The heroine spends at least half the film's runtime naked and being helplessly humiliated
by sleazeballs of the lowest order.
Not exact matches
Always be suspicious of people selling fear — it is the tactic of
sleazeballs who can not persuade
by more honest means.
It was not run
by the studio, but contracted out to a
sleazeball who must have had incriminating photos of some MGM executive.
Sharp's screenplays are marked
by a narrative complexity and situations gravid with implication and doom.1 Take the moment in the Arthur Penn - helmed Night Moves where broken - down P.I. Harry Moseby (Gene Hackman, reuniting with Penn for the first time since Bonnie and Clyde), after discovering a body in a sunken wreck off the coast of Florida, watches as his two
sleazeball hosts (John Crawford and Jennifer Warren)-- who've previously exchanged an odd nod and a knowing glance in which something is silently decided about how to handle this new, inquisitive element dropped in their midst — break into a broken tango to a tune on the radio.
Roland Turner (marvelously played
by John Goodman), the big, bleary New Orleans bluesman with whom Llewyn shares a disastrous ride to Chicago, is a Falstaffian
sleazeball.