Sentences with phrase «by sequence comparison»

In drug design, for example, the function of a protein is determined by sequence comparison and 3D modelling programs.

Not exact matches

I marveled at a chart that showed a diagram of the tree of life, where relationships between different mammalian species were figured out solely by comparison of their DNA sequences, providing powerful support for Darwin's idea of descent from a common ancestor with natural selection operating on randomly occurring variations.

This finding can not be explained by global constraint on the intron sequence, because interspecific comparisons with other nonhuman primates revealed phylogenetically informative sequence changes.

The comparison with other sequenced genomes revealed that over the course of great ape evolution, about 90 % of the genome has been influenced by natural selection.

Recently he set out to sequence the complete Neanderthal genome within two years, in preparation for a side - by - side comparison with our own.

A comparison of the sequence of amino acids in NGF with that of several other polypeptides by William A. Frazier of Washington University revealed that NGF and insulin have certain sequences in common.

A few interesting articles in early life human microbiome, plus: A comparison between Staphylococcus epidermidis commensal and pathogenic lineages from the skin of healthy individuals living in North American and India; A new tool to reconstruct microbial genome - scale metabolic models (GSMMs) from their genome sequence; The seasonal changes in Amazon rainforest soil microbiome are associated with changes in the canopy; A specific class of chemicals secreted by birds modulates their feather microbiome; chronic stress alters gut microbiota and triggers a specific immune response in a mouse model of colitis; and evidence that the short chain fatty acids profile in the gut reflects the impact of dietary fibre on the microbiome using the PolyFermS continuous intestinal fermentation model.

We sequenced, assembled and investigated the L. adleri genome isolated from an asymptomatic Ethiopian rodent (MARV / ET / 75 / HO174) and verified it as L. adleri by comparison with other Sauroleishmania species.

Because many homologs have low sequence similarity, most distant relationships can not be detected by any pairwise comparison method; however, those which are identified may be used with confidence.

By making a comparison of proteomic and RNA - sequencing data from individuals on the different exercise regimens, proof was found that exercise stimulates the cell to generate more gene coding RNA copies for proteins of the mitochondria and proteins in charge of the growth of muscle.

On the other side of the coin, there is an entire subplot devoted to Brad's fertility, along with a payoff involving the comparison between Brad and Dusty's testicles by a fertility doctor (Bobby Cannavale), and a whole sequence at an NBA basketball game where Brad gets drunk and makes a complete fool of himself falls flat.

I discovered this merely by playing around with the audio options, having the film begin in French, and then replaying the opening sequence in (by comparison) a fairly lifeless English soundtrack.

These episodes, unfortunately abetted by several overly rhetorical performances, pale in comparison with the naturalistic rural sequences featuring the non-transgressive love of Levin (Domhnall Gleeson) and his bride, Kitty (Alicia Vikander), whose gentle altruism makes Anna seem like a raging sexual narcissist.

There are interesting side - by - side storyboard / finished scene comparisons for the film's more visually complex sequences; a selection of rather understandably deleted scenes that can be viewed with commentary by director and producer as well as within the context of the film (albeit in rather cumbersome fashion); a largely useless montage of still photos from the production cut to a cue of John Murphy's score; the usual cast and crew filmographies and production notes; plus a full - frame version of the film to go with the nicely transferred anamorphic widescreen one.

From this whipsmart opening, Whedon builds to a brutal second act that mercilessly piles on the hurt, with each character — even Scarlett — given some really bad business to deal with in an extended mid-air action sequence of such sustained and wrung - out tension that it has the unintended effect of rendering the final showdown just a little limp by comparison.

The shining star of «Raw Meat» is the SFX comparisons section that displays the step - by - step process of some of the film's cooler sequences.

Finally, «Inside Action: Side by Side Comparisons» (11 mins., HD) offers behind - the - scenes footage of the more adrenalized sequences, presented in split - screen alongside the final product.

Indeed, following this surprisingly rich and varied show is a tiny room showing sequences in colour, which by comparison look unruly and untamable, with seemingly infinite number of combinations of tonal gradients within the colour spectrum.

But the canvases vary wildly from one to the next — using her tried - and - true vehicles of action and comparison, Fiona Rae's recent paintings stretch from the pastoral «We go in search of our dream» (2007), featuring a bambi and butterfly peacefully grazing at the foot of a tree, to the nihilistic and menacing «My favorite puppy's Life» (2004), in which a now mutated bambi triskelion hurtles through the dark reaches of space, surrounded by rotating stencils, blobs, and brushstrokes (think of the opening sequence of Superman).

Sarah Charlesworth's recontextualized newspapers, a comparison of The Family of Man by Edward Steichen and Steve McQueen, typologies by the Bechers, Karl Blossfeldt, Dan Graham, and others, the photographic archive as a tool of social control, series - based portraiture by artists August Sander, VALIE EXPORT, Claude Cahun, Bea Nettles, Annette Messager, and Sophie Calle, the passage of space and time in works by Ed Ruscha, Duane Michals, Minor White, William Christenberry, and Atta Kim, photographic documention of artistic process, observation and experimentation, the photobook as a traveling idea, the slide show as performed sequence, Eadweard Muybridge and the illusion of motion, sequential narrative in works by Jan Groover, Eleanor Antin, and Chris Marker, compressing time in video works by Andy Warhol and Paul Pfeiffer, and more...

Regarding the guideline definitions, «acceptance» is the first port - o - call in the report validation sequence, before line by line comparisons are made between the reports and the SMP.