© Alison Rossiter The J. Paul Getty Museum, Los Angeles Purchased with funds provided
by the Photographs Council
The J. Paul Getty Museum, purchased with funds provided
by the Photographs Council.
Not exact matches
The
photograph, which comes from a public archive on Syracuse University's website, was taken Oct. 2, 2012, during the governor's tour of projects promoted
by the Central New York Regional Economic Development
Council.
To this end the Webmaster will update the Leadership Team and
Council member contact information and member profiles, maintain an agenda of activities, post important documents and
photographs of events and keep the website up - to - date
by adding new information, and removing dated information.
Japanese photographer Shomei Tomatsu's image titled Bottle Melted and Deformed
by Atomic Bomb Heat, Radiation and Fire, Nagasaki (1961) is part of a group of
photographs commissioned
by the Japan
Council Against Atomic and Hydrogen Bombs, and depicts a glass bottle mutated
by an atomic bomb.
One of the most important in Italy, the permanent collection of the International Gallery of Modern Art at Ca» Pesaro, comprising a large number of artworks — paintings, sculptures, drawings,
photographs, and installations —
by Italian and international artists, has been built over a period of more than 120 years though both acquisitions
by the Venice city
council and donations from private collectors.
Also being presented are rarely seen
photographs and documents from Hodgkin's personal archive including material relating to his 1992 British
Council commission in New Delhi with the architect Charles Correa, as well as journals kept
by the artist documenting his journeys in India, to be displayed publicly for the first time.
FIELD FOR THE BRITISH ISLES, 1993 Terracotta, variable size: approx. 40 000 elements, each 8 - 26 cm tall Installation view, 20 - 21 Visual Arts Centre, Scunthorpe, England
Photograph by Henry Lowther Arts
Council Collection, England
FIELD FOR THE BRITISH ISLES, 1993 Terracotta, variable size: approx. 40 000 elements, each 8 - 26 cm tall Installation view, Roman House, Colchester 1999
Photograph by Douglas Atfield, Ipswich Arts
Council Collection, England
,» Mills Gallery, Boston Center for the Arts, Boston, MA, July 18 — September 1, 2002 «New Art,» Bang Street Gallery, Provincetown, MA, June 2002 «Space 1026: Scratch off the Serial,» Institute of Contemporary Art, Philadelphia, PA, May 11 — July 14, 2002 «DNA@DNA Genetic Imprints,» curated
by Nick Lawrence, DNA Gallery, Provincetown, MA, May 10 — 29, 2002 «
Photographs and Collages,» Driskell Gallery at the Schoolhouse Center, Provincetown, MA, April 26 — May 22, 2002 «FAWC Solo Exhibition,» Hudson D. Walker Gallery, Provincetown, MA, February 15 — 18, 2002 2001 «Fine Art Works Center Fellows Exhibition,» Provincetown Art Association and Museum, Provincetown, MA, December 7, 2001 — January 6, 2002 «Heavy Thick, Slow, Sweet:
Photographs and Collages
by Amanda Masalis and Elliott Hundley,» Space 1026 Gallery, Philadelphia, PA, November 2 — 30, 2001 «Ten
by Ten,» Hudson D. Walker Gallery, Provincetown, MA, October 2001 «Asolare,» Spruce Pine Gallery, Toe River Arts
Council, Burnsville, NC, August 20 — September 28, 2001
The opening shows also include a display of works from the British
Council's collection selected
by Jeremy Deller, a new site - specific work
by Goshka Macuga and
photographs by Juergen Teller.
Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed
by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also
photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe
by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate
by New Orleans city
council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.
This exhibition includes works acquired with funds generously provided
by the Museum's
Photographs Council:
Some of the
photographs were acquired by for the Arts Council of Great Britain collection in the 1970s and appeared in Sounds (1977); The Village Cry (1977); Camerawork 12 (1979) and About 70 Photogra
photographs were acquired
by for the Arts
Council of Great Britain collection in the 1970s and appeared in Sounds (1977); The Village Cry (1977); Camerawork 12 (1979) and About 70
PhotographsPhotographs (1980).
About Blog The Canada
Council Art Bank is a national collection of over 17,000 paintings, prints,
photographs and sculptures
by over 3,000 artists.
COAG Reform
Council chairman John Brumby (
photographed above with NACCHO chair Justin Mohamed) presented to the conference the findings of the
Council's final work on Aboriginal and Torres Strait Islander health monitoring, Heathcare in Australia 2012 - 13: Comparing outcomes
by Indigenous status.
The cover
photograph taken
by Toni Wilkinson is courtesy of the Australian Institute of Aboriginal and Torres Strait Islander Studies with permission from the South West Aboriginal Land and Sea
Council.