Sentences with phrase «by photographers such»

The group exhibition will include works by photographers such as Berenice Abbott, Lewis Baltz, Andreas Gursky, Thomas Ruff, Julius Shulman and Hiroshi Sugimoto, among others.

Anemic realism at Lind: In new work at Gregory Lind Gallery, Bay Area painter Jake Longstreth extends his vision of the American landscape as made ready for abstraction by its voids and by a cultural anemia diagnosed long ago by photographers such as Robert Adams and Robert Frank and Bay Area painter Robert Bechtle.

With the turn of the twenty - first century, painting boldly reasserted itself in German art, which for a decade had been dominated by photographers such as Andreas Gursky, Thomas Ruff, and Thomas Struth.

Influenced by photographers such as Lewis Hine and Paul Strand and by the worker - photography movement, Killip recovers the documentary image through long observation of daily life, recorded in books and extensive photographic series.

Nevelson's distinct and eccentric image has been documented by photographers such as Robert Mapplethorpe, Richard Avedon, Hans Namuth and Pedro E. Guerrero.

A gallery of index's cover portraits by photographers such as Leeta Harding, Wolfgang Tillmans, Terry Richardson, and Juergen Teller.

The earliest works, taken by photographers such as George Bradford Brainerd and Irving Underhill, document the resort from the post — Civil War period through the turn of the twentieth century.

This exhibition provides a rare opportunity to view pictures by photographers such as Diane Arbus, Walker Evans, Edward Weston and Eugene Atget alongside works by Henri Matisse, Jackson Pollock, Andy Warhol and Piet Mondrian.

In sensibility, her work dovetails with staged pictures made by photographers such as Jeff Wall and Gregory Crewdson, but Schiavo manipulates physically what appears in front of the lens rather than tinker digitally with recorded content.

These will be presented in the exhibition alongside early, mostly unknown work by photographers such as Höfer, Ruff and Struth, as well as more recent work by young and upcoming photographers.

This technique was utilized by the 19th - Century Russian photographer Sergey Prokudin - Gorsky and is explored today by photographers such as Jessica Eaton and Florian Maier - Aichen.

Photography, Sequence, and Time is curated by Russell Lord, Freeman Family Curator of Photographs and includes over 50 works, most from NOMA's permanent collection, by photographers such as Eadweard Muybridge, Edward Steichen, Walker Evans, Margaret Bourke - White, Clarence John Laughlin, Milton Rogovin, Malick Sidibé, Hiroshi Sugimoto, and Paul Graham.

Many other neighborhoods are covered by photographers such as Robert Frank, Louis Faurer, Weegee, Helen Levitt, Jefferson Hayman, Neal Slavin, Lisette Model and others.

It resonates beyond most of the recent crop of surreal scenes involving young women by photographers such as Justine Kurland, Anna Gaskell, and Jenny Gage; and, while Ramsay's sensibility is entirely her own, it approaches the rawness of work by Nan Goldin or Richard Billingham.

Not exact matches

The ads evoked the creepy basement porn vibe of Calvin Klein's infamous campaign from the 1990s, but updated with the gritty look favoured by contemporary photographers such as Terry Richardson.

Shooting photos from such a close range must've been an insanely cool experience for this F1 photographer but the marshals didn't seem too pleased by his spot.

The 300 or so portraits selected personally by the photographer provide such a saturated palette of insouciant fame and glam gazes that it's difficult for the viewer to connect authentically with this collection, beyond cooing in recognition at the stars who line the walls.

While these photographers seem to have chanced upon such strange contrasts, others manipulate the environment by introducing odd elements into untainted landscapes.

One such photojournalist is Jonathan Alpeyrie, a French - American photographer who was captured and held hostage by Syrian rebels in 2013.

To enhance such an intricate philosophical concept, the British fashion house tapped twins Lia and Odette Pavlova as the campaign's models, here exceptionally lensed by acclaimed photographer Coco Capitán.

