Not exact matches
The Guadalupe image is made from everyday
paint, the kind typically used
by artists in the 1500's, and even shows brush
strokes and perhaps pencil marks.
The old square three - tree design has been replaced
by a modern - looking
paint -
stroke illustration of a single tree over a bridge and water.
«You can't blend colors together on the
painted surface, so gradations have to be made
by laying down successive
strokes of lighter or darker
paint,» says Gifford.
And that's not all, there are lots of ways you could vary this project to make scarves with a completely different look using the same
paint — for example, you could try dragging the brush
strokes all the way across the width of the scarf to create uneven stripes (like this beauty
by Kate Spade) or you could wet your scarf first to make the
paint bleed for more of a watercolour look.
The giclée reproduction on canvas is enhanced
by hand with
paint strokes that follow the lines of the original
painting.
Make them pop
by using an angled brush dipped in a gel formula to
paint a thin
stroke along your upper lash lines.
The instructor walks you through the entire
painting,
stroke by stroke.
This
paint -
stroke design, inspired
by Portuguese Azulejo tile art, is the perfect pop of chic for your sleep space.
I created this design
by painting nail in white and then adding a few short
strokes and dots in black.
It's a smart movie — a quintessentially L.A. one, too, in its self - awareness (the nameless hero is a stuntman, Richard Rush fans take note), and it has an extraordinary quality of stillness that
paints in confident
strokes what it feels like to be completely alone
by luck you call choice.
Loosely based on Walter Isaacson's best - selling biography with a screenplay
by Aaron Sorkin («The Social Network»), Danny Boyle's («127 Hours») Steve Jobs is not a conventional biopic of the famous co-founder of Apple Computers but is more like an impressionist
painting — short
strokes of
paint that capture the essence of the subject rather than...
After a promising start, buoyed
by the prospect of Mitchum gumshoeing his way into uncharted Asian territories, Pollack stops to
paint Kilmer in the finest possible
strokes, and he does it all in dialogue.
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In text inspired
by informal, ongoing interviews with a class of fifth - graders, Close talks about his
paintings and life, including overcoming his physical disabilities: life - long dyslexia and a
stroke that left him wheelchair - bound.
Whether it's searching for red - shouldered hawks at the precipice of a trail,
painting broad
strokes of the setting sun from an overlook, or meditating on a rocky outcrop discovered
by following a lesser - known trail, the experiences we embrace on trails are limitless.
Developed
by Climax Studios in collaboration with Ubisoft Montreal, Assassin's Creed Chronicles brings the thrill of being a Master Assassin to 2.5 D. Brought to life
by fusing the essence of Chinese 16th - century traditional brush
strokes with more contemporary impressionistic styles, Shao Jun's adventure will immerse players in a living
painting as they traverse undetected across China's historical landmarks.
Imagine looking at a
painting, of being moved
by elements of its brush work or some other features within the
strokes, of having feelings stir within you as a result of having looked upon it.
Across from Greenan, Peter Blum's booth reserved a small room for
paintings and drawings by David Reed, most of which felt related to the «stroke» paintings from the 70s on view at the Rose Art Museum's recent show Painting Paintings (David Re
paintings and drawings
by David Reed, most of which felt related to the «
stroke»
paintings from the 70s on view at the Rose Art Museum's recent show Painting Paintings (David Re
paintings from the 70s on view at the Rose Art Museum's recent show
Painting Paintings (David Re
Paintings (David Reed) 1975.
Motifs glide in and out; graphite lines trace the contours of unknown plants and body parts, accented
by strokes of green, yellow, orange, and red crayon drifting like blossom petals across the surface... the drawings in this show suggest that Gorky's aesthetic is invested in the cultivation of visual ideas that transcend the individual artwork, a process that is occasionally frozen in
paint.»
In «The First of May,» a large canvas from 1960, he
paints a landscape of soft colors dominated
by a towering plane tree whose branches and leaves are rendered in a swirl of
strokes evoking Mr. de Kooning's gestural style.
Composed
by hand and
painting knives, each
stroke relays a rhythmic action that draws in the viewer to engage and react to every movement.
In these works, the expressionist brush
strokes of his early
paintings are replaced
by the effects of a vapor evaporator, a piece of specialized machinery that allowed Bell to apply subtle gradations of translucent color.
By building layer upon layer of close valued, luminous colored
strokes of oil
paint, across areas and vast fields of highly keyed, chromatically rich, and close valued color, Monet achieved a look and feel that goes well beyond conventional easel
painting.
A large square of linen is dominated
by white
strokes like big curving thumbprints dragged through
paint, with deep reds, purples, and yellows showing through in between.
The
paintings on exhibition are marked
by an action of making so patently visible as marks, daubs and
strokes of colour on the surface that the making and seeing of the scene are brought together in the
painting.
