Sentences with phrase «by racial stereotypes»

In Jimmie Durham's sculptures, shown to magnificent effect in a retrospective at the Whitney Museum, bodies are transformed by racial stereotypes of indigenous peoples.

According to the press release, Washington was so embarrassed by the racial stereotyping in the movie that he tried to destroy every existing copy; Lawrence's on - going project uses this internet folklore as inspiration for the series, intended to continually perpetuate the movie's legacy.

Not exact matches

Following the 2017 documentary The Problem with Apu by comedian Hari Kondabolu, the show's writers decided to address the growing criticism of racial stereotyping associated with the character Apu Nahasapeemapetilon, the Indian owner of Springfield's Kwik - E-Mart.

Segregation sustains racial stereotypes, facilitates identification by race, preserves traditional arbitrary racial taboos, and aids the suppression of those who would challenge the inequities of the existing system.

As reported by BBC Sport, anti-discrimination group Kick It Out slammed the «racist» chant for being «discriminatory and offensive» as it relates to the Belgian striker's manhood and a racial stereotype.

Some who shall remain nameless, but for illustrative purposes lets call them David Starkey, saw the fires of discontent and thought it wise to pour petrol on them by invoking racial stereotypes.

By presenting the interaction of racial stereotypes as «real» racial issues in America, it only reinforces them By presenting the interaction of racial stereotypes as «real» racial issues in America, it only reinforces them byby

By presenting the interaction of racial stereotypes as «real» racial issues in America, it only reinforces them by allowing you to feel OK about your prejudiceBy presenting the interaction of racial stereotypes as «real» racial issues in America, it only reinforces them by allowing you to feel OK about your prejudiceby allowing you to feel OK about your prejudices.

Every last unfunny quip issued by the traffic chopper, every painful Arnold Schwarzenegger impression, every ham - fisted racial stereotype is so poor that you can't help but wonder «what were they thinking?»

Carl Van Vechten & the Harlem Renaissance: A Portrait in Black & White By Emily Bernard Yale University Press Hardcover, $ 30.00 372 pages, Illustrated ISBN: 978 -0-300-12199-5 Book Review by Kam Williams «This book is a portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a wholBy Emily Bernard Yale University Press Hardcover, $ 30.00 372 pages, Illustrated ISBN: 978 -0-300-12199-5 Book Review by Kam Williams «This book is a portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a wholby Kam Williams «This book is a portrait of a once - controversial figure... a white man with a passion for blackness... [who] played a crucial role in helping the Harlem Renaissance... come to understand itself... Carl Van Vechten has been viewed with suspicion... [as] a racial voyeur and sexual predator, an acolyte of primitivism who misused his black artist friends and pushed them to make art that fulfilled his belief in racial stereotypes... While his early interest in blackness was certainly inspired by sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a wholby sexual desire and his fascination with what he perceived as black primitivism, these features were not what sustained his interest... More important [was] his conviction that blackness was a central feature of Americanness... Van Vechten's enthusiasm for blacks may have catapulted many careers, but at what cost to the racial integrity of those artists, and to the Harlem Renaissance as a whole?

Its digs at racial stereotypes and dedication to honouring the images and conceits of black cinema from the Seventies are dead on - target for the most part, while its attempts to marry it all into some sort of spy plot are subject to the same extended dull spots suffered by any dinosaur Bond flick.

No - one here feels like an actual human being anymore; replaced by bullet points masquerading as character traits, broad racial stereotypes and re-treads of jokes that worked better the first time.

July 19, 2013 • New research suggests that racial disparities and other biased outcomes in medicine, the criminal justice system, and other areas, can be explained by unconscious attitudes and stereotypes.

Release: Friday, June 19, 2015 [Theater] Written by: Rick Famuyiwa Directed by: Rick Famuyiwa Rick Famuyiwa's Sundance darling isn't particularly revelatory filmmaking, but it's much more intelligent than its dopey title suggests, rejecting racial stereotypes and erasing cultural gaps as confidently as it embraces its young leading trio as a righteous symbol of individualism.

