Sentences with phrase «by photography and film»

First, how we view the modern world has been shaped to a huge degree by photography and film (which pre-digital were moving individual stills of course).

Not exact matches

With Mark Zuckerberg predicting Facebook content will be driven by video in five years, storytelling through film and photography is set to be expected by visitors to your site as a complement to the written word, especially as we're using mobile devices so much to access information and entertainment.

The birth of baby Luna at Boca Raton Regional Hospital in Boca Raton, FL with midwives Courtney McMillian and Polina Goldenberg of Boca Midwifery, who work with Dr. David Lubetkin, filmed and edited by Paulina Splechta of Paulina Splechta Photography, birth photographer and film maker based out of Boca Raton, FL..

Moctezuma routinely shows his students science documentaries such as Al Gore's An Inconvenient Truth and the time - lapsed photography movies produced by plant biologist Roger Hangarter, «so they can watch a film and discuss or write how the film relates to the different concepts they would learn in class,» Moctezuma says.

Tony followed some professional photography courses (that he paid for) online, but by and large is a self taught photographer (just as I am), who has been extremely passionate about taking pictures for more than twenty years now (he started out snapping back in the days of film cameras).

Exhibits include work by some of the most famous photographers and cinematographers in the history of film and photography.

12/22/2015 Written by: Curt Gokcen The Resident Evil film series recently began principle photography and is set to release in just over a year.

Written and directed by Peter Berg; director of photography, David Hennings; edited by Dan Lebental; music by Stewart Copeland; production designer, Dina Lipton; produced by Michael Schiffer, Diane Nabatoff and Cindy Cowan; executive producers, Ted Field, Scott Kroopf, Michael Helfant and Christian Slater; released by Polygram Filmed Entertainment.

The film feels like it's been assembled by committee, and news stories about the film's troubled production bear this out: after an initial round of photography during which the ending was being crafted almost on the fly, the film's release was delayed so that a new ending could be written and shot in an attempt to glue together two halves of a story that still don't feel like a whole.

This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.

Directed by Marcus Nispel; screenplay by Laeta Kalogridis, based on the film by Nils Gaup; director of photography, Daniel Pearl; edited by Jay Friedkin and Glen Scantlebury; edited by Jonathan Elias; production designer, Greg Blair; produced by Mike Medavoy, Arnold Messer and Nispel; released by 20th Century Fox.

The film is based on the book by Laura Hillenbrand on Zamperini, the Coen brothers are co-scriptwriters, and Roger Deakins (No Country for Old Men, True Grit) is the director of photography.

Everything about this film oozes class; the 60's setting is beautifully captured with it's attention to detail and strikingly rich photography by Eduard Grau; the slow motion scenes with overbearing sound effects; the subtle changes of colour saturation providing an excellent technique in developing the mood and feeling of Firth's character and a fitting soundtrack to accompany the lush imagery.

According to The Hollywood Reporter, one of the reasons that the budget on «John Carter» went so high is that director Andrew Stanton, used to reworking films while at Pixar, «embarked on extensive and costly reshoots» (something fervently denied by the helmer, who called it «a complete and utter lie,» saying that Disney had let him go for longer reshoots because his principal photography had come in on time and on budget).

Dillon was Director of Photography on the movie which is was filmed in Australia and is directed by Kim Farrant and stars Nicole Kidman, Hugo Weaving and Joseph Fiennes.

From the crystalline shores of a deserted island to the green grass and dusty roads of 1940s suburban America, Ballard and director of photography Caleb Deschanel create a film of consistent visual invention and purity, one that also features a winning supporting performance by Mickey Rooney as a retired jockey and a gorgeous score by Carmine Coppola.

Les Misérables certainly looks strikingly different than most of the other Broadway musical - turned films released in recent years, thanks to some picturesque visuals and unusual camera angles conjured up by director of photography Danny Cohen (who received an Oscar nod for his similar work on King's Speech).

