Sentences with phrase «by scholarly catalogues»

The exhibitions are accompanied by scholarly catalogues that become part of a permanent archive documenting the region's rich contemporary art scene.

Dominique Lévy will celebrate representation of Seung - taek Lee with a 2017 solo exhibition at its New York location, accompanied by a scholarly catalogue.

This exhibition, accompanied by a scholarly catalogue with essays by experts in the field, represents a major step in bringing Lewis's work into the art historical conversation alongside his peers, for example well - known abstract painters Willem de Kooning and Ad Reinhardt.

To reflect the museum - quality nature of this collection, the «Eyes Wide Open» exhibition and auction are accompanied by a scholarly catalogue, which features texts by curators and critics such as Carolyn Christov - Bakargiev, Hans - Ulrich Obrist and Sarah Whitfield, as well as essays by the collectors.

The exhibition is accompanied by a scholarly catalogue, published by the Terra Foundation and distributed by Yale University Press.

Since joining the museum in 2009, she has curated numerous exhibitions, including the retrospective Bertrand Goldberg: Architecture of Invention (2011 — 12), which was accompanied by a scholarly catalogue.

The exhibition will be accompanied by a scholarly catalogue with contributions by Mr. Silver and Bruce Museum Executive Director Peter Sutton, as well as an interview with Linda Nochlin, pioneering feminist art historian and Lila Acheson Wallace Professor at NYU's Institute of Fine Arts, who discusses Sherman's fascinating oeuvre at length.

The exhibition will be accompanied by a scholarly catalogue in order to document Petrirena's impacts in the literary canon of American art history.

The exhibition is accompanied by a scholarly catalogue, published by The Phillips Collection and Zentrum Paul Klee in association with Prestel, featuring color plates and essays by the curatorial team and outside scholars Katy Siegel, Eugene V. and Clare E. Thaw Endowed Chair in Modern American Art, Stony Brook University, and Elke Seibert, Postdoctoral Research Fellow at the German Center for the History of Art (DFK) in Paris.

Not exact matches

The exhibition is accompanied by a full - color catalogue with scholarly essays.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.

A «catalogue raisonné» is a systematic and comprehensive scholarly reference text in which each work known to have been executed by a particular artist is illustrated, thoroughly documented and described, giving information such as title, alternative titles, date, medium, size, inscriptions, provenance, exhibition history, and publication history, and in which each work is assigned a permanent reference number.

The exhibition will be accompanied by a fully illustrated publication with a scholarly essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive catalogue on Ree Morton produced by a U.S. institution since her show at the New Museum in 1980.

Each exhibition at the Fondation is accompanied by its own illustrated catalogue, in which the themes of the exhibition are explored in scholarly texts.

Organized by VMFA and the Dallas Museum of Art, the exhibition and its accompanying catalogue will be the first scholarly treatment of this important subject.

The museum has organized and circulated many major traveling exhibitions accompanied by scholarly publications either in catalogue or book form, for example The Sculpture of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Presencatalogue or book form, for example The Sculpture of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the PresenCatalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Present (1988).

A 236 - page, fully illustrated catalogue featuring scholarly essays by Shields and by Julianne Burton - Carvajal, Ph.D., accompanies the exhibition.

The Museum presents critically acclaimed exhibitions that travel to major museums and are regularly accompanied by fully - illustrated, scholarly catalogues.

Organized by the Nasher's Associate Curator Catherine Craft, the exhibition will travel to other US museums and will be accompanied by a richly illustrated scholarly catalogue.

The exhibition is accompanied by a fully illustrated catalogue»» published by MOCA and co-published by the MIT Press, which will constitute a comprehensive and scholarly examination of the artist's career.

It is complemented by a major scholarly catalogue, Matisse and American Art, and a concurrent exhibition of the Montclair Art Museum's collection Inspired by Matisse: Selected Works from the Collection.

Organized by the Virginia Museum of Fine Arts and the Dallas Museum of Art, the exhibition and its accompanying catalogue is the first scholarly treatment of this important subject.

Provenance information for the Simon collections has traditionally been disseminated by existing monographs and scholarly collection catalogues, and beginning in 1995 the Museum's website was expanded to include images, and later provenance, for its large collection of European paintings and sculpture created before 1945.

A scholarly catalogue was published to accompany the exhibition, with a lead essay by Ann Dumas that chronicles Matisse's principal models and sheds new light on the artist's working process and the pivotal role his models played in the development of his art.

Major support for this project provided by the Getty Foundation as part of the Online Scholarly Catalogue Initiative (OSCI).

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.University Art Gallery 712 Arts Plaza Irvine, CA 92697 - 2775 tel. [phone] fax.

Our primary interest is to place works by the artist in all media as well as documentary materials such as catalogues, posters and films in institutions with a reputation for their scholarly approach to exhibitions and publications that have already shown an interest in and provide regular public access to the artist's work.

