Sentences with phrase «by the contemporary art»

Celebrating the Hong Kong Arts Month, our new Executive Pastry Chef David Puig presents artistic creations inspired by contemporary art pieces in the hotel.
The hotel also features stunning interior décor inspired by both modern and traditional Islamic design and complemented by contemporary art works.
Major support for the exhibition is provided by The Contemporary Arts Council of The Museum of Modern Art, and The International Council of The Museum of Modern Art.
This exhibition is organized by the Contemporary Arts Center, New Orleans, and curated by Aaron Levi Garvey.
is organized by the Contemporary Arts Museum Houston and the Museum of Contemporary Art Denver.
February 6 — 12 Dawn Surf Jellybowl Film (16 mm film negative sanded with surfboard shaping tools, sex wax melted on, squirted, dripped, splashed, sprayed and rubbed with donuts, zinc oxide, cuervo, sunscreen, hydrogen peroxide, tecate, sand, tar, scraped with a shark's tooth, edits made by the surf and a seal while film floated in waves - surfing performed by Andy Perry, Makela Moore, Alanna Moore, Zach Moore, Johnny McCann — shot by Peter West — film negative sanded by Mariah Csepanyi, Andy Perry and Jwest) 2011, 8 minutes 15 seconds 16 mm film negative transferred to high - definition video, no sound Commissioned by the Contemporary Arts Forum, Santa Barbara, California and Thanks to Andy Perry
The glossy, glittery, gooey world of Marilyn Minter arrives in Brooklyn thanks to this touring exhibition, co-organized by the Contemporary Arts Museum Houston and the Museum of Contemporary Art Denver.
February 20 — 26 Smoke, Darts and Mirrors Film (35 mm film leader painted with candle smoke, taped to a dart board and hit with darts dipped in habanero sauce, taped with mirrored and opalescent mylar — throwing darts performed by Mateo Tannatt, Lesley Moon, Jen Collins, Patrick Cates, Mariah Csepanyi, Blake Bailey, Karen Liebowitz and Jwest) 2010, 39 seconds 35 mm film leader transferred to digital video, no sound Generously supported and Commissioned by the Contemporary Art Museum, Houston
Group shows in which he has participated include Tooth and Sons, London, in 1958, Pittsburgh International Exhibition at the Carnegie Institute in 1958 and 1961,» 54/64 Painting and Sculpture of a Decade at the Tate Gallery, 1964, British Painting in the Sixties organised by the Contemporary Arts Society in 1964, and The Human Clay, selected by R.B. Kitaj, held at the Hayward, 1976.
Additional support is provided by the Contemporary Art Initiative, and TWO X TWO for AIDS and Art.
The accompanying publication is made possible by The Contemporary Arts Council of The Museum of Modern Art, Terri and Timothy Childs, and the Rainer Werner Fassbinder Foundation.
Negative Space (STScI - PRC2012 - 10a), 2013 Photographic mural 126 x 590 inches / 320 x 1498 CM Exterior view, Yaletown - Roundhouse Station, Vancouver, Canada Presented by Contemporary Art Gallery, Vancouver Photo: SITE Photography
Presented to GoMA by the Contemporary Art Society through the Collections Fund, 2015
Presented to Leeds Art Gallery by the Contemporary Art Society through the Collections Fund, 2013.
Published by Contemporary Art Museum St. Louis.
Shortly put, Jasper is unquestionably one of the key figures in any conversation concerning novelties brought by contemporary art.
No wonder, Jerry Saltz concludes in The Village Voice, «people are frustrated» by contemporary art that plays it all too safe — even, he believes, as the most adventurous exhibition spaces are playing it safe as well.
Originated by the Contemporary Arts Museum in Houston and the Museum of Contemporary Art in Denver, this show contains 44 paintings on canvas or metal, four stunning videos and sundry occasionally interesting photographs — all spanning peripatetically from 1969 to the present.
Purchased with the support of The Art Fund by the Contemporary Art Society, London, England Worcester Art Museum, Massachusetts, USA
A film by Hito Steyerl, Abstract (2012), has been acquired by the Contemporary Art Society for GoMA, becoming the first work by the artist to enter a public collection in the UK.
Avant - garde and alternative art was and is still produced through disparate communities in venues that can go unnoticed by contemporary art discourse.
Because of its size the exhibition, which was organised by the Contemporary Art Society (CAS), was shown simultaneously at both galleries.
