Sentences with phrase «by soft center»

If by soft center we mean the spine of our team, ATM with Sanchez as striker, Xahaka / Coq as DM and Mustafi and Kos as CD, our spine is not soft.

Not exact matches

The mistake of thinking that economics must concern either Only Prudence, on the one hand, or No Prudence at All, on the other, is shared by hard right, hard left and soft center, politically speaking, which is to say that it is shared by most intellectuals.

For my own part, I believe that the first condition for such a revision of our services of worship as shall make them fully Christian is theological; by this I mean that only when our doctrine of God is soundly Christian will these services be appropriate to the worship of the community that finds its center in Jesus Christ, who revealed God as «pure, unbounded Love» but who also revealed that this Love is not soft or sentimental — the fact of Calvary makes that truth sufficiently plain.

With their lightly crusty edges, creamy soft centers, easy comfort, and the fact that almost every ingredient can play and sing along embedded in custardy creamy eggs, frittatas are the perfect Summer companion, and this Oaxacan Frittata is the one you want this summer by your side.

As this happens, the fruit softens and breaks down, virtually melting into itself, held together by its soft skin with a puddle of caramelized sugar pooled in the center.

If they were in an eton mess or the recommended ice cream you wouldn't be able to tell at all The center of our meringues were a little soft still, but they were still lovely, and I expect the softness was caused by a not - quite stiff enough mixture.

Drop dough by in 2 - tablespoon - sized balls about 2 - inches apart on parchment - lined baking sheets and bake in the lower and upper third of the oven until golden around the edges, but still soft in the center, about 12 - 14 minutes, rotating the baking sheets halfway through baking.

I wanted to try this recipe because I was intrigued by the grated fennel component of the coins, which made them soft in the center and crispy on the outside.

This meringue cake, with its unusual soft sweet marshmallow center and light, delicate, and crisp crust, is produced by folding a little vinegar and cornstarch (cornflour) into the egg whites and sugar mixture once they are stiffly beaten.

we've had a very soft center lately: liverpool was able to just waltz by flam.

Len Chappell, the 240 - pound Wake Forest center, surprised the Bonnies with his soft outside shots and destroyed them by getting 15 rebounds.

Nothing like one underachiever blowing smoke up the ass of another... we know that Ozil has some incredible technical gifts, but to be considered the best you have to bring more than just assists to the table... for me, a top player has to possess a more well - rounded game, which doesn't mean they need to be a beast on both ends of the pitch, but they must have the ability to take their game to another level when it matters most... although he amassed some record - like stats early on, it set the bar too high, so when people expected him to duplicate those numbers each year the pressure seemed to get the best of our soft - spoken star... obviously that's not an excuse for what has happened in the meantime, but it's important to make note of a few things: (1) his best year was a transition year for many of the traditionally dominant teams in the EPL, so that clearly made the numbers appear better than they actually were and (2) Wenger's system, or lack thereof, didn't do him any favours; by playing him out of position and by not acquiring world - class striker and / or right - side forward that would best fit an Ozil - centered offensive scheme certainly hurt his chances to repeat his earlier peformances, (3) the loss of Cazorla, who took a lot of pressure off Ozil in the midfield and was highly efficient when it came to getting him the ball in space, negatively impacted his effectiveness and (4) he likewise missed a good chunk of games and frankly never looked himself when he eventually returned to the field... overall the Ozil experiment has had mixed reviews and rightfully so, but I do have some empathy for the man because he has always carried himself the same way, whether for Real or the German National team, yet he has only suffered any lengthy down periods with Arsenal... to me that goes directly to this club's inability to surround him with the necessary players to succeed, especially for someone who is a pass first type of player; as such, this simply highlights our club's ineffective and antiquated transfer policies... frankly I'm disappointed in both Ozil and our management team for not stepping up when it counted because they had a chance to do something special, but they didn't have it in them... there is no one that better exemplifies our recent history than Ozil, brief moments of greatness undercut by long periods of disappointing play, only made worse by his mopey posturing like a younger slightly less awkward Wenger... what a terribly waste

«Only last week, Nigerians were stunned by revelations that INEC under Prof. Yakubu is plotting to create 30,000 illegal polling centers in soft and compromised areas through which they plan to allocate free votes for President Buhari.