In a recent documentary interview, Appel explained why she considers herself a Romantic landscape painter: «Not recording mimetically what lay before me, but trying to express the excitement I felt in response to nature
by using
paint - soaked brush
strokes on a large canvas wherein the over-lapping layered
strokes of color were metaphors for the contiguities found in nature.
«Study from the Human Body» takes its title from a major
painting by Francis Bacon which conveys a naked man in motion rendered in characteristic brush
strokes of pink, purple and white.
In this way his most relevant counterpart from the United States may be Robert Ryman, though while the American emphasized his
paintings» unorthodox supports
by purging color, Mr. Viallat soaks his tarps and parasols with brushy
strokes in a bright, Matissean range of blues and yellows, pinks and whites.
One of the largest
paintings from this period, «The Year» (1964) is dominated
by the presence of two great black personages floating in a field of luscious wet - on - wet
strokes.
Karen Wilkin explains, «The most apparently self - referential cluster of
strokes on his recent calligraphic gesture
paintings often have their origins in shorthand references to the characters in Saito's haunting performances, transformed and made independent
by their new context.»
The artist began the series
by attempting to
paint beachy horizons, and retains the sand - and - surf palette and horizontal
strokes.
These drawings and
paintings form only a small part of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced
by the likes of Henry Moore, with an interest in the permeation of mass and space — and various styles of abstract
painting, incorporating both a Picasso-esque period and a later phase of collage and childlike
strokes, calling to mind the likes of Paul Klee and Joan Miró.
Many of the works are created
by simply using the path of the brush
stroke, very often using common house
paint.
In fine art, the
paint itself was considered the critical, essential element, and the trend in seeing
paint in this way began in the brush
strokes of the Impressionists, was codified
by Cezanne, and was rendered most clearly
by W.J.M. Turner in his brushiest millennial masterpieces.
A stretched canvas forms the work's primary structure; loosely applied
paint, punctuated
by an isolated cluster of thick, frenetic
paint strokes, consolidates multiple layers of paper and fabric fragments, concealing much of the surface.
In particular, on the west side of the building next to tall windows, visitors will have a penetrating light to reveal the brush
strokes of Arshile Gorky's iconic The Artist and his Mother (seventh floor), to inspect the surfaces of Jasper Johns's White Target and Frank Stella's magisterial Die Fahne Hoch (side
by side on the sixth floor) and not far from the Hudson (turn around and look from the fifth floor window) a fluvial Cy Twombly grey blackboard
painting from 1968.
At The Art Show, in a thematic presentation from Van Doren Waxter and Eleven Rivington, works on paper
by Diebenkorn — brand new to the market — highlight the artist's
painted figures and what dealer Dorsey Waxter describes as the «long, translucent
strokes» and a «fascinating attention to brushstroke that defines each work.»
The bold, textured gestural
stroke, a hallmark of Abstract Expressionist
painting, continues to be an essential tool of expression
by artists.
In these smaller works, he collaged international newspapers, old magazines and mail order catalogues transformed
by bold
strokes of
paint into dynamic compositions.
He
painted his beloved wife, Musa, almost obsessively after she suffered a
stroke as if he was willing her back to health
by the act of
painting.
With
strokes both gestural and hard - edged, the silver
paintings are a heap of contradictions: they catcall only to become invisible; their spontaneity is policed
by tape.
On the left, we are presented with the quivering light and variegated brush
strokes one would find in a
painting by the French Impressionist Claude Monet (1840 - 1926).
Sir Howard Hodgkin, who has died aged 84, was literally a broad - brush artist, the width of whose lush, pigment - loaded
strokes was accentuated in all but the later
paintings by the smallness of the surface.
Consisting of volumes structured
by linear
strokes, his
painting technique resembles drawing.
The caption reads: «The eye - catching abstract
painting by David Palmer in the informal eating area reflects off the mirror - like black granite countertop in the adjoining kitchen...» Installed in an historic, stately, century - old Back Bay Brownstone, David's bold, undulating, swooping and knotting single
stroke painting over a pristine white ground gives the space a magical sense of life.
He creates this optical play
by troweling oil
paint onto the face of the canvas and then pulling a stiff bristle brush across its surface in a single
stroke achieved through muscle memory.
Monochrome or near monochrome fields might be interrupted
by blocks of colour; geometric volumes softened
by streaks or
strokes of
paint — applied with a brush or sometimes the artist's hands.
He creates his
paintings by troweling oil
paint onto the face of the canvas and then pulls a stiff bristle brush across its surface in one single
stroke.
A visitor looking at an untitled work on linen from 1962
by Robert Ryman, clearly
painted one
stroke at a time.
He is interested not in brush
strokes, the
paintings are entirely without gesture, but in the impasto brought about
by this layering which in turn lends the heads an extraordinary three - dimensionality.