His work is included in the 2005 Venice Biennial and a solo exhibition organized by the Contemporary Arts Museum in Houston, Texas opened in July 2005.
Hayward Gallery, London, British Contemporary Art 1910 — 1990, Eighty Years of Collecting by the Contemporary Art Society, 3 December 1991 — 19 January 1992 (and subsequent tour)
Herbert, Lynn M., and Theresa Papanikolas, Perspectives @ 25: A quarter century of new art in Houston, published by Contemporary Arts Museum Houston, Houston, TX, 2004
Morsiani, Paola, Perspectives 139: Abraham Cruzvillegas, published by Contemporary Arts Museum Houston, Houston, TX, 2004
Additional funding is provided by The Contemporary Arts Council and The Junior Associates of The Museum of Modern Art.
The works will be exhibited on the site of the festival in a pop - up exhibition organized by the contemporary art gallery White Cube.
Richard Aldrich and the 19th Century French Painting is curated by Laura Fried, Associate Curator, and organized by the Contemporary Art Museum St. Louis.
The exhibition is organized by the Contemporary Art Museum St. Louis.
Additional funding is provided by The Contemporary Arts Council of The Museum of Modern Art and by Flanders House, New York.
Downen was selected for the 2004 Great Rivers Biennial, a grant and exhibition sponsored by Contemporary Art Museum St. Louis and the Gateway Foundation.
Generous support is provided by The Contemporary Arts Council of The Museum of Modern Art.
The presentation in Dallas is made possible by TWO x TWO for AIDS and Art, an annual fundraising event that jointly benefits amfAR, The Foundation for AIDS Research and the Dallas Museum of Art, and by the Contemporary Art Initiative.
Support for the catalogue is generously provided in part by the Contemporary Art Society of the Cleveland Museum of Art.
Additional support is provided by TWO x TWO for AIDS and Art, an annual fundraising event that jointly benefits amfAR, The Foundation for AIDS Research and the Dallas Museum of Art, and by the Contemporary Art Initiative.
Figure Study II was first exhibited in London in 1946, and then purchased by the Contemporary Art Society.
Organized by the Contemporary Arts Museum Houston (CAMH), Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing is curated by Valerie Cassel Oliver, Senior Curator.
Presented to Amgueddfa Cymru — National Museum Wales by the Contemporary Art Society through Great Works, supported by the Sfumato Foundation, 2018.
DTL Projects is a collective initiative by contemporary art curators Diane Vivona, Tara Riley Chazen and Lexie Palmer.
The exhibition also introduces another important element: the Köler Prize, awarded by the Contemporary Art Museum of Estonia (CAME), the first of which was presented in 2011 to an installation by Jevgeni Zolotko.
This exhibition is organized by the Contemporary Arts Center, New Orleans (CAC), and curated by Andrea Andersson, The Helis Foundation Chief Curator of Visual Arts at the CAC.
Created by the contemporary art guru Jeff Koons, this inflatable nylon sculpture stood 45 feet high and depicted a seated ballerina initially made for the artist's iconic Antiquity series.
Founded in 1995 by the contemporary art collector Patrizia Sandretto Re Rebaudengo, the Fondazione set up its first public gallery in 1997.
Presented by the Contemporary Art Society and the artist through Great Works, supported by the Sfumato Foundation, 2016
The topicality of the global migrant crisis was evident elsewhere in the activities at this year's Frieze London: a series of Frieze Talks invited speakers and the public to discuss the meaning of» Borderlands», while the Collections Fund at Frieze, supported by the Contemporary Art Society, enabled the UK's Middlesborough Institute of Modern Art to make acquisitions at the fair of works specifically addressing themes of migration and displacement by John Akomfrah and Kader Attia.
A text by Colin Glen, Louisa Fairclough: Recent Drawings, has been co-commissioned by the Contemporary Art Society and Danielle Arnaud and is available to download here.
The piece was donated to the gallery by the Contemporary Art Society in 1924, but has been missing for the last 40 years.
Presented by the Contemporary Art Society through Valeria Napoleone XX Contemporary Art Society (VN XX CAS), 2016/17
The exhibition «Keith Haring: 1978 - 1982,» organized by the Contemporary Arts Center in Cincinnati (CAC), premiered at the Kunsthalle Wien in 2010, traveled to the CAC in 2011 and to the Brooklyn Museum in 2012.
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