Stephen Strange has an ego, and is the best neurosurgeon the world has ever seen, but unlike Tony Stark, he is unable to create a solution to his own tragedy, but instead must rely on the help of others, humbling him as he learns of the existence of magics and the multiverse when arriving at Kathmandu upon his first encounter with The Ancient One, a celtic eternal lord of magic played admirably by Tilda Swinton in a highly contentious role previously made as a racial stereotype.

With storylines that touch on racial harmony and black history, dialogue that is playfully laced with Ebonics, and a theme song by R&B group Destiny's Child, the cartoon series clearly seems targeted toward a specific demographic (or stereotype, depending on how you read it).

There has to be something entertaining about Larry the Cable Guy for him to get so much work, but it's rarely on display in his latest mindless comedy, where the blatant racial stereotypes are outnumbered only by the flatulence jokes.

The stereotype can also be used to pit Asian Americans against other racial minorities, leading to verbal and physical harassment by non-Asian American peers or a distorted portrait of other ethnic groups as lazy or disruptive.

The story, by Patricia Cohen, was not about righting the racial wrongs of our attitudes toward poverty; it fell instead into the same racial stereotyping traps that we tried so hard to avoid in our Children of Poverty story in Life.

«In a recent Runnymede Trust report commissioned by the NUT, called Visible and Invisible Barriers, Black, Asian and ethnic minority members reported structural barriers such as racism, including assumptions about capabilities based on racial / ethnic stereotypes which railroaded their ambitions for career progression and hastened their departure from the profession.

The guidelines state that «[r] acially diverse schools provide incalculable educational and civic benefits by promoting cross-racial understanding, breaking down racial and other stereotypes, and eliminating bias and prejudice.»

In her own act of resistance, Walker's The Jubilant Martyrs of Obsolescence and Ruin showcases the artist's signature satire and sardonic imagery to directly address the history of oppression and injustice experienced by Black Americans in the South with the persistence of racial and gender stereotypes and ongoing efforts to advance equality in America.

Kara Walker creates challenging works that address the legacy of slavery in American culture by invoking racial and gendered stereotypes and myths.

Dark Humor: African American Art from the University of Delaware presents work by contemporary black artists who employ this type of subversive humor to question the currency of cultural and racial stereotypes.

The brutal scenes are only made more provocative by the use of racial stereotypes and caricatures.

In the work, Walker uses caustic, satirical imagery to reconcile the history of oppression and injustice experienced by African - Americans in the South with the persistence of racial and gender stereotypes and ongoing efforts to advance equality in America.

These form a sharp and savagely humorous satire of social and racial stereotypes and here are accompanied by multiple TV monitors showing fragments of footage shot during the 2010 student protests against government cuts.

It does in the fierce hilarity of a short 1971 film called «Colored Spade» by Betye Saar that flashes racial stereotypes at us like rapid - fire bullets, and in a funky 1973 assemblage called «The Liberation of Aunt Jemima: Cocktail,» by the same artist, which turns a California wine jug with a «mammy» image on one side and a Black Power fist on another, into a homemade bomb.

From small non-profit art centers to major cultural institutions in the region, these partners will be highlighting gender and racial inequalities, taking on stereotypes and hypocrisies, and promoting artistic expression by the often overlooked and underrepresented.

Within the context of the exhibition, Shonibare's work explores the social constructs which inform the human condition by examining racial and cultural stereotypes through juxtaposing a white and a black ballerina dancing each other's mirror image in what is traditionally a solo from Swan Lake.

«Jumping Jack (2 minute workout)» is intended to prompt viewer empathy with targets of racial profiling, and undermine the construction of the «other» by exposing racial stereotyping of Black men.

Near the entrance, a newly acquired cut paper work by Kara Walker depicts racial stereotypes and violence in antebellum America.

Through personal contact with Indigenous people who had been taken from their families, many non-Indigenous Australians in the 12 months since the release of Bringing Them Home began to gain a better understanding of the discrimination experienced by Indigenous people, and an insight into damage done by policies based on racial stereotypes which reinforced and perpetuated the very stereotypes underpinning these policies.