American - Iranian artist Y.Z. Kami is well known for his portraits as well as his abstract works inspired
by sacred architecture.
Not exact matches
The second is the equally incontestable fact that culture is derived from and connected to religion:
architecture to temples of worship, drama to religious ritual, universities to acquiring
sacred knowledge, music, sculpture and painting to the praise of the divine, indeed science and political economy themselves to categories generated
by divine stories.
Whether formulated
by Durkheim (a system of beliefs and practices related to
sacred things),
by Weber (that which finally makes events meaningful), or
by Tillich (whatever is of ultimate concern) religion in its «classical» sense refers not so much to labels on a church building as to the imagery (myth, theology, and so forth)
by which people make sense of their lives — their «moral
architecture,» if you will.6 That human beings differ in their sensitivity to and success in this matter of «establishing meaning» there can be no doubt.
Bali is renowned the world over
by its cultural heritage, ceremonial traditions, art and
architecture, the natural beauty and ecological diversity — serene beaches, unique and rich marine environment that is ideal for diving, snorkeling, dolphin watching and water sports, rice fields, vineyards and fragrant tropical plantations, volcanoes and waterfalls, natural hot springs and
sacred temples, and most of all friendly and cultured people with genuine hospitality.
Alam Indah Hotel Accomodations: 10 guest accomodations beautifully appointed in traditional Balinese
architecture with modern bathrooms.Set amidst lush gardens, Alam Indah Hotel is surrounded
by idyllic views of ricefields and the
sacred land of the Monkey Forest temple.
Inspired
by the Vault Gallery's arched ceiling's allusion to
sacred architecture, the installation is a contemporary interpretation of Bernini's seventeenth - century Baroque altarpiece in Saint Peter's Basilica in Rome.
The Wall brings together a group of works that acknowledge and contend directly with the conventions of gallery
architecture by breaching, puncturing, picturing, mapping and sculpting from the uprights of the near -
sacred and truly ubiquitous white cube.
Cronin gathered hundreds of articles of women's and girls» clothing from around the world to represent three specific tragedies: brightly - colored saris symbolize two Indian girls who were kidnapped, gang - raped, and lynched from a tree at the edge of their village; hijabs signify 276 Nigerian Chibok schoolgirls who were kidnapped
by the terrorist group Boko Haram in 2014 — over 200 of whom still remain missing; and gray and white aprons & uniforms symbolize those worn
by «fallen women,» in forced labor at the Magdalene Asylums and Laundries in Ireland, the United Kingdom, Europe, and the U.S. Moving from the marble alters and
sacred architecture of Venice's sixteenth - century Chiesa di San Gallo to the secular gallery context of FLAG, Cronin will present the same three fabric sculptures, here piled on top of their shipping crates to now address human trafficking as well as human rights issues.