This work was supported by the Korea Research Institute of Standards and Science under the auspices of the project «Convergent Science and Technology for Measurements at the Nanoscale» (15011053), grants from the National Research Foundation of Korea (2014-023563, NRF -2008-0061906, NRF - 2013R1A1A1076141, NRF - 2012M3C1A1048861, 2011-0017605, BSR - 2012R1A2A2A01045496 and NMTD - 2012M3A7B4049888) funded by the Korea government (MSIP), a grant (2011-0031630) from the Center for Advanced Soft Electronics through the Global Frontier Research Program of MSIP, the Priority Research Center Program (2012-0005859), a grant (2011-0030786) from the Center for Topological Matters at POSTECH, the NSF (DMR - 1122594), AFOSR (FA95550 -09-0705), ONR (N00014 -13-1-0662), Army Research Office (ARO) grant W911NF -13-1-0471 and the Qualcomm Innovation Fellowship (QInF) 2013.

$ 8 billion) over first ten years for deficit reductionObeys PAYGO; Starting in 2026, 25 % of auction revenues for deficit reductionFuels and TransportationIncrease biofuels to 60 million gallons by 2030, low - carbon fuel standard of 10 % by 2010, 1 million plug» in hybrid cars by 2025, raise fuel economy standards, smart growth funding, end oil subsidies, promote natural gas drilling, enhanced oil recoverySmart growth funding, plug - in hybrids, raise fuel economy standards $ 7 billion a year for smart growth funding, plug - in hybrids, natural gas vehicles, raise fuel economy standards; offshore drilling with revenue sharing and oil spill veto, natural gas fracking disclosureCost ContainmentInternational offsetsOffset pool, banking and borrowing flexibility, soft price collar using permit reserve auction at $ 28 per ton going to 60 % above three - year - average market price» Hard» price collar between $ 12 and $ 25 per ton, floor increases at 3 % + CPI, ceiling at 5 % + CPI, plus permit reserve auction, offsets like W - MClean Air Act And StatesNot discussedOnly polluters above 25,000 tons of carbon dioxide equivalent a year, regional cap and trade suspended until 2017, EPA to set stationary source performance standards in 2016, some Clean Air Act provisions excludedOnly polluters above 25,000 tons of carbon dioxide equivalent a year, regional cap and trade pre-empted, establishes coal - fired plant performance standards, some Clean Air Act provisions excludedInternational CompetitivenessTax incentives for domestic auto industryFree allowances for trade - exposed industries, 2020 carbon tariff on importsCarbon tariff on importsReferences: Barack Obama, 2007; Barack Obama, 8/3/08; Pew Center, 6/26/09; leaked drafts of American Power Act, 5/11/10.

With Gregory's research, soft materials now have the ability to move freely without requiring outside friction, by using shrinking and swelling to move the center of gravity of an object in water — vastly expanding potential applications of soft materials and soon, soft robots.

In addition, the collision with a 372 - kilogram (820 - pound) projectile launched by NASA's Deep Impact probe in 2005 has created a 150 - meter - wide (490 - foot - wide) crater with a small mound in the center, as some of the ejecta of the impact apparently fell back down within the crater, but the crater's relatively soft outline indicates that its edges have undergone significant changes since the 2005 impact (NASA / STARDUST / NExT news release; Astronomy Picture of the Day; David Shiga, New Scientist, February 15, 2011; Jonathan Amos, BBC News, February 15, 2011; and Richard A. Lovett, Nature News, February 15, 2011).

I think I'll shoot for 3 yards of soft knit material and make bound arm holes by cutting a strip 2 inches wide and pinning and sewing it centered where I want the opening.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

By choosing to straddle this soft center, Trophy becomes little more than an educational effort, which perhaps is exactly the type of approach its CNN Films production arm wanted.

As the soft moral center of Dredd, Anderson has a tender spot for the people of Peach Trees, having grown up (and been spit out) by a similar situation.

Fabric - covered magnesium panels make for a beautifully curved roofline with the unmistakable look of a soft top; the center stack is inspired by that of the Panamera; and there's an optional twelve - speaker Burmester stereo.

With soft Windsor leather across the doors, steering wheel, and the brand's so - called full width unbroken beam dashboard, there's a sense of specialness and luxury that's rounded out by an Alcantara headliner and details like cut diamond perforations, which form a subtle array of Union Jacks across the seat centers.

In firm mode (selected by pressing the shock absorber pictogram button on the center console), the suspension feels like rebound is too firm; in softer settings, body motion gets annoyingly loose.