Plain grey is the name of the game (the campaign is shot by famed photographer David Sims)-- we could see Lawrence bringing in some fierce looks with different Be Dior bags (in different materials, such as Python, Ayers and Metallic Tweed) in tow.

Noted fashion photographers such as Steven Meisel and Patrick Demarchelier are currently represented by the agency.

In 1975, he left Paris for New York where he discovered fashion photography by working as a freelance photographer whilst learning from photographers such as Henri Cartier - Bresson, Terry King, and Jacques Guilbert.

On some online personals sites you will find listings for such photographers by area.

But by bringing in a host of cameo performances, all with silly foreign accents (Ashley Judd as a photographer sporting a Russian accent as if she's from Kentucky and the Australian actor Geoffrey Rush as Trotsky, who is never able to overcome sounding more Australian than Russian), it took away from the film's energy and left it stuck in the usual banality reserved for such Hollywood biopics.

An incredible effort has been made to fit sexual remarks and content into the script, such as the sexual games played by motel guests, a mortician that moonlights as a pornography photographer, and two female characters kissing.

There are also tenants such as photographer Abbie (Greta Gerwig, «Mistress America»), a recovering cancer patient, 17 - year - old high - school student Julie (Elle Fanning, «Live by Night»), and William (Billy Crudup, «Spotlight») who is doing renovations but would rather pursue Abbie than fix the house.

I am very inspired by universally recognized photographers such as Steve Muccary, Jimmy Nelsson and Lisa Kristine who traveled the world to capture the essence of human struggle and joy everywhere they went.

The images are based on photos by some of the best roller derby photographers shooting today, such as Preflash Gordon, Manish Gosalia, Jules Doyle, Jennifer M. Ramos, Danny Ngan, Sean Hale, and many more.

Marent's astonishing photos of the rare walking leaf an insect that has evolved to mimic a fallen autumn leaf nearly to perfection are accompanied by a single paragraph explaining that the photographer had been looking for such an insect for 10 years.

The application simply shows beautiful nature shots by renowned photographers (such as Ashley Vincent, Hougaard Malan, Kwon O Chul and Satoshi Kuribayashi) and also highlights how OLEDs produces accurate colors and a large color gamut.

A small number of people make a career out of surfing by receiving corporate sponsorships and performing for photographers and videographers in far - flung destinations; they are typically referred to as freesurfers.Sixty - six surfboarders on a 42 - foot surfboard set a record in Huntington Beach, California for most people on a surfboard at one time.As for people who take it more seriously, such as Dale Webster, he consecutively surfed for 14,641 days, making it his main life focus.

Acclaimed underwater photographers & journalists such as Gerald Nowak, Rutger Geerling, Wolfgang Pölzer, Franco Banfi, Antonello Paone, Gianni Neto & Massimo Spadotto have dived with us, so many of the images you will find on this website were taken by the above photographers, as well as by our dive team on our daily dive sites.

For exotic foods worth trying Banker in the Sun — Banker by day, wordsmith by night, nomadic explorer of places near and far Beers & Beans — A wonderful travel site from Beth and Randy, a travelling photographer and journalist duo who loves to explore far off corners Belize Adventure — Belize is such an under - rated place to visit.

We're excited to be joined by additional professional artists, photographers, and a slew of other collaborators such as Alyssa Browning, Nick Lauer, and Patrick Ryan Deasy.

At a time when photography is being redefined by such innovations as Instagram — everyone's a photographer now, it seems!

This acquisition introduces the work of an important Boston artist to the ICA / Boston collection and builds on the museum's holdings of work by such photographers as Philip - Lorca DiCorcia, Nan Goldin, Mark Morrisroe, and Shellburne Thurber.

Image Building: How Photography Transforms Architecture at the Parrish Art Museum features 57 photographs by artists who range from early modern architectural photographers such as Berenice Abbott, Samuel H. Gottscho, and Julius Shulman, to contemporary photographers like Iwan Baan, James Casebere, Thomas Demand, Andreas Gursky, and Hiroshi Sugimoto.