The exhibition will be accompanied by a catalogue including new scholarly essays, and is being slated to travel.

Exhibition Catalogue The exhibition is accompanied by a 200 - page, fully illustrated publication bringing together a range of scholarly contributors including curator Siri Engberg; Michael Lobel, associate professor of art history at the State University of New York at Purchase; Rochelle Steiner, dean of the Roski School of Art at the University of Southern California; and artist Josiah McElheny.

Phenomenal is accompanied by a lavishly illustrated 250 - page scholarly catalogue co-published by MCASD and University of California Press.

The exhibition is accompanied by a fully illustrated catalogue containing an introduction on the subject of the Surrealists» collecting practices, a scholarly two - part essay on the masks and the Surrealists» engagement with them, color plates with catalogue entries, and ample archival material documenting this rich art - historical narrative.

A major scholarly catalogue, co-published by the Modern in Fort Worth and DelMonico Books · Prestel, will accompany the exhibition.

Published by Prestel, the catalogue will be a major scholarly addition to the study of Burchfield and includes illustrations of both paintings and historical material from the Burchfield Penney Art Center in Buffalo.

Compelling photographs taken by renowned 20th - century American poet Allen Ginsberg (1926 — 1997) of himself and his fellow Beat poets are the subject of the first scholarly exhibition and catalogue of these works.

The exhibition's scholarly intent and scope will be further reinforced by the exhibition catalogue as well as by a number of educational activities such as lectures and other events related to the topic.

The exhibitions, organized by a parade of well - regarded outside curators, kicked off with a three - year, three - part series on African photography accompanied by a trilogy of beautifully produced scholarly catalogues.

In January 2020, to celebrate the launch of the online Draper archive, VMFA will host a major exhibition with a scholarly catalogue featuring Draper's photographs, as well as works by other significant photographers that participated in the early years of the Kamoinge Workshop.

The exhibition will be accompanied by a fully illustrated catalogue that focuses on the artists and their respective projects; an annotated visual history of CAM; and a scholarly appreciation of the building.

Her scholarly work has been commissioned and published in edited anthologies, academic journals and exhibition catalogues, including Exhibiting Craft and Design: Transgressing the White Cube Paradigm 1930 - present (Routledge 2017), Danica Maier: Grafting Propriety from Stitch to Drawn Line (Black Dog Books 2017), More Caught in the Act: Performance by Canadian Women (YYZ Books 2016), The Handbook of Textile Culture (Bloomsbury Academic 2015), the Journal of Modern Craft online, and Textile: Cloth and Culture.

The focus of the gallery since its inception has been to exhibit, represent and champion artists from around the world, in particular artists from Africa, East Asia, and North America, by mounting major exhibitions of their work in the gallery, presenting artworks at important fairs, securing museum exhibitions and publishing major catalogues and scholarly essays.

In conjunction with the opening of its current building at 201 E. Ontario Street, Chicago, in 1997, The Arts Club published a scholarly catalogue, The Arts Club of Chicago: The Collection 1916 - 1996, edited by former Arts Club President Sophia Shaw.

A lavishly illustrated catalogue (in German) accompanying the exhibition was published by Munich's Sieveking Verlag, and featured scholarly essays and entries with detailed information on all the works on display.

The Routine Pleasures publication serves as an illustrated catalogue as well as a reader that further elaborates the exhibition's thematic tracks, with a new essay by the curator, additional new scholarly essays by Julia Bryan - Wilson and Edward Sterrett, and several reprinted texts by participants in the exhibition James Benning, Pauline Oliveros, and Sarah Lehrer - Graiwer.

The exhibition will be accompanied by a fully illustrated catalogue — published by MOCA and co-published by the MIT Press — which will constitute a comprehensive and scholarly examination of the artist's career.

A fully illustrated scholarly catalogue, with an essay by the art historian, curator and leading Hockney specialist Marco Livingstone, accompanies the exhibition.

The exhibition will be accompanied by a fully illustrated catalogue with a scholarly essay by Dr. John Tancock.

Edited by Christina von Rotenhan, it explores not only the artist's unique approach to printmaking with scholarly essays, artist statements and catalogue entries for selected prints between 1973 and 2013, but also Tuttle's deep interest in the collaborative dimension of printmaking.

The exhibition will be accompanied by a fully - illustrated scholarly catalogue presenting artist's influential bodies of works in their full context — the most comprehensive study of his work so far.

The show is accompanied by an in - depth, scholarly catalogue including essays by Scott Shields, chief curator and associate director of the Crocker, and art critic Donald Kuspit.

This will be the first museum exhibition dedicated to Simpson's drawings and collages — including a new series of works created during her tenure as the Aspen Art Museum's 2013 Jane and Marc Nathanson Distinguished Artist in Residence — and will be accompanied by a fully illustrated, scholarly catalogue.