On the surface is a film that shimmers in sunshine and fun; the photography draws the spectator into the beauty and holiday tranquillity of Pantelleria, and the energy and quality of the performances, particularly Ralph Fiennes» hurricane of exuberance, provide a crowd to gather around the pool with and to be entertained by; a crowd who can seduce and disgust with equal measure.

The movie, directed by Scott Derrickson, began principal photography in November of this year and will wrap filming in March 2016.

As Jess said when she dropped her verdict in Cannes, «It's an offbeat, fun and frequently very funny film, lifted out of disposability by some wonderfully rich production design, music and photography, and by the cherishable performances of the leads.»

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern - day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them.

The Cinematography Award: U.S. Dramatic was presented to Bradford Young for two films he was Director of Photography on: Ain't Them Bodies Saints, directed by David Lowery, and Mother of George, directed by Andrew Dosunmu.

Kapadia gets points for the luscious photography of the Caucacus mountains (photographed by Nuri Bilge Ceylan regular Gökhan Tiryaki), to which Ali and Nino escape, and a believably rugged turn - of - the - century Baku (filmed in Azerbaijan and Turkey).

The film's press materials report that the only scenes rehearsed by director Uli Edel «before principal photography started were the several erotic episodes between Madonna's and Willem Dafoe's characters,» and the movie certainly looks that way.

Written and directed by Gilles Paquet - Brenner (Sarah's Key), the film wrapped principal photography some time ago and will be released in France this spring.

A Dickensian movie with the most gorgeous photography of any film this year, «The Handmaiden» is an adaptation of the Welsh writer Sarah Waters» novel «Fingersmith» transported all the way to South Korea and Japan by Park Chan - wook.

Extras: Audio Commentary with director Mick Jackson, moderated by film writer Kier - La Janisse and Severin Films» David Gregory; «Audition For the Apocalypse»: Interview with actress Karen Meagher; «Shooting the Annihilation»: Interview with director of photography Andrew Dunn; «Destruction Designer»: Interview with production designer Christopher Robilliard; interview with film writer Stephen Thrower; US trailer.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

«Bassaler's doc covers The Misfits and Capa with great aplomb: the film is nicely divided between still and moving images, propelled by interviews with photographers and others involved with the great productions that were documented... For lovers of great visual art, whether in film or photography» — Marc Glassman, POV Magazine

This is a film of exacting textures and delicate moods, sustained in heavenly beams of light and the reflection of warm memories, and this edition, mastered from a restored 2K film transfer supervised by Davies and director of photography Michael Coulter, is astoundingly beautiful.

Formats: DVD, Blu - ray Disc with new 4K digital restorations of the original theatrical version of the film and the 1989 director's cut, both supervised by director of photography Walter Lassally, with uncompressed monaural and stereo soundtracks on the Blu - ray.

The film was a financial and critical flop in the U.S.in 1967 but its reputation has grown in the years since for its intelligent script (adapted by screenwriter Frederick Raphael, who won an Oscar for Darling, also starring Christie), sumptuous photography, and fine performances.

Most interestingly, the original was directed by comedy veteran Leo McCary, who took sick near the end of filming and Norman Z. McLeod stepped in to finish up principle photography.

Two of the film's best features are the stunning photography by Henri Alekan (Wings of Desire, Topkapi) and the haunting score by Mikis Theodorakis (Serpico, Z).

DVD Extras: Music videos for «Iron Man» by Nico Vega and «Fade» by Egyptian, the film's trailer, a selection of deleted scenes including an equally unsatisfying alternate ending and a mind numbing audio commentary with writer / director Matthew Leutwyler, director of photography David Jones and writer Gillian Vigman.

