In the last five years, we have seen an explosion in the publication of works in verse, particularly
written by poets offering diverse experiences, and those titles have received numerous awards.
One we have from the library so often, over 1/2 of 97 poems
read by poets themselves, lively audio that will be played again and again.
I can not think of a single
piece by this poet - artist that is not equally affecting and concise.
And the people
addressed by the poet are to work toward that transformation and not give up on the world.
I'll believe we have a chance when such a plan is proposed
not by poets and philosophers, but by engineers and politicians.
The video is the first piece
commissioned by the poet and filmmaker for extended display in a gallery or museum setting.
His collaborations with writers took many forms, from book covers and illustrations to paintings and collages with text
provided by poets.
The exhibition has a cross disciplinary component including photographs by Barbara Morgan, text
work by poet Kathleen Fraser and a video installation by choreographer Julia K. Gleich.
The exhibition will also feature prose and poetry by Morgan Parker and Simone White, as well as a satellite outpost for The Racial Imaginary Institute (TRII),
founded by poet Claudia Rankine.
The sold - out original zine was reprinted by David Zwirner Books as a revised and expanded edition on the occasion of the exhibition, including a new
text by the poet Andrew Durbin.
But I read widely, and have been deeply influenced
by poets Robert Bly and William Stafford, psychologists James Hillman and C.G. Jung, and by Joseph Campbell.
This is a hauntingly lovely volume of mature ruminations on memory, aging and the inevitable, but not unfriendly, approach of death
by a poet who has lived richly, courageously and with profound dedication to the unsentimental practice of his art.
I'm so moved
by the poet In - Q, and he says, «You will always find the evidence for what you choose to believe.»
Both John Yau and Hilton Kramer have commented on the poetic nature of Dodd's work, and Yau has linked it to the imagistic credo «no ideas except in things,» made famous
by the poet William Carlos Williams.
Surrealism was an international art, intellectual, and literary movement
led by poet André Breton from 1924 with the publication of the Manifesto...
This revised and expanded edition includes nearly twenty additional works made since their New York Art Book Fair collaboration, as well as a new text
by the poet Andrew Durbin.
While at the Black Mountain College in the mid-1950s Chamberlain was
influenced by poets Charles Olson and Robert Creeley and began to make word collages while still creating basically linear and planar sculptures.
Founded by transcendentalist Sarah J. Farmer and named
by the poet John Greenleaf Whittier, Green Acre was a utopian community where progressive intellectuals discussed Eastern religions, theosophy, the arts, science, and philosophy.
The exhibition features texts by Claudia Rankine and Fred Moten; newly commissioned poetry by Simone White; and a satellite outpost for The Racial Imaginary Institute (TRII), founded
by poet Claudia Rankine.
It features an introductory essay
by poet Kenneth Goldsmith and reuses Morris» paratext.
These became known as «typestracts,» a term
coined by his poet friend Edwin Morgan, but were often full of evocative phrases and vocabulary relating to his studies of many mystical traditions.
In a new
ranking by Poets & Quants, Harvard won first - place honors among 100 of the best business schools in the U.S. Right behind Harvard was its West Coast rival Stanford, the University of Chicago's Booth School of Business, Wharton, Columbia Business School, and Dartmouth's Tuck School of Business (the full list of all 100 schools).
The area was summed up
best by the poet RS Thomas, who served as parish priest of the walkers» hub, Aberdaron.
Alliteration is mainly
used by poets so as to make their poetic works more attractive and enjoyable for those who are interested in reciting poems.
The Prince Street Gallery exhibition catalog has an essay
by the poet Charles Simic who states:
Shivelight: A word
created by poet Gerard Manley Hopkins for the lances of sunshine that pierce the canopy of a wood.
Poligrafa's introductory volume to David Smith is edited by art historian Sarah Hamill, and includes a previously unpublished interview with Smith
by poet Frank O'Hara.
We may sink into the spiral
described by poet T.S. Eliot, «We had the experience, but missed the meaning.»
Between Self and Soul: On Being Both More and Less than We Think We Are Wednesday, November 8 First Things presents a public
lecture by poet, critic, and professor James Matthew Wilson, held at the Covenant School in Dallas, Texas.
Time,
said by poets to resemble a flowing stream, feels increasingly like an igloo: a hard, shrinking exoskeleton that simultaneously shapes our lives as it crushes them.
Considered to be the first significant documentary about the Nazi concentration camps (the film was commissioned as a memorial on the 10th anniversary of the end of World War II and the liberation of the camps), it finds Resnais employing archival footage as well as narration
penned by poet and camp survivor Jean Cayrol to create a masterwork of shocking power.
After a brief introduction to the opening of the Divine Comedy, which portrays Dante as a pilgrim
guided by the poet Virgil on a journey through the Christian afterlife toward God, students read Canto 5 of the Inferno, which comes near the beginning of Dante's descent into Hell.
It is an epic poem about Dante's travels through the three stages of the afterlife, guided
by poet Virgil.
I even read a post on Medium the other
day by a poet who rejects the notion of «buzzwords» like branding and book marketing completely, saying it's all bullshit.
Virgil Marti's «Thanatopsis» — named after a meditation on
death by poet William Cullen Bryant — borrows the shape of a Chippendale mirror and the colors of a Frederic Church sunset to create his own statement about mortality.
Gonçalo's life experience is certainly distinctive — as the son of poet Ledo Ivo he grew up in Brazil
surrounded by poets and painters, as well as his father's art collection that included the work of Alfredo Volpi, which inspired him at an early age.
I was reminded of
verses by the poet and art collector Wallace Stevens, who had a thing for Cuba as well as Cezanne and his greens.
e «strange beauty» he pulled from his plates (the phrase was applied to his work
by the poet Stéphane Mallarmé), these contemporary artists are continuing a legacy that is tapped into one of the most exciting chapters in the history of
She named an early solo exhibition The Battle of Faith and Doubt, and even if you don't think those terms are a binary, still her reference to the dark night of the soul, as a metaphor for artistic creation, is reminiscent of
lines by the poet from Soho and Lambeth — which sounds a lot like Lambent, come to think of it.
Poetry International Festival During Assemblages of Intimacy, A Tale of a Tub, together with the Poetry International Festival, is working on a program of presentations
by poets from all over the world.
Edited by poets Victoria Bean and Chris McCabe, with an introductory essay by renowned poet Kenneth Goldsmith, The New Concrete is an indispensable introduction to the breadth of concrete poetry being produced today.
Sandel will be
joined by poet Elizabeth Alexander; actors Danny Burstein (Fiddler on the Roof); Brandon Victor Dixon (Hamilton); John Lithgow (The Crown); dancer, actor and recent Kennedy Center Honoree Carmen de Lavallade; immigration activist and Pulitzer Prize winning journalist Jose Antonio Vargas, and others, who will set the stage with thought - provoking readings and performances.