Sentences with phrase «by real talent»

It all sounds a little like Magic Leap: there's extraordinary hype here backed by real talent, but there's no consumer - grade product on the horizon — and we know precious little about what that product will be.

360 is a film with real heart and real purpose made by real talent.

Not exact matches

In accepting a lifetime achievement award last year from the Real Estate Board of New York, she declared: «I dedicate this award to all the women whose talents and ambitions were overlooked and underrated by our industry.»

The construction sector saw a 6 % rise in demand in April 2017 and along with real estate they led employment growth, with overall talent demand was up by 3 %, according to the latest RecruiteX, recruitment index by TimesJobs.

She made herself vulnerable, real and powerful in the way she applied her talent but she was also damaged by others, circumstances and her own choices.

It is only by admitting that we have lots of midfield talent and we should make use of it and that real defense actually starts in the midfield.

While Ceballos has struggled since joining Real this season, he has previously been regarded as one of Spanish football's most exciting up - and - coming talents and could therefore prove an astute addition by Chelsea.

Now let's be real, we're not becoming a better team by selling him to United, because he's a top talent and the fact he will strengthen Mourinho's side is a terrible one — no question.

The Northern Irish - Japanese youngster is one of the most talented youngsters of his age group in the world game, and according to reports, his talent have been spotted by Real.

Defenders of Guardiola will say it is almost impossibly unfair for fans and pundits alike to expect him to repeat the treble won by Jupp Heynckes in 2012/13 straight away, but a 5 - 0 aggregate defeat to Real Madrid last season and a quarter - final exit to Porto this term would certainly be some way from good enough for a club of this size and with players of this talent.

However, according to Cadena Ser, as noted by AS, it looks as though Atleti could find it difficult to keep hold of him with city rivals Real Madrid keen on raiding them for one of their top young talents.

Vastly underrated by many fans around the globe, people are starting to wake up to what a big talent Casemiro is, and Real Madrid would surely easily get at least # 100m for him now.

Theo Walcott has been less than impressive un yet he is one of our heist paid players and will likely never be sold yet for all his supposed promise he still does not deliver the good that a 150 Grand a week player should, Danny Wellbeck has got us out of trouble on several occations but again his inate scoring talent is severely lacking and its telling that he was bought in without Wengers beady eye being on the deal and was offloaded by a club who should he have had any real promise would have charged us a far greater sum or point blank refused to sell him.

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

V section and bowl championships are a real possibility in 2017 if Taylor can can quickly mold a 30 - man roster emboldened by transfer talent into an immediate small - school powerhouse.

Even at such a bargain price the investment made by Brendan Rodgers in January 2013 was still something of a gamble, though perhaps less so than subsequent deals for the likes of Mario Balotelli, and the Northern Irishman has done well to nurture Coutinho and show him enough faith to help the player mature into a real world - class talent.

Why you should care: The Usos were getting pretty boring despite their talent, and since crowds were often booing them due to their association with Roman Reigns — they're real - life cousins, and WWE played that up just long enough to make The Usos hated by many.

When Mesut Ozil was signed by Arsenal a couple of years ago, the German play maker had formed a reputation as being the king of the assists with his creative talents at both Werder Bremen of the Bundesliga and Real Madrid of La Liga, as well as his stunning performances for the Germany national side.

The England Under - 19 international has long looked one of the most exciting prospects coming through Arsenal's academy, so it could be that Real are onto something by looking to snap up this top up - and - coming talent.

Yes, Di Maria was sold but regardless of his talent, in the end he was always going to be a mistake to correct as long as Van Gaal remained and by keeping David De Gea from Real Madrid, by hook or by crook or dodgy fax machine, Woodward ensured the team's best player would be staying at Old Trafford.

The Real Madrid star has reached the pinnacle of the beautiful game by believing in his own talents, and always wanting to get one over his big rival, Lionel Messi.

In a time when Manchester United have their weakest team for a decade, Chelsea are «in transition», Citeh are still restricted by the inabilities of Mancini / Platt / Kidd, Liverpool flatter to deceiver - this Arsenal team are incapable of winning any trophy whatsoever.The squad is paper thin as far as real talent is concerned.There are far too many passengers and «dead wood» abounds.Who on earth could do a better job as a manager of a team who are outclassed by Swansea and outplayed by Fulham, cant beat Wolves when almost every other team can!I don't know but sooner rather than later i believe we will find out!But one thing is certain he won't get 7 years of excuses before receiving his marching orders.

It would be a real shame for the Red Devils to waste such a young talent, who was purchased by them for # 30m back in 2014, making him the world's most expensive teenager.

Because they are not controlled by rewards and punishments, children raised in the Helping Mode are more likely to follow their instincts and discover where their real interests and talents lie.

Refusing to be diverted by manufactured issues such as «tiger moms versus coddling moms,» Levine confronts the real issues behind the way we push some of our kids to the breaking point while dismissing the talents and interests of many others.

«The Nigerian entertainment industry is in a class by itself, absolutely incredible, real talent.

