Sentences with phrase «by the contemporary knowledge»

There are unique considerations regarding the needs of infants during the first three years of life which are highlighted by contemporary knowledge, underscoring the impact of early experience on the development of human infant brain and mind»

There are unique considerations regarding the needs of infants during the first three years of life which are highlighted by contemporary knowledge, underscoring the impact of early experience on the development of human infant brain and mind»

Not exact matches

It is necessary to collect the questions posed by contemporary human knowledge, especially scientific, and respond to them, showing the reasons for the faith and the plausibility of believing and living as aChristian.

Yet by means of «presentational immediacy» occasions project the concrescence of contemporaries as possible «atomizations of the potential extensive continuum according to available knowledge of their past.

There can be no appeal to woman's experience or to contemporary psychological knowledge for norms by which to evaluate the Christian revelation.

Cf. bibliography and discussion by H. Otto Dalke, «The Sociology of Knowledge,» in Harry E. Barnes and Howard Becker, eds., Contemporary Social Theory (New York: D. Appleton - Century Book Co., 1940), chap.

Let us continue to examine the nature of the synoptic tradition by considering the results of the work of the scholar who has probably done more than any other to make available to contemporary scholarship historical knowledge of the teaching of Jesus, Joachim Jeremias of Gottingen, whom we are proud to acknowledge as our teacher.

Constructive theology, aware of God's continuing revelation in the present, is a hermeneutical mode of reflection that, by exploring our particular historical, social and cultural situation in the light of the church's tradition, attempts dialectically to make sense of both our contemporary experience - knowledge and our tradition.

This is the way followed by some thinkers, for example, A. N. Whitehead in a series of books, The Principles of Natural Knowledge, The Concept of Nature, and Science and the Modern World; by Milic Capek in his The Philosophical Impact of Contemporary Physics; and by C. F. von Weizsäicker in his recent Die Einheit der Natur, as well as other books of his — this list is intended as illustrative, not exhaustive.

The true testing ground for the implicate - order strategy, it seems to me, may indeed be biology rather than physics, where abstract methods are so powerful as to perhaps make it dispensable: just as the old style building - block materialist was refuted not by philosophical polemic, but by the one authority in which he trusted, i.e., by physics itself, so the nothing - but reductionist in contemporary biology will modify his views should it be possible some day to provide him with a mathematical language that fills the currently existing gap between our formal knowledge of gene structure and combinations, and our intuitive apprehension of growth and shape.

This will draw on unrivalled knowledge and resources to provide an open, independent and sharpened focus on contemporary China, informed by a deep engagement with China's history, culture, language and society.

The model of hospital administration in this publication actually has lots of semblance with contemporary models in the US, UK, Republic of Ireland, Australia and Canada where there is a board of directors / governors with a Chairman (does not have to be a Medical Doctor), a CEO / President / Hospital administrator (does not have to be a Medical Doctor) and a CMD / MD / CMO / Executive director medical services etc (Is ALWAYS a Medical Doctor — different names but similar portfolio — In Nigeria we always look up to these countries for direction with respect to global best practices so I do not understand what the commentator code - named afam6nr means by «Obviously, this writer has not attended any Business School Training and has no knowledge of Business Administration» — My advice to afam6nr is to do a little study of the different heath system of the world (specifically regarding corporate governance, organisation and administration of tertiary hospitals) and after this little research come back and comment on his findings!

Seems curious to me that a major statement would be delayed because of the visit by someone with little knowledge of contemporary Australian science who doesn't get his feet under the desk until next year.

About Site - Art21 was founded in 1997 with the mission to increase knowledge of contemporary art, ignite discussion, and inspire creative thinking by using diverse media to present contemporary artists at work and in their own words.

The life - like contexts were provided by developing their own questions in EEIs and ERTs and having the peer mentor support them to answer their questions using contemporary knowledge and processes.

The fact that the energy saving forecasts resulting from the DBMUs are so significant is further magnified by the knowledge that the schools» boilers are actually relatively contemporary in design.

The Partnership for 21st Century Skills identified a broad set of knowledge, skills, work habits, and character traits that are believed — by educators, school reformers, college professors, employers, and others — to be critically important to success in today's world, particularly in collegiate programs and contemporary careers and workplaces.

Set up in 1984 with the aim of fostering the study and knowledge of modern and contemporary art, the Fundació Antoni Tàpies showcases one of the biggest collections of his art works but also hosts many temporary exhibitions by contemporary artists, various art symposiums, lectures and film sessions, and also produces publications which all complement the main activities and exhibitions devoted solely to Antoni Tàpies.

His environments offer to take us to a place of limbo, where memories, impressions, and emotions exist beyond a world defined by the totality of conventional relationships and imbue art with the potential to create new forms of life to match the contemporary world of devalued knowledge and truth.

Defined by the vibrancy of its host city, Sydney Contemporary provides commercial galleries with a dynamic platform to showcase the work of emerging and established artists, enabling local and visiting audiences to build on their existing knowledge, and develop their international art collections.

Carrying the accolades of a Masters of Contemporary Art (with honors) from Sotheby's, recognized by the Robert Rauschenberg Foundation with an Emerging Curator Fellowship in 2015, and recently awarded a Curator - In - Residence Fellowship with the Curatorial Program for Research in Mexico City, Nicole Bray comes to the industry with a wealth of knowledge and the quick wits and intelligence to know how to use it.