PARAMOUNT PICTURES and SKYDANCE Present A SCOTT RUDIN / DNA FILMS Production NATALIE PORTMAN «ANNIHILATION» JENNIFER JASON LEIGH GINA RODRIGUEZ TESSA THOMPSON TUVA NOVOTNY and OSCAR ISAAC Costume Designer SAMMY SHELDON DIFFER Music by BEN SALISBURY and GEOFF BARROW Visual Effects Supervisor ANDREW WHITEHURST Edited by BARNEY PILLING Production Designer MARK DIGBY Director of Photography ROB HARDY BSC Executive Producers DAVID ELLISON DANA GOLDBERG DON GRANGER JO BURN Produced by SCOTT RUDIN, p.g.a. ANDREW MACDONALD, p.g.a. ALLON REICH, p.g.a. ELI BUSH, p.g.a. Based on the Novel by JEFF VANDERMEER Written for the Screen and Directed by ALEX GARLAND SOUNDTRACK ALBUM AVAILABLE ON LAKESHORE RECORDS / INVADA RECORDS AnnihilationMovie.com © 2018 Paramount Pictures.

«Born Into Brothels,» the story of children in the red - light district of Calcutta, is probably the favorite, because of the emotional subject matter, although the filmmakers were handicapped by the impossibility of filming most of the people in the area, and ended up with a film about bright kids taking photography classes.

Neame describes how they performed the sinking corridor and the turning - over the ship special effects sequences, it's basically all trick photography, old boy, and in «Generations of Fans» he slowly reads a letter he received by a fan of the film.

The new Director?s Cut includes a production diary of the film (with optional commentary by Director of Photography Steven Poster), a story - board to screen featurette, the Director's cut theatrical trailer, They Made Me Do It Too, The Cult of Donnie Darko and the # 1 Fan: A Darkomentary.

The film is an action - filled epic that is beautifully crafted by Mann and director of photography Dante Spinotti.

Shot on grainy 16 mm film («Drinking Buddies» was shot digitally), the look of the film (lensed by Ben Richardson of «Beast of the Southern Wild» fame) is definitely a step backwards, and it appears as if the filmmakers only used available light, which doesn't make for the most flattering photography.

New, restored high - definition digital film transfer, supervised by director Richard Linklater and director of photography Lee Daniel, with 2.0 surround DTS - HD Master Audio soundtrack on the Blu - ray edition

Bonus materials include: Twist by Polanski (a documentary from director Roman Polanski's point of view), Kidding With Oliver Twist (the young stars share their experience while filming Oliver Twist) and The Best of Twist (a look at the sets, costumes, photography, editing and music of the film).

Special Features New 4K digital restoration New interview with cinematographer John Bailey about director of photography Conrad Hall's work in the film New interview with film historian Bobbi O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins about Quincy Jones's music for the film New interview with writer Douglass K. Daniel on director Richard Brooks Interview with Brooks from a 1998 episode of the French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris Fujiwara

New, restored 2K digital film transfer, supervised by director Terence Davies and director of photography Michael Coulter, with uncompressed stereo soundtrack on the Blu - ray

In dramatizing Mathison's script, Spielberg and his usual army of key collaborators — led by Janusz Kaminski (director of photography), Rick Carter (production design), Michael Kahn (film editing), and John Williams (original musical score)-- have fashioned a movie for children that looks at home in modern cinemas while retaining an «old - fashioned» pacing and temperament.

Several critics have compared the character to Woody Allen, and in its content and black - and - white photography, C.K.'s movie also consciously echoes Allen's 1979 film Manhattan, in which Allen's character dates a high - school student, played by Mariel Hemingway.

The music video, co-directed by Sofia and her brother Roman, who also did second unit photography on the film, is maybe the best soundtrack / film tie - in ever produced.

As it stands, the 1080p 1.85 X 1 digital High Definition image looks fine throughout, shot with remarkable form by Anderson as an uncredited Director of Photography, his use of the grain in the advanced Kodak Vision 3 35 mm camera negative film stocks is superior and impresses throughout as it usually does in all of his films.