The Coulter Easel was designed
by painter James Coulter and is manufactured by Art Box and Panel.
On exhibit will be new works
by painter James Juron, sculptor James Ryan, and video artist Ryan J. Wilson.
Not exact matches
I haven't mentioned Meanwhile There Are Letters: The Correspondence of Eudora Welty and Ross Macdonald, edited
by Welty biographer Suzanne Marrs and Macdonald biographer Tom Nolan (the most touching collection of letters I've read in years), or the latest volume in The Complete Letters of Henry
James, or Catherine Lampert's superb Frank Auerbach: Speaking and Painting (which the
painter Bruce Herman will be writing about for Books & Culture), or
James Curtis's fascinating and beautifully produced William Cameron Menzies: The Shape of Films to Come.
James Painter is the head of the journalism fellowship programme at the Reuters Institute for the Study of Journalism, and is author of a recent RISJ study on climate change and the media, called «Summoned
by Science».
About Site - This daily weblog
by Dinotopia creator
James Gurney is for illustrators, plein - air
painters, sketchers, comic artists, animators, art students, and writers.
Last season, for example, excerpts from a moving essay
by Pulitzer Prize - winning critic Hilton Als on iconic black author
James Baldwin and his queer «children» provided the philosophical context, and prior to that, there was a poem
by Lynette Yiadom - Boakye, the British - Ghanaian
painter and writer.
Narrated
by James Franco, Eames: The Architect and the
Painter is the first film since their death dedicated to these creative geniuses and their work.
Before establishing himself as a
painter, the artist
James Whistler was employed
by the U.S. Coast and Geodetic Survey as a draftsman and engraver, and produced a map of Anacapa Island.
MIDTOWN & UPTOWN & HARLEM Rebecca Horn; Forms of Attraction / Kelly / 475 Tenth Avenue @ 36 / thru 6/21
James Siena / Dieu Donne / 315 W 36 / thru 6/29 Spencer Finch thru 1/11 Opening 6/20; Etc. / Morgan Library / 225 Madison @ 36 Nikki Lindt / Heskin / 443 W 37 / thru 6/28 Failing to Levitate curated
by Kerry Downey & Natasha Llorens / EFA Project Space / 323 W 39 / 6/6 thru 7/3 Reception 6/19 Magnetic North: Artists and the Artic Circle / 1285 6th Avenue / thru 8/29 S.Polke thru 8/3; Jasper Johns thru 9/1; Lygia Clark thru 8/24;... Silence thru 6/22; R.Heinecken thru 9/7; Etc. / MoMA / 11 W 53 Seven Decades of Optic Art / Davidson / 724 Fifth Ave. @ 57 — floor 4 / thru 6/27 Summerset / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 7/26 Starting Out; 9 Abstract
Painters 1958 - 1971 / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 8/1 Mark Rothko / Pace / 32 E 57 / thru 6/20 Elena del Rivero; Yvonne Estrada / McCoy / 41 E 57 / thru 6/20 (extended) Berbard Langlais / Alexandre / 41 E 57 / thru 7/18 Traces / Blum / 20 W 57 — floor 2 / thru 8/1 Jack Youngerman / Washburn / 20 W 57 — floor 8 / thru 6/27 Some Artist's Artists / Goodman / 24 W 57 — floor 4 / thru 8/22 Opening 6/26 Alex Brown / Jancou / 24 W 57 — floor 6 / thru 6/21....
This exhibition showcases work
by four New York
painters,
James Howell, Winston Roeth, Kate Shepherd and Joan Waltemath that draw on this American tradition.
Whether appropriated
by some contemporary figurative
painters or aligned with some sort of new figuration, where the
painters «find everything to be a matter of images» (to quote Barry Schwabsky from the online catalogue for «A New Subjectivity»), Abstraction clearly and demonstratively engages with the problems of painting (and collage and sculpture) despite the surprising conservatism of Kerry
James Marshall.
James was a deeply respected member of our artist community, first supported
by the Foundation in 2010 with a
Painters & Sculptors Grant and recently awarded an artist residency at the Joan Mitchell Center, which he began on February 26.
Walton Ford (American, b. 1960) is a
painter who uses watercolors to create large - scale paintings influenced
by the style of John
James Audubon and other artists from the Naturalist Illustration Movement.
March: New Works, New Artists, A diverse group of
painters, sculptors, and mixed media artists now represented
by Ann Korologos Gallery:
James Bohling • Tanya Bone • Ewoud de Groot • Lisa Gordon • Linda Lillegraven • Nathan Solano • Sean Wallis • Mike Weber
«
James Brooks» features 12 paintings from the 1940s to the 1980s that illustrate the Abstract Expressionism
painter's experimentation and risk taking in his art, all part of a recent donation
by the
James and Charlotte Brooks Foundation.