A large portion of the exhibition features works already seen in past solo exhibitions worldwide, for example works such as Grapes (2011), Divina Proportione (2012), and Study of Perspective (2014)-- while this could potentially be perceived by trained audiences as a disappointment, the artist's engagement with the topical refugee issue, in particular his engagement with the group of local photographers, transforms Ai Weiwei at Cycladic into a riveting exhibition.

Its holdings include more than 17,500 works by prominent artists such as John Singleton Copley, Thomas Eakins, Winslow Homer, George Bellows, Georgia O'Keeffe, Jackson Pollock, Lorna Simpson, Kara Walker, and Mark Bradford, as well as photographers Eadweard Muybridge, Walker Evans, Robert Frank, Cindy Sherman, Dawoud Bey, and many more.

Under the new leadership of Rodman Primack, who made his mark in London as chairman of Phillips de Pury & Company, the tented design fair translated the branding sponsorship of Perrier - Jouët, Audi, Fendi, Louis Vuitton and Swarovski into the dazzle of such over-the-top showpieces as a glittered sculpture of King Kong climbing Dubai's Burj Khalifa hotel, a monumental wood - hewn structure commissioned from Seattle architect Olson Kundig to house the cafeteria, furniture commissioned by Herman Miller from French modernist Pierre Paulin circa 1972, but realised only now, and a stream of technology - driven works involving a table whose motor sensors raised handcrafted metal flora at the viewer's approach, a clock spinning out countless time zones beforesettling on local time, and an installation by architect Jeanne Gang and photographer James Balog involving a resin iceberg, pierced with brilliants and set against an Arctic panorama.

With attendance of more than 900,000 visitors throughout the year, 2017 saw such landmark presentations as No Place Like Home, which traced the artistic appropriation of domestic objects from the early 20th century through today; Ai Weiwei: Maybe, Maybe Not, examining notions of individuals» relationship to their social culture; as well as bodies of work by acclaimed Israeli photographers Ilit Azoulay and Micha Bar - Am.

Each project graphically reduces source material such as a 1930s crime scene captured by infamous news photographer Weegee or the memorable on - screen terror of Who's Afraid of Virginia Woolf?

Moreover, it adds to the group of works by younger photographers who explore the ways three - dimensional forms can be captured through photography, such as Roe Ethridge, Erin Shirreff, and Sara VanDerBeek, many of whom consider Lawler a key figure in the development of their practices.

Although he was influenced by such photographers as Eugène Atget and André Kertész (1894 — 1985), his photographic fusion of form and content was groundbreaking.

Untitled Film Still # 63 enhances the ICA's holdings of work by important contemporary photographers, such as Philip - Lorca diCorcia, Rineke Dijkstra, and Nan Goldin, whose works likewise generate questions about the ambiguities of the staged photograph.

It also enhances the ICA's holdings of work by contemporary photographers, such as Philip - Lorca diCorcia, Rineke Dijkstra, and Nan Goldin, whose works likewise interrogate the staged portrait.

Following the tradition forged by such major photographers as Diane Arbus, Garry Winogrand, Robert Frank, or her teacher Henry Wessel over the course of her long career, Opie has documented what might be considered quintessentially American subjects.

Tracing the evolution of the medium, the exhibition will feature historic works by photographic pioneers such as Berenice Abbott, Diane Arbus, Eugène Atget, Manuel Álvarez Bravo, Ralph Eugene Meatyard, Alfred Stieglitz, and Edward Weston, as well as works by notable contemporary photographers such as Tina Barney, Katy Grannan, Malerie Marder, and Sheila Metzner.

The collection has grown to represent the full historical range of the medium, including early daguerreotypes, anonymous stereoviews, and cartes de visite; gelatin silver prints by Walker Evans, Robert Frank, and Ansel Adams; Kenneth Snelson's expansive panorama; landscapes by Carleton Watkins; photograms by Man Ray and Lotte Jacobi; and works by a range of contemporary American photographers, such as Robert Mapplethorpe, Cindy Sherman, and Andy Warhol (Polaroids).