke relays a rhythmic action that draws in the viewer to engage and react to every movement.
In these works, the expressionist brush strokes of his early paintings are replaced by the effects of a vapor evaporator, a piece of specialized machinery that allowed Bell to apply subtle gradations of translucent color.
By building layer upon layer of close valued, luminous colored strokes of oil paint, across areas and vast fields of highly keyed, chromatically rich, and close valued color, Monet achieved a look and feel that goes well beyond conventional easel painting.
A large square of linen is dominated by white strokes like big curving thumbprints dragged through paint, with deep reds, purples, and yellows showing through in between.
The paintings on exhibition are marked by an action of making so patently visible as marks, daubs and strokes of colour on the surface that the making and seeing of the scene are brought together in the painting.
In a recent documentary interview, Appel explained why she considers herself a Romantic landscape painter: «Not recording mimetically what lay before me, but trying to express the excitement I felt in response to nature by using paint - soaked brush strokes on a large canvas wherein the over-lapping layered strokes of color were metaphors for the contiguities found in nature.
«Study from the Human Body» takes its title from a major painting by Francis Bacon which conveys a naked man in motion rendered in characteristic brush strokes of pink, purple and white.
In this way his most relevant counterpart from the United States may be Robert Ryman, though while the American emphasized his paintings» unorthodox supports by purging color, Mr. Viallat soaks his tarps and parasols with brushy strokes in a bright, Matissean range of blues and yellows, pinks and whites.
One of the largest paintings from this period, «The Year» (1964) is dominated by the presence of two great black personages floating in a field of luscious wet - on - wet strokes.
Karen Wilkin explains, «The most apparently self - referential cluster of strokes on his recent calligraphic gesture paintings often have their origins in shorthand references to the characters in Saito's haunting performances, transformed and made independent by their new context.»
The artist began the series by attempting to paint beachy horizons, and retains the sand - and - surf palette and horizontal strokes.
These drawings and paintings form only a small part of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced by the likes of Henry Moore, with an interest in the permeation of mass and space — and various styles of abstract painting, incorporating both a Picasso-esque period and a later phase of collage and childlike strokes, calling to mind the likes of Paul Klee and Joan Miró.
Many of the works are created by simply using the path of the brush stroke, very often using common house paint.
In fine art, the paint itself was considered the critical, essential element, and the trend in seeing paint in this way began in the brush strokes of the Impressionists, was codified by Cezanne, and was rendered most clearly by W.J.M. Turner in his brushiest millennial masterpieces.
A stretched canvas forms the work's primary structure; loosely applied paint, punctuated by an isolated cluster of thick, frenetic paint strokes, consolidates multiple layers of paper and fabric fragments, concealing much of the surface.
In particular, on the west side of the building next to tall windows, visitors will have a penetrating light to reveal the brush strokes of Arshile Gorky's iconic The Artist and his Mother (seventh floor), to inspect the surfaces of Jasper Johns's White Target and Frank Stella's magisterial Die Fahne Hoch (side by side on the sixth floor) and not far from the Hudson (turn around and look from the fifth floor window) a fluvial Cy Twombly grey blackboard painting from 1968.
At The Art Show, in a thematic presentation from Van Doren Waxter and Eleven Rivington, works on paper by Diebenkorn — brand new to the market — highlight the artist's painted figures and what dealer Dorsey Waxter describes as the «long, translucent strokes» and a «fascinating attention to brushstroke that defines each work.»
The bold, textured gestural stroke, a hallmark of Abstract Expressionist painting, continues to be an essential tool of expression by artists.
In these smaller works, he collaged international newspapers, old magazines and mail order catalogues transformed by bold strokes of paint into dynamic compositions.
He painted his beloved wife, Musa, almost obsessively after she suffered a stroke as if he was willing her back to health by the act of painting.
With strokes both gestural and hard - edged, the silver paintings are a heap of contradictions: they catcall only to become invisible; their spontaneity is policed by tape.
On the left, we are presented with the quivering light and variegated brush strokes one would find in a painting by the French Impressionist Claude Monet (1840 - 1926).
Sir Howard Hodgkin, who has died aged 84, was literally a broad - brush artist, the width of whose lush, pigment - loaded strokes was accentuated in all but the later paintings by the smallness of the surface.
Consisting of volumes structured by linear strokes, his painting technique resembles drawing.
The caption reads: «The eye - catching abstract painting by David Palmer in the informal eating area reflects off the mirror - like black granite countertop in the adjoining kitchen...» Installed in an historic, stately, century - old Back Bay Brownstone, David's bold, undulating, swooping and knotting single stroke painting over a pristine white ground gives the space a magical sense of life.
He creates this optical play by troweling oil paint onto the face of the canvas and then pulling a stiff bristle brush across its surface in a single stroke achieved through muscle memory.
Monochrome or near monochrome fields might be interrupted by blocks of colour; geometric volumes softened by streaks or strokes of paint — applied with a brush or sometimes the artist's hands.
He creates his paintings by troweling oil paint onto the face of the canvas and then pulls a stiff bristle brush across its surface in one single stroke.
A visitor looking at an untitled work on linen from 1962 by Robert Ryman, clearly painted one stroke at a time.
He is interested not in brush strokes, the paintings are entirely without gesture, but in the impasto brought about by this layering which in turn lends the heads an extraordinary three - dimensionality.
a b c d e f g h i j k l m n o p q r s t u v w x y z