By lifting the lid on what actually happens in modern construction there is a real opportunity to attract potential talent outside the industry.

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I'm a strong, sexy, smart, independent male with many goals and lots of drives and talents, is just for you to explore, I love to have fun and need a real woman by my side to hold it down with, I love to show my love to the poor, motherless and the Orphans, I like romantic evenings and bedroom...

Their team of comedy actors has some spunk and talent, but the show more closely resembles a commercial for mystery dinner theater, complete with testimonials by real audience members about how fun it all was in the end.

Casey Affleck is a damn good actor — his performance in The Assassination of Jesse James by the Coward Robert Ford is brilliant — and I can't wait to see him take his his talents behind a film that is rooted in real - life terror.

Kapoor soon bounced back by accepting diverse and complex roles in films that proved his real acting talent and dancing skills.

The game was announced at Sony's Gamescom conference, and is being developed by Moonbot Studios, whose real talent is in animation and visual effects.

Injustice 2's story mode features a strong script voiced by top voice talent, but the real stunner is the way the in - game faces move when acting out the dialogue.

Genuine and real, Moonlight speaks to the importance of locally made filmmaking by local talents.

Culkin proves to be a much greater talent than his has - been older brother in the showier of the two main roles, but the real discovery is Henson, whose performance is made all the more endearing and heartbreaking by its remarkable warmth and subtlety.

What's really too bad is that underneath it all, «Dead Man on Campus» has a pretty good premise, which if explored by a team of real talent, could have made a terrific black comedy.

Thus, the director is given a strong foundation (an original screenplay by Coach Carter, Real Steel scribe John Gatins) and a cast heavy on talent anchored by two - time Academy Award winner and current nominee Denzel Washington.

Really «The Woodsman» is Bacon's film, but he is more than ably assisted by his co-stars, most notably by Sedgwick who epitomises resilience, by Bratt playing a character every bit as ambiguous as Walter himself, by Mos Def who elevates a stock cop rôle to new levels of melancholic disillusionment, and by Pilkes, whose nuanced turn in the film's most difficult scenes makes her a real talent to watch.

This is the real thing, readers, involving a blend of talents that capture the suspicion between the races, blithely covered over by false bonhomie.

Even with a rock - solid, perhaps career - accelerating performance by Teller, and a truly mesmerizing, transformative supporting turn by Simmons, the real talent to watch in the future is director Chazelle, who seemingly put the proverbial screws on his lead actors in a Terence Fletcher - like way and found his Charlie Parkers.

As directed by Mike Flanagan (one of today's most exciting horror talents), the action is now turned inside out, with Jessie's imagination and flashbacks to her harrowing childhood taking over, as she converses with her out - of - body self, a stray dog hungry for flesh (yes, a Cujo joke is made), and her husband (who's a nasty asshole even dead) to stay alert, before the film veers into real horror - villainry in its final 10 minutes.

But it's starting to get some real traction among celebrities who have a skill, talent, or specialized knowledge that is recognized and respected by the general public.

However by focusing solely on a few outstanding performers we run the risk of discouraging the vast majority from developing their musical talents to the full (there is also a real risk of creating a self - absorbed «prima donna», which doesn't benefit the budding Mozarts either).

The mission of El Camino Real Charter High School is to educate our diverse student body by developing students» talents and skills so they will succeed in a changing world, value and respect themselves and others, and make a positive contribution to our global society.

But of course, that's when the real trouble starts, as Mac discovers she is heir to a family talent she's a sidhe - seer who can see beyond the glamour cast by the Seelie, or Fae.

Like many of Kazuo Ishiguro's widely - acclaimed novels, Nocturnes charts the nature of shifting relationships, the passage of time, real and perceived failures, the consequences of deferred dreams, feelings of estrangement, and the quiet but destructive erosion that occurs when truth is denied for too long, yet it does so with more attenuated gestures and less reflection... Fans of his novels may enjoy the change of pace offered by this debut, but newer readers may prefer to begin with his previous works, which better exemplify his talents.

How they become published is largely a matter of luck: as long as traditional publishers feed the market with ghost - written crap signed by some useless celebrity instead of nurturing real writing talent, the reading public will be ill - served by them.

Finally the first week of paying guests arrive: John, the American movie star thinks he has arrived incognito; Winnie and Lillian, forced into taking a holiday together; Nuala and Henry, husband and wife, both doctors who have been shaken by seeing too much death; Anders, the Swedish boy, hates his father's business, but has a real talent for music; Miss Nell Howe, a retired school teacher, who criticizes everything and leaves a day early, much to everyone's relief; the Walls who have entered in 200 contests (and won everything from a microwave oven to velvet curtains, including the week at Stone House); and Freda, the psychic who is afraid of her own visions.

Logic and history both suggest that if we are to see genuine innovation in interactive stories — real innovation in the interaction with characters, I mean, not prettier zoomable images — that will come from the tech people hiring in the writing talent, not by book publishers moving into tech.