Heather
James Fine Art is pleased to announce the solo exhibition of works
by the contemporary Cuban
painter Carlos Luna at the Frost Art Museum in Miami.
Henry
James (1843 — 1916) was fascinated
by painters and sculptors.
K48 Launch Auction, Agnes B Store, Soho, New York, NY Contemporary
Painters; works
by Elizabeth Peyton, Cecily Brown, Laura Owens, Peter Doig, Merlyn
James, Bill Saylor, Richard Bosman, and Maureen Cavanaugh, Colby College Museum of Art, curated
by Alex Katz, Waterville, ME (cat.)
1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican
Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts
by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published
by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C.
James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»
Six
Painters and the Object curated
by IG's Lawrence Alloway marks the high point of Pop Art with work
by Jim Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg,
James Rosenquist and Andy Warhol included.
Michael Feldman documented the transition to this new work in a film, in 2008 - 09, Portrait of an American
Painter [17] In 2009, Willis had a one - person show at the Elizabeth Harris Gallery, with catalog entitled The Lattice Paintings essay,
by James Panero [18] of The New Criterion.
Jonathan Cooper Park Walk Gallery celebrates 15 years of partnership with the still life
painter James Gillick, and presents 19 loaned works spanning his career (11 June — 4 July), while new works
by leading Venetian glassmaker Lino Tagliapietra are on show at Mallett (until 4 July).
James Cohan Gallery is pleased to announce the opening of an exhibition of new works
by American
painter, Fred Tomaselli beginning October 6 and running through November 11.
There are outstanding works
by at least some of these artists in the Permanent Collection, including Albert Irvin's glorious «Caledonia,» David Nash's «Branch Cube» and «Family Tree,»
James Turrell's suite of aquatints, and a watercolour
by the brilliant figurative
painter John Bellany.
[Slide:
James Siena]
James Siena, a renowned abstract
painter represented
by Pace, recently opened a small gallery in Chinatown called Sometimes (Works of Art).
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern
Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris
Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing
painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris
painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work
by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt,
James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
Initially Prendergast was influenced most
by the works of Edouard Manet and the expatriot American
painter James McNeill Whistler, but he soon found inspiration from other sources, most notably Paul Cézanne and the Nabis
painters Edouard Vuillard and Pierre Bonnard.
Guest, Barbara, «Reviews and Previews», Art News (New York), April, volume 53, no. 2, p. 54 Devree, Howard, «About Art and Artists: Moderate Abstractions Make a Lively Exhibition at the City Center Gallery», New York Times, 8 April, p. 25 Newbill, Al, «Fortnight in Review: A Contrasting Trio», Art Digest (New York), 15 April, volume 28, no. 14, p. 20 «Coast - to - Coast: Guggenheim to Show and Buy «Younger»
Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work
by «Younger Americans» Brought Together
by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney,
James Johnson, Younger American
Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & 70 - 73
James White is a British Artist /
Painter represented
by Sean Kelly gallery New York and Gerhardsen Gerner in Berlin and Oslo
Standing out as a producer of the music mixes also, on this project he collaborated with MeLo - X, using the clips from lectures
by painter Kerry
James Marshall who speaks about the importance of the black figure in art.
Adger Cowans is a renowned fine arts photographer and
painter whose works have been shown
by The Metropolitan Museum of Art, International Museum of Photography, Museum of Modern Art, The Studio Museum of Harlem, The Cleveland Museum of Art, Harvard Fine Art Museum, Detroit Art Institute,
James E. Lewis Museum and numerous other art institutions.
Curator Professor Michael Rosenthal has included one small river scene
by a
painter even he had never heard of:
James M Burnet, a Scottish artist who died in 1816, aged just 28.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and
James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist
by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired
by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist
painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop
painter of odd image - and - word combinations who was invented
by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led
by Jacques Servin and Igor Vamos
The next year, his work was exhibited in Six
Painters and the Object at the Guggenheim Museum, curated
by Lawrence Alloway, which presented the work of six artists who would come to be among the most celebrated figures in postwar American art: Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg,
James Rosenquist, and Andy Warhol.
PRESS Gallery Chronicle (February 2012)
by James Panero, Supreme Fiction, February 2012 Gallery Chronicle,
by James Panero, The New Criterion, February 2012 Gabriele Evertz: Rapture at MINUS SPACE,
by James Kalm,
James Kalm Rough Cuts, December 12, 2011 Gabriele Evertz: Rapture at MINUS SPACE,
by Robert C. Morgan, The Brooklyn Rail, December 2011 - January 2012, p. 48 Gabriele Evertz: Rapture,
Painters» Table, December 10, 2011 Gabriele Evertz: Rapture at MINUS SPACE,
by Peter Plagens, The Wall Street Journal, November 26 - 27, 2011, p. A22 Gabriele Evertz @ MINUS SPACE,
by Mark Dagley, Abaton Book Company, November 20, 2011
In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American
painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's
James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents
painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work
by Abraham Cruzvillegas.
