Sentences with phrase «by red marker»

Not exact matches

The warehouses are sorted by letters, A-Z; block L, one of the oldest buildings, is the home of «Spicy's Gewürzmuseum «(see red marker.)

Although it's early, we've not seen a marker laid down by the Red Devils just yet, but Stamford Bridge would be the perfect opportunity to do so.

Salivary gland extract enhances permeability of blood vessels in the mouse ear as indicated by the wider spread of the red marker (top) compared to an untreated ear (bottom).

Neurons were detected using the pan neuronal marker TuJI (red) and the synaptic contact by alpha - Bungarotoxin (green).

(A to D) Convergence of ventral muscles into an axochord (white arrows) in Capitella, illustrated by phalloidin stainings (A and C) and WMISH (red in B and D) of selected axochord markers.

In their conclusions, these researchers suggested further confirmation of blood sugar impacts by examining other markers of blood sugar regulation including PPG (postprandial glucose, i.e., the amount of sugar in our blood following a meal) and hemoglobin A1C (the percent of red blood cells to which sugar becomes attached).

The film is produced by Amy Kaufman and Cary Fukunaga (who previously worked together on Sin Nombre), Daniela Taplin Lundberg, Riva Marker and Dan Crown for Red Crown Productions, along with Elba.

By removing the grade and the red marker from the equation, writing becomes less scary — a learning tool instead of a way to be judged.

The player starts off as a miner named Sam Caldwell who begins his day by removing the red marker of Aegis VII.

The typed pages, heavily annotated and edited by Huillet using yellow, green, blue, and red markers shows the filmmakers» creative working process, majestically transforming typed pages into a series of abstract drawings.

The Swiss artist Urs Fischer, known mostly for his sculpture, has also made editioned «paintings» — laser prints of untitled landscapes or interiors that achieve a nearly abstract, cracked - mirror effect with uneven bands of red, white, or black that the artist adds by hand, using a fine paintbrush or felt - tipped marker.

January 24: Charles Atlas's Torse presented by Sam Frank and David Velasco January 31: Yvonne Rainer's Kristina Talking Pictures February 7: Jennifer Reeves's Chronic + Sadie Benning's Flat Is Beautiful February 8: Trinh T. Minh - ha's Naked Spaces — Living Is Round February 21: D.A. Pennebaker's Elizabeth and Mary presented with MoMA's Documentary Fortnight February 26: Shinsuke Ogawa's Narita: The Peasants of the Second Fortress March 10: Three Tapes by Carole Roussopoulos presented by Ridykeulous and Stuart Comer March 13: Tony Buba's Lightning Over Braddock introduced by LaToya Ruby Frazier April 11: Sara Gómez's De cierta manera April 21: Jean - Luc Godard and Anne - Marie Miéville's France / Tour / Detour / Two / Children April 28: Thom Andersen and Noël Burch's Red Hollywood introduced by Lucy Raven May 8: Scott Bartlett's OffOn + Kinji Fukasaku's The Green Slime May 14: Andy Warhol's Paul Swan introduced by Douglas Crimp June 9: Alberto Grifi and Massimo Sarchielli's Anna introduced by Dennis Lim June 12: Michael Thomas's Meat Rack June 23: Ed Pincus's Diaries (1971 - 76) introduced by Nicolas Rapold June 26: An Evening with Cinenova July 3: René Clair's The Crazy Ray + Robert Frank's C'est vrai July 17: Shirley Clarke's The Cool World introduced by Amy Taubin July 24: Nathaniel Dorsky + Susan Howe August 26: For Chris Marker September 9: Michael Snow's La Région centrale introduced by Chantal Akerman September 18: Todd Haynes's Assassins: A Film Concerning Rimbaud + Todd Phillips's Hated: G.G. Allin and The Murder Junkies September 25: Michael Almereyda's Another Girl Another Planet October 8: Esfir Shub + Hito Steyerl October 12: Darmstadt / ISSUE Project Room at Light Industry: David Grubbs + Anthony McCall October 16: James Benning's 11 x 14 introduced by Julie Ault October 17 - 20: Light Industry Benefit Auction at Miguel Abreu Gallery October 23: The Interface Effect a lecture by Alexander R. Galloway presented with Triple Canopy November 13: Alexander Kluge's Artists Under the Big Top: Perplexed introduced by Gary Indiana November 19: Tony Bicât's Skinflicker + Arthur Johns's Solarflares Burn for You presented by William Fowler November 27: David Hall + Marlon Riggs

, curated by Esox Lucius & Patrice Ferrari, Ligny en Brionnais, FR Shimmering Substance, touring show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London, UK

POPE.L Failure Drawing # 252 Green Sky Red Mountain 2005 - 06 Ink and colored marker on hotel stationery 5 1/2 by 4 1/4 in.

POPE.L Failure Drawing # 33 Red Clouds 2004 - 06 Ink, black marker, ballpoint pen, acrylic, stains and newspaper collage on joined brown paper 4.75 by 9.875 in.

The greys of the structure are offset by strong primary colours: the blue pools, the yellow and red of the lane markers,