Sentences with phrase «by project curator»

Not exact matches

Dopameme is an innovative decentralized platform project that uses smart contracts running on the Ethereum Network aiming to monetize memes, by unifying a community of creators, curators, and viewers.

Spend summer learning about moths, butterflies - Daily Herald - July 20, 2016 In the field and on the hunt for the Baltimore checkerspot, Chief Curator Doug Taron from the Peggy Notebaert Nature Museum and Chicago Academy of Sciences, described his work with an extensive collaborative project led by Chicago Wilderness that is targeting 12 animal species to be restored to the Midwest prairies, forests and rivers.

SPRING / BREAK Art Show March 1 — 7 Now in its fifth year, SPRING / BREAK Art Show, which features projects by curators, rather than galleries, will explore more than a hundred curators» interpretations of the theme «⌘ COPY ⌘ PASTE» through the work of 600 - plus artists.

The project is co-organized by Dr. Timothy Morton and Ballroom Curator Laura Copelin.

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

In addition to the 12 international artists selected to participate in the project, Australian artist duo Clark Beaumont will be invited by the curators to present work in a new thirteenth room.

Solo projects by Rey Akdogan, Edgardo Aragón, Ilja Karilampi, and Caitlin Keogh is organized by MoMA PS1 Assistant Curator Christopher Y. Lew.

START, presented by Prudential, introduces START Projects, a series of curator - led initiatives that will occupy the entire second floor of the Saatchi Gallery.

The catalogue includes entries by the exhibition's organizer, Assistant Curator Thomas J. Lax, along with leading scholars Horace Ballard, Katherine Jentleson, Scott Romine and Lowery Stokes Sims, who write on notions of spirituality, the ethics of self - taught art and the idea of the South in the American project.

All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships to share

The project is organized by Ryan Inouye, Assistant Curator, Museum as Hub.

The lavishly illustrated publication will also feature essays by MASS MoCA Curator Susan Cross; Connie Butler, Chief Curator at the Hammer Museum, Los Angeles; and José Luis Blondet, Curator of Special Projects at LACMA, Los Angeles.

Presented by Queens Museum and No Longer Empty as part of Mel Chin: All Over the Place, Soundtrack is a new work of collaborative sound art initiated by Chin with project curator Jace Clayton (aka DJ / rupture).

Fatos Ustek recently curated fig - 2, a ground - breaking project initiated by OUTSET which presented 50 exhibitions in 50 consecutive weeks throughout 2015 at the Institute of Contemporary Arts (ICA), London, and acted as associate curator for the 10th Gwangju Biennale, South Korea.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

As Senior Curator of The Contemporary Austin, Heather Pesanti has organized monographic exhibitions of Marianne Vitale, Do Ho Suh, and Robert Therrien, with forthcoming projects by Monika Sosnowska, John Bock, and Wangechi Mutu.

Presented No Longer Empty and the Queens Museum as part of Mel Chin: All Over the Place, Soundtrack is a new work of collaborative sound art initiated by Chin with project curator Jace Clayton (aka DJ / rupture).

Kidnapped Pagans is organized by Jonell Logan, an independent curator and founder of 300 Arts Project.

Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of Curatorial Assistant and Project Manager Sophia Merkin.

When independent curator Lance Fung was approached by the Atlantic City Alliance (ACA) in March 2012, he was skeptical about getting involved with Artlantic, an ambitious public art project set in a coastal town better known for casinos and beauty pageants.

Through careful deliberation by the selection committee that included Jesse Greenberg (artist), Naomi Hersson - Ringskog (executive director, No Longer Empty), David Humphrey (artist), Nicole Russo (owner and director, Chapter NY), Elisabeth Sherman (senior curatorial assistant, Whitney Museum of American Art), John Silvis (artist, independent curator and art advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projects.

As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.

Circular Acts is organized by Assistant Curator Larissa Harris with Project Manager Jeffrey Uslip.

Recent shows include Death's Boutique at the Yerba Buena Center for the Arts, San Francisco; Mixed Signals, a traveling exhibition organized by ICI (Independent Curators International); This is Killing Me, a group exhibition at MASS MoCA; a solo show at Simon Preston Gallery, New York; and most recently, Despair Beyond Despair, a solo project at LAXART, Los Angeles.

His publications include The Museum Project (Aperture Foundation) and a catalog, including an interview with the artist by ICP Curator Christopher Phillips.

This year's Artbus tour was much the same as last year if you replace Deitch Project's Kanye West and Vanessa Beecroft collaboration with a car hood reminiscent of Michael Jackson's Peter Pan golf cart, a bunch of crappy Josh Smith wall paintings and a guided tour by curator Fionn Meade at the Sculpture Center.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

The Boiler Room started in the summer of 2012 as a curator run project room for contemporary art by the Swedish born Art historian and curator Joakim Borda - Pedreira.

Imprint 93 (19 March — 25 September 2016) is curated by Dr. Nayia Yiakoumaki, Curator: Archive Gallery, Project Manager: NEON Curatorial Exchange & Award, Whitechapel Gallery with Poppy Bowers, Assistant Curator, Whitechapel Gallery.