Freedom package 24F including black and mineral gray front and rear bumper, Freedom Edition badging, cloth / leather seats, grille, «Oscar Mike» badge, quick silver painted accents, rock rails, auto dimming mirrors with reading lamps, silver interior accents, body colored fender flares, connectivity group including Bluetooth hands - free, individual tire pressure monitoring display, electronic vehicle information center, air conditioning, 17 - inch by 7.5 - inch aluminum wheels, P255 / 75 R17 OWL on / off road tires, power convenience group, heated mirrors, power windows including one - touch - down on drivers window, power door locks, remote keyless entry, security alarm, leather wrapped steering wheel, deep tint sunscreen windows, black and chrome fuel filler door screws, black Mopar tail lamp guards, Sirius XM radio including 1 - year subscription ($ 5,700); five - speed automatic transmission including hill decent ($ 1,295); Freedom Top including three - piece hard top, delete vinyl sunrider soft top, Freedom panel storage bag, rear window defroster and wiper / washer ($ 995); Uconnect 430 CD / DVD / MP3 / HDD ($ 695); Alpine premium audio system ($ 595); supplemental front seat - mounted side airbags ($ 495)

Storing cargo within a soft top is also risky, since the top is easily compromised by thieves, and only the meager glovebox and center console can be locked.

Options: Am / Fm Stereo W / Cd / Mp3 Player - Inc: Auto - Store Fm Diversity Antenna Auxiliary Input Located Inside Center Console Dvd Changer Prep Premium High - Fidelity 16 - Speaker Sound System - Inc: Digital Sound Processing (Dsp)(2) Subwoofers Under Front Seats 600 - Watt Digital 9 - Channel Amplifier Hd Radio W / Multicast Fm Station Reception Entertainment Server 12 Gb Hard Drive W / Usb Port For Media Transfer Body - Color Roof Trim Strips Power 2 - Way Tilt / Slide Glass Moonroof W / Key - Off & One - Touch Operation Sunshade Wind Deflector Body - Color Bumpers W / Hydraulic Energy Absorbers & (Front Only) Compressible Elements Power Adjustable Power - Folding Heated Auto - Dimming Body - Color Side - View Mirrors - Inc: 2 - Position Memory Rh Automatic Tilt - Down In Reverse Illuminated Exterior Door Handles & Ground Illumination Intermittent Rain - Sensing Windshield Wipers W / Adjustable & Vehicle - Speed - Sensitive Wiping Interval Single - Wipe Control Windshield - Washer System W / Heated Washer Jets 19 X 8.5 V - Spoke Light Alloy Wheels (Style 426)- Inc: P245 / 45R19 Run - Flat All - Season Tires Led Fog Lights Automatic Trunk Lid Open / Close Xenon Rain - Sensing Adaptive Headlights - Inc: Dynamic Auto - Leveling Corona Headlight - Rings & Cornering Lights Retractable High - Intensity Headlight Washers Body - Color Exterior Door Handles Adaptive Brake Lights Pathway Lighting Feature Programmable Via Vehicle & Key Memory Power Soft - Close Automatic Doors Dual Cupholders Front & Rear Front Visors W / Illuminated Vanity Mirrors Dynamic Cruise Control Expanded Check Control Vehicle Monitor System Power Windows - Inc: Key - Off Operation One - Touch Open / Close Anti-Trapping Feature Coded Driveaway Protection Ambiance Lighting In Front Rear & Door Panels Dual Illuminated Rear Vanity Mirrors Integrated Into Rear Cabin Roof Lining Vehicle & Key Memory Fully Finished Trunk Comfort Access Keyless Entry W / Multi-Function Remote Rear Center Armrest W / Storage Compartment Rear Window Defogger Auto - Dimming Rear - View Mirror 4 - Zone Automatic Climate Control - Inc: Draft - Free Vents Solar Sensor Automatic Recirculation Heat - At - Rest Feature Automatic Ventilation Electronic Analog Speedometer & Tachometer Anti-Theft Alarm System - Inc: Interior Motion Detector Owner's Manual Condition - Based Service Display W / Additional Functions Accessible Through Idrive System Central Power Locking System - Inc: Anti-Theft Feature Selective Unlocking Programmable Via Vehicle & Key Memory Nappa Leather Upholstery Black Panel Display W / Lcd Main & Trip Odometer Displays & Warning Indicators In Dial Faces Front & Rear Floor Mats Hard Drive - Based Navigation System - Inc: Voice - Command & Real Time Traffic Info Fineline High Gloss Wood Interior Trim Power Tilt / Telescoping Steering Column Remote Trunk Release Heated Front Seats W / Fast Heating & Balance Control Front Console Compartment - Inc: Coinholder Illumination Multi-Contour 20 - Way Power Front Bucket Seats - Inc: 4 - Way Pwr Lumbar Support Articulated Upper Backrest Adjustable Backrest Width Adjustable Thigh Support Driver & Front Passenger Seat Memory Active Head Restraints W / Adjustable Side Support Integrated Universal Garage Door Opener Multi-Function Sports Leather - Wrapped Steering Wheel - Inc: Audio Controls Phone Controls 2 - Position Memory Smokers Pkg Idrive System - Inc: On - Board Computer Controller (8) Programmable Memory Buttons 8 - Speed Automatic Transmission - Inc: Automatic & Manual Shift Modes Both W / Fully Synchronized Electronic Gear Changes Self - Leveling Air Spring Rear Suspension Rear Wheel Drive 4.4 - Liter Twinpower Turbo 32 - Valve 445 - Hp V - 8 Engine - Inc: Double - Vanos & Valvetronic Variable Valve Control High - Precision Direct Injection Dynamic Damping Control Driving Dynamics Control Front Multi-Link Double - Wishbone Aluminum Suspension Rear Multi-Link Integral - V Aluminum Suspension Brake Energy Regeneration To Convert Kinetic Energy Into Usable Electrical Pwr 4 - Wheel Ventilated Disc Brakes W / Electronic Brake Proportioning Twin - Tube Gas - Pressure Shock Absorbers Vehicle - Speed - Sensitive Variable - Assist Variable - Ratio Rack - & - Pinion Power Steering Auto Start - Stop Function Aluminum Front & Rear Subframes Electromechanical Parking Brake ** Preliminary Standard Equipment ** Front - Seat Side - Impact Airbags 3 - Point Safety Belt System - Inc: Alr In All Passenger Positions Rear - View Camera Child Safety Rear Door Locks Anti-Lock Braking System (Abs) Driver & Front Passenger Dual - Threshold Dual - Stage Front Airbags W / Passenger Occupant Sensor Front & Rear Head Protection System (Hps) Corona Ring Integrated Daytime Running Lights Front & Rear Park Distance Control W / Graphic Display Emergency Interior Trunk Release Handle Front Safety Belt Automatic Pretensioners Acoustic Belt Warning Active Protection Bmw Assist W / Enhanced Bluetooth & Usb - Inc: (4) Years Of Automatic Collision Notification Emergency Request Enhanced Roadside Assistance Remote Door Unlock Stolen Vehicle Recovery Customer Relations Teleservice Mobile Office Features Myinfo Lower Anchors & Tethers For Children (Latch) On Rear Outboard Seats Dynamic Stability Control (Dsc)- Inc: Brake Fade Compensation Start - Off Assistant Brake Drying Brake Stand - By Dynamic Traction Control (Dtc) Dynamic Brake Control Crash Sensor That Activates Battery Safety Terminal Disconnect Of Alternator Fuel Pump & Starter From Battery Automatically Unlocks Doors Turns On Hazard & Interior Lights Tire Pressure Monitor Active Knee Protection

