Indonesian artist, Entang Wiharso's grand metal sculpture, Double Happiness # 2 (2013), is informed
by popular iconography of political, social and historical realities, and cultural myths.
His grand metal sculptures and large - scale narrative paintings are informed
by popular iconography of political, social and historical realities, cultural myths and the Candi reliefs at Sukuh Temple.
Not exact matches
As with The Shining, Rob Reiner's Stand
by Me is difficult to appraise afresh because its
iconography, performances and mood are so ingrained in
popular culture and have been so influential on American coming of age cinema.
Donoso addresses the multifaceted nature of identity and how it is informed
by the confluence of diverse sources; he combines self - portraiture with motifs from Spanish Baroque art, patterning found in Latin American textiles and imagery from current
popular culture and pre - Columbian
iconography.
Uprooted from Cuba as a child, and brought to Miami via Spain in 1983, Andres Conde, an expressionist painter with pop tendencies, mitigates the feeling of displacement
by merging images from
popular American culture with historic examples of Cuban
iconography.
Although creating very different works, Rauschenberg, Johns and Rivers are united
by their take - off of Abstract Expressionism, their irreverence for tradition and their use of
popular American
iconography.
By uniting both past and present
iconography with the techniques of mass communication, language and sign, Zhang's work deconstructs notions of tradition, gender, identity, the body, and
popular culture while calling attention to these subjects in the context and construction of a multicultural society.
The artist's planned work examines how refugees and migrants are de-humanized and demonized,
by contrasting the personal stories of asylum seekers with public perceptions and
popular iconography.
Johns» breakthrough move, which was to inform much later work
by others, was to appropriate
popular iconography for painting, thus allowing a set of familiar associations to answer the need for subject.
She is fascinated
by contemporary modes of digital communication, the power (and sometimes the perversity) of
popular iconography, and the situation of identity in the blurring contexts of technological virtuality and biological reality.
The exhibition will be curated
by the artist himself and will delve into the subjects of imagination and
iconography in contemporary
popular culture.
Works
by such Pop artists as the Americans Roy Lichtenstein, Andy Warhol, Claes Oldenburg, Tom Wesselman, James Rosenquist, and Robert Indiana and the Britons David Hockney and Peter Blake, among others, were characterized
by their portrayal of any and all aspects of
popular culture that had a powerful impact on contemporary life; their
iconography — taken from television, comic books, movie magazines, and all forms of advertising — was presented emphatically and objectively, without praise or condemnation but with overwhelming immediacy, and
by means of the precise commercial techniques used
by the media from which the
iconography itself was borrowed.