Sentences with phrase «by pioneering feminist artist»

Felicitas Thun - Hohenstein will serve as curator of the show by the pioneering feminist artist.

From March 22 to September 9, 2018, the Museum of Arts and Design (MAD) presents Surface / Depth: The Decorative After Miriam Schapiro, an exhibition that showcases twenty - nine collage paintings by the pioneering feminist artist Miriam Schapiro in conversation with twenty - eight works by nine contemporary artists: Sanford Biggers, Josh Blackwell, Edie Fake, Jeffrey Gibson, Judy Ledgerwood, Jodie Mack, Sara Rahbar, Ruth Root, and Jasmin Sian.

Season Opener presents previously unseen works by the pioneering feminist artist Miriam Schapiro and leading photorealist Howard Kanovitz, as well as new sculpture by Mia Fonssagrives Solow, and key works from the estate of Sagaponack - based artist Sydney Butchkes.

Ryan Lee opens exhibition of monumental paintings by the pioneering feminist artist May Stevens

Lawrence Fine Art will exhibit early work by pioneering feminist artist Eunice Golden at Art Southampton, July 9 - 13.

Ryan Lee Gallery announces Alice in the Garden, an exhibition of monumental paintings by the pioneering feminist artist and MassArt alumna May Stevens.

Not exact matches

David Lewis gallery on the Lower East Side offered the opportunity to consider power imbalances as perpetuated or refuted by image economies in relation to the oeuvre of under - recognized artist Mary Beth Edelson, a pioneer of the 1970s feminist movement.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

Taking as its title and starting point a statement by the pioneering British feminist artist Jo Spence, the exhibition focuses on major performance art made by women artists in the UK during the 1970s.

«Pussies,» Judy Chicago's first solo exhibition in San Francisco since her iconic installation The Dinner Party premiered there in 1979, presented paintings, drawings, and ceramic plates made between 1968 and 2004, many of which exemplified the feminist art practices pioneered by the artist in the 1960s and»70s.

Kate is currently organizing pioneering post-minimalist and feminist artist Ree Morton's first major retrospective in the U.S. in over three decades, which will open in September 2018; and is collaborating with ICA curator Alex Klein on the first solo U.S. museum exhibition of work by South Korean artist Suki Seokyeong Kang, opening this spring on April 27.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

The film and related archive provide first - person histories of the pioneering individuals and key founding members of the feminist art movement in the United States, along with younger generation of artists influenced by them.

Though loosely associated with both the Concrete Art Movement (MAC) and Arte Povera, Rama's practice occupies a unique place alongside and separate from the artists who pioneered these schools; and while her work was praised by the Italian feminist groups like the Demystification of Authority and the Rivolta Feminnile, she is indeed separate from them too.

Through historical works of pioneering feminist artists such as Betty Tompkins and Joan Semmel, to that of emerging contemporary female artists such as Andrea Mary Marshall, India Munuez, Myla Dalbesio, Katie Commodore, and Leah Schrager, Secret Garden presents works by taboo shattering artists who fearlessly address sexual themes in their art and celebrate freedom of expression.

It was amassed by Sylvia Sleigh (1916 — 2010), a pioneering feminist and tireless supporter of women artists.

The exhibition includes a site - specific installation by feminist pioneer Mary Beth Edelson, part of an ongoing series of collage projects initiated years after her renowned collage posters of the 1970s; a series of preparatory collages by Marlene McCarty produced for her large - scale drawings of young women who committed patricide; and a series of mixed - media collages by veteran feminist artist Anita Steckel that places the artist within drawings by Tom of Finland, exploring the possibility of alternate forms of cross-gender desire and visual pleasure.

A pioneer of feminist performance who has transformed the very definition of art, her work is characterized by research into archaic visual traditions, pleasure wrested from suppressive taboos, and the body of the artist in relation to the social body.

In 1972, pioneering feminist artists Judy Chicago and Miriam Schapiro transformed a derelict Hollywood mansion into «Womanhouse,» a network of exhibitions, installations and performances by a vastly underrepresented subculture of American artists: women.

Whitney Biennial (New York) Established in 1973, and held at the Whitney Museum of American Art (March thru May), this is New York's leading exhibition of postmodernist art by unknown, emerging and established American - based artists - including a fair representation of women artists, thanks to feminist pioneers like Judy Chicago (b. 1939) and Barbara Kruger (b. 1945).

A grid of photographs from pioneering feminist conceptual photographer Natalia LL's series «Sztuka Postkonsumpcyjna» (Post-Consumer Art, 1975) and «TAK / YES» (1971) was placed alongside Zuzanna Janin's video Walka / Fight (2001)-- in which the artist boxes the professional heavyweight Przemysław Saleta — and new paintings by the emerging artist Ewa Juszkiewicz based on eighteenth - and nineteenth - century society portraits.

Through historical works of pioneering feminist artists such as Betty Tompkins and Joan Semmel, to that of emerging contemporary female artists such as Andrea Mary Marshall, India Munuez, Myla Dalbesio, Katie Commodore, and Leah Schrager, SECRET GARDEN presents works by taboo shattering artists who fearlessly address sexual themes in their art and celebrate freedom of expression.