Further, nitrocellulose for lacquers is now being rapidly displaced
by synthetic resins.
Not exact matches
Dyes came first, soon followed
by paints, solvents, aspirin, sweeteners, laxatives, detergents, inks, anesthetics, cosmetics, adhesives, photographic materials, roofing,
resins, and the first primitive plastics — all
synthetic and all derived from coal tar, the fountainhead of commercial chemistry.
PET carpet advocates report that because plastic beverage containers are made with top quality
resins as required
by the U.S. Food & Drug Administration, recycled PET is superior to lower grades of virgin
synthetic fibers used in making other brands of polyester carpet yarns.
Regulators are concerned because growing evidence shows that some
synthetic chemicals — including those found in in insecticides, herbicides, fumigants, fungicides, detergents,
resins and plasticizers — may disrupt the body's endocrine system, which controls many important functions
by emitting hormones, or natural chemical messengers.
The stiffness of the initially viscous material based on
synthetic resin can be determined
by two hardening mechanisms: irradiation with UV light, and heat.
In fact, it has been constantly changing with
synthetic resins now making their way in competition with solutions of nitrocellulose and, with more recent applications of dispersing agents, with lower surface tension, there have even appeared lacquers in which the more expensive and inflammable solvents have been replaced to a considerable extent
by water.
With a unique pouring technique, Morris Louis achieved his intensely vivid hues
by staining his canvases with Magna, a newly developed form of
synthetic acrylic
resin which fully penetrated the fabric and completely covered the fibers of his canvas to build glowing fields of voluminous color.
A very striking deep ultramarine blue work
by Yves Klein (1928 - 1962), «RE 40,» a sponge and pigment in
synthetic resin on panel, 78 3/4
by 59 inches, Lot 64, sold within its estimates for $ 2,095,750, another auction record.
Lot 40, «RE 1,»
by Yves Klein (1928 - 1962) is a 78 3/4 -
by -65-inch deep blue pigment,
synthetic resin and sponges on canvas that was executed in 1958 and has a very ambitious estimate of $ 4,000,000 to $ 5,000,000.
Organised at Almine Rech Gallery
by the artist DeWain Valentine, «Plastic Show» is presenting a series of works
by five Californian artists (Mary Corse (b. 1945), Robert Irwin (b. 1928), Craig Kauffman (1932 — 2010), John McCracken (1934 — 2011), and DeWain Valentine (b. 1936)-RRB- who have been investigating the potential of plastic (synthetically produced
resins) in art:» Known for their pioneering work with various
synthetic resins and
synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes.»
They found household enamel paint known to have been used
by Pollock, but they also discovered a
synthetic resin that Pollock was not known to have used.
From the rugs and the mirrors
by Pistoletto, to the
resin clots
by Zorio; from lead and salt, ice and fire
by Calzolari, to the ground and the light of Anselmo; from woods, leaves, thorns and trunks of Penone, to the fluorescent plastic of Merz; from
synthetic materials which imitate or reinvent the reality and the nature of Gilardi and Pascali, to the refined conceptualisation, historical or handmade of Paolini, Piacentino and Boetti.