The Sunroom Project Space is organized by Gabriel de Guzman, Curator of Visual Arts, who curated Call & Response with the assistance of Alida Jekabson, Curatorial Intern.

Showcasing the work of 21 artists, including nine new productions commissioned and selected in close collaboration with independent curator Julie Boukobza, the show has been produced by Balkan Projects — a new initiative led by LA - based Serbian actress Marija Karan, which aims to bring the Balkan art scene to an international stage.

# 18discuss Project X: Forum 4 Tuesday, June 30, 7:30 PM 18th Street Arts Center Curator's Lounge 1629 18th Street, Santa Monica, CA 90404 Powered by Eventbrite This is the fourth in a series of public forums investigating the exhibitions...

Presided over by Willy Merz, the Fondazione makes use of the collaboration of a scientific committee comprising Frances Morris (Head of Collections, International Art, Tate Modern, London), Beatrice Merz (Director Castello di Rivoli, Museo d'Arte Contemporanea, Torino), Richard Flood (Director of Special Projects & Curator at Large of the New Museum of Contemporary Art, New York) and Vicente Todolí (Artistic Advisor HangarBicocca, Milan).

«Making Africa» is a collaborative project led by Vitra Design Museum Curator Amelie Klein along with Consulting Curator and Haus der Kunst Director Okwui Enwezor, with support from a large board of curatorial advisors, based primarily in Africa.

Meg Cranston in The Afghan Carpet Project organized by Hammer curator Ali Subotnick at the Hammer Museum, Los Angeles June 13 - September 27, 2015.

This unique project was conceived by Action for Brazil's Children Trust supporter and Sports Media Consultant Betise Head, ABC Trust Founder Jimena Paratcha, and Alice Whitney of Creative Nation, with the help of Lee Sharrock, an arts PR, curator, writer and Director of Global Creative PR at Saatchi & Saatchi Worldwide.

His curatorial practice is infused within his own projects, and singularly exhibited: Johannesburg Biennale 1997, curated by Okwui Enwezor and Gerardo Meesquera; LIFE / LIVE Musée d'Art Moderne de la Ville Paris, curated by Hans Ulrich Obrist 1996 Los Angeles Biennale 2001, curated by Koan Baysa; Museum MAN / Blurprint of The Senses Liverpool Biennale, 2004 / 2006; aFoundation and Arts Council England 2006; Centro Cultural Palacio de la Moneda, Santiago, Chile, curator, Isa Garcia; A Spires Embers, Mystetskyi Arsenal Kiev 2009;» Isolation», Izolyatsia Donetsk, Luba Mikhailova, Ukraine 2010; A Wake, Dumbo Arts Center, NYC November 2012; The Peggy Guggenheim Collection 2015; Fundació Joan Miró 2017, Venice Biennale 57, 2017; Lagos Biennale 2017.

This week's re-installation of «Amazing Grace» won't be the first: In 1995, it was remounted at the firehouse by curator and dealer Jeffrey Deitch, who had signed Mr. Ward to his gallery, Deitch Projects.

Hammer Projects: Lily van der Stokker is organized by senior curator, Anne Ellegood with MacKenzie Stevens, curatorial assistant.

Your project has been chosen by ICA curator Anna Gritz as one of her Critic's Picks for October.

Curator Leena - Maija Rossi has selected works by Biggs and Soinio for (Un) livable, now on view at Station Independent Projects, NY, through September 6, 2015.

Jointly organized by Safdie Architects and UQAM's Centre de Design with curatorial direction from independent curator Donald Albrecht, the exhibition opens with archival images and objects from the project's origins with conceptual drawings, models, bringing them together with plans for unbuilt iterations of Habitat that Safdie designed soon after for New York, Puerto Rico, and Israel.

About Norte Maar: Norte Maar for Collaborative Projects in the Arts is a 501 © 3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich to create, promote, and present collaborations in the disciplines of the visual, literary, and the performing arts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each other.

Curated by New York - based curator Gianni Jetzer, Unlimited is Art Basel's pioneering exhibition platform for projects that transcend the classical art - show stand, including massive sculpture and paintings, video projections, large - scale installations, and live performances.

This series of Special Projects were selected by P.S. 1 Senior Curator Carolyn Christov - Bakargiev and P.S. 1 Assistant Curator Larissa Harris.

Positions allow curators, critics, collectors and visitors to discover new talents from across the globe by providing a platform for galleries to present one major project by a single artist.

Published in conjunction with the project Matthew Ritchie: Remanence, an interdisciplinary 18 - month artist residency from 2013 to 2014, organized by Jenelle Porter, Mannion Family Senior Curator, with John Andress, Associate Director of Performing Arts, and Gabrielle Wyrick, Associate Director of Education.

Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.

The Transformation Marathon is curated by Hans Ulrich Obrist, Co-Director, Exhibitions and Programmes, and Director of International Projects Lucia Pietroiusti, Curator, Public Programmes Ben Vickers, Curator of Digital Claude Adjil, Assistant Curator

And so it probably shouldn't come as a surprise that a few years ago, when Marilyn Minter was commissioned by Playboy's creative director, curator Neville Wakefield, to produce a project for a special issue of the magazine, her photographs