For painting, head to Trinity House, which offers Tranquility
by John William Godward, a disciple of Lawrence Alma - Tadema, while a more abstract take on the theme can be found at Foster - Gwin, which offers a vibrant, gestural composition
by the Abstract Expressionist
painter,
James Kelly.
In our case we chose to create — or suggest — a dialogue between historical works on paper, abstracts from 1968 to 1988
by Eugene
James Martin (1938 - 2005), and bring them into a conversation with small - scale paintings
by three abstract
painters, Clayton Colvin, Odili Donald Odita, and Leslie Smith III, all of which have a profound drawing quality in their work.
We also sold works
by artists we have been representing for a long time: Chilean installation artist Ivan Navarro, American photographer
James Casebere and German
painter Jonathan Meese.
Together, «Bay Area Abstraction» and the related «pendant» exhibition of works from the 1950s and»60s
by Madeleine Dimond, Edward Dugmore, Lynn Faus, Lilly Fenichel,
James Kelly, Michael Kennedy, Robert McChesney, Deborah Remington, and Hassel Smith,
painters who also studied at the CSFA, create a lineage of teachers and students across three generations.
Elms Lesters Painting Rooms announced an exhibition of new works
by American
painter James Marshall, aka DALEK, and Dutch artist Boris Tellegen, aka DELTA, both masters of the art of handling colour and texture, and both at pivotal points in their careers.
Founded in 2006, Lazarides Rathbone has proudly presented a number of exhibitions
by influential creatives who have changed the way art is made, including pioneering street artists such as Mode 2, Invader, Todd
James, along with
painters such as Jonathan yeo and Antony Micallef.
But save some time to walk around the corner to Oxford House, where more works
by Charchoune are joined
by a single, exquisite painting
by Carol Rhodes, who runs 42 Carlton Place with fellow
painter Merlin
James, tucked away in a back room.
It contains work of international significance
by leading artists including European Sovereign
Painters Prize winner Susan Gunn, 54th Venice Biennale exhibitor Marguerite Horner, East London Painting Prize winner Nathan Eastwood, John Moores Prize winner Nicholas Middleton, Academy awardee
James Quin, John Player Portrait Award Winner Paula MacArthur, Griffin Art Prize exhibitor Matthew Krishanu and Birtles Prize Winner Simon Burton.
The impressive collection includes works
by one of the most successful artists of the nineteenth century, landscape
painter Edward Mitchell Bannister (1828 - 1901); a suite of photographs
by Harlem Renaissance photographer
James Van der Zee (1886 - 1983); silkscreen prints
by Romare Bearden (1911 - 1988); and Carborundum Mezzotints
by Dox Thrash (1893 - 1965), an artist mostly associated with the Works Progress Administration period who invented the carborundum technique.
The Metropolitan Museum of Art, New York, Prints
by Five New York
Painters: Jim Dine, Roy Lichtenstein, Robert Rauschenberg, Larry Rivers,
James Rosenquist, Oct. 18 — Dec. 8.
Several African American artists are represented in the inaugural show, beginning chronologically with Robert Scott Duncanson (1821 — 72), said to be the first internationally successful African American landscape
painter, and ending with recent work
by Kerry
James Marshall and Kara Walker.
Includes Old Master paintings (14th century - present), as well as a wide collection of works
by Irish artists
James Barry, Augustus Nicholas Burke, Gerard Dillon, Paul Henry, Nathaniel Hone the Elder, Mainie Jellett, Sean Keating, Louis le Brocquy, William John Leech, Daniel Maclise, Roderic O'Conor, Sarah Purser and Jack B. Yeats, as well as many other Irish
painters and sculptors.
Highlights of the Musee des Beaux - Arts de Strasbourg include works
by Italians Giotto di Bondone, Carlo Crivelli, Piero di Cosimo, Cima da Conegliano, Correggio, Guercino, Canaletto; Flemish and Dutch
painters like Hans Memling, Gerard David, Maarten van Heemskerck, Pieter de Hooch; and French artists including Philippe de Champaigne, Nicolas de Largillière, Simon Vouet, Philip
James de Loutherbourg, and Theodore Chasseriau.
The Department of Art immediately distinguished itself
by attracting the most forward - looking artists, curators, and students of the period: John Coplans (a founding editor of Artforum, the leading international contemporary arts journal),
James Turrell and Robert Irwin (founders of the Light and Space movement), Vija Celmins (renowned post-minimalist
painter), Bruce Nauman (renowned post-minimalist sculptor), and Bas Jan Ader and Chris Burden (legendary conceptual artists).