You're greeted by refined craftsmanship, an intuitive center console, soft - touch materials, available ambient lighting and available painted metallic accents.

Climbing behind the wheel of the 323i Sport Wagon, we were immediately greeted by the familiar 3 - Series dash - smooth and flowing in design, with a soft - touch upper section and customary high mounted gauge pod, clean center stack, inlaid wood trim and coddling Montana leather.

The dashboard cross member is supported against the windshield frame and center tunnel by additional struts, and a curved strut between the soft top and the tank reinforces the rear axle.

The soft fabric top is secured by just a single latch mounted in the center that can be raised and lowered at the touch of a button.

The soft - top roof has a visual lightness to go with its low physical weight and serves as a defining element of the silhouette in reinforcing the road - hugging impression made by the car's low center of gravity.

High - grade, authentic and premium material treatments abound, including hand - wrapped, stitched leather surfaces on the soft - touch instrument panel, doors and center console, set off by brushed aluminum or available open - pore Olive Ash wood accents.

Like blind people, they felt each other's body, lingering in the warmest curves, making the same trajectory each time; knowing by touch the places where the skin was softest and tenderest and where it was stronger and exposed to daylight; where, on the neck, the heartbeat was echoed; where the nerves shivered as the hand came nearer to the center, between the legs.

The Galaxy Tab 3 10.1 clearly wants you to use it in landscape mode; its speakers are embedded into the side edges; the Samsung logo and front - facing camera are centered above the display; and a slightly raised home button is flanked by two soft navigation buttons, centered beneath the display.

The iPod - inspired track wheel has been moved to the center and is flanked by two soft buttons.

The huge center pinnacle surrounded by small rocks are covered by soft corals, anemones, sponges and large sea fans.

Dreamland Beach is also known as New Kuta Beach but don't be fooled by the name, this is not anywhere near the busy Kuta Center where the famous Kuta Beach is and Dreamland Beach has soft white sand beach.

2008 The Greenroom, CCS Bard Hessel Museum of Art, Annandale - on - Hudson, NY, USA (Curated by Maria Lind and Hito Steyer) Convergence Center, Democracy in America, Creative Time at Park Avenue Armory, New York, NY, USA (Curated by Nato Thompson) Soft Manipulation, Casino Luxemburg, curated by Maria Lind, Enrico Lunghi, and Eric Zoran.

The same violet paint defines two circles of soft, irregular contours that ring the center, the inner one with a streak of grass green echoed in the outer ring by a streak of deep purple.

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?

The 53 pieces of discarded waste paper comprising Jimmy Durham's A Street - level Treatise on Money and Work are brought to the center of a dialogue on the destruction of native cultures and Dario Robleto addresses American notions of manifest destiny in Deep Down I Don't Believe in Hymns by taking a military - issued blanket and «infesting» it with hand - ground dust made from vinyl recordings of Neil Young's «Cortez the Killer» and Soft Cell's «Tainted Love.»

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

HELEN FRANKENTHALER Flotilla screenpint in colors, 2006, on wove paper, signed and dated in pencil, numbered 23/120, published by Lincoln Center / List Poster and Print Program, New York, the full sheet, a few soft handling creases at the sheet edges, otherwise in good condition S. 31 x 37 in.

His video Micro & Soft on Macintosh Apple is currently on view at the Museum of Modern Art, New York and a print commissioned by The Drawing Center, New York to benefit its programs and exhibitions is currently on view at the museum.

Color intaglio (spitbite, aquatint) on Magnan Pescia soft white paper 21 x 16 inches 11 3/4 x 8 inches (image size) Edition of 30 with 8 artist's proofs Signed and dated in pencil «Jasper Johns» 12» lower right, numbered lower left Printed by Doug Bennett and John Lund Published by LeRoy Neiman Center for Print Studies, Columbia University

HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 11/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, occasional soft handling creases at the edges, otherwise in very good condition, framed S. 28 x 46 in.

Before They Became Who They Are, Kravets / Wehby Gallery, New York, NY; (13 Jan. - 10 Feb), curated by Norman Dubrow Galerie Nachst St. Stephan, Vienna, Austria (6 Dec. - 3 Feb. 2001) Gebaude: Donald Judd, Gerhard Merz, Jessica Stockholder (with OpenOffice), Heimer & Döring Kunstberatung, Berlin, Germany; (27 Sept. — 18 Nov.) Skulptur 2000, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany; curated by Ute Riese (cat., 1 Oct - 12 Nov) Beyond the Press: Innovations in Print, Hand Workshop Art Center, Richmond, VA; (21 Jan - 12 Mar) Spilled Edge / Soft Corner.

HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 6/136 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinges at the reverse of the upper sheet corners with very soft associated creasing, otherwise in excellent condition, framed S. 27 x 39 9/16 in.

2013 Contemporary Future: To Invent, Create and Imagine the Future, CAB Art Center, Brussels, Belgium 2013 The Gesture and the Sign, White Cube, São Paulo, Brazil 2013 Black Cake, Team Gallery, New York, NY 2013 Museum Dhondt - Dhaenens, Ghent, Belgium (solo) 2013 SOFT WORK, Museo d'Arte Contemporanea, Rome, Italy (solo) 2013 CHRON II, Fondazione MEMMO, Rome, Italy (solo) 2013 Sterling Ruby, Kukje Gallery, Seoul, Korea (solo) 2013 EXHM, Hauser & Wirth London, England (solo) 2012 Bonniers Konsthall, Stockholm, Sweden (solo) 2012 SOFT WORK, FRAC Champagne - Ardenne, Reims, France (solo) 2012 SOFT WORK, Centre D'Art Contemporain, Geneva, Switzerland (solo) 2012 California, Charles Riva Collection, Brussels, Belgium 2012 Crossing Mirrors, Rosenblum Collection & Friends, Paris, France 2012 Americas, Modern Collections, London, UK 2012 Cellblock, curated by Robert Hobbs, Andrea Rosen Gallery, New York, NY 2012 Spring Fever, Tony Shafrazi Gallery, New York, NY 2012 The Mash Up: Collage from the 1930's to present, L&M Arts, Los Angeles, CA 2012 Painting Factory, Museum of Contemporary Art, Los Angeles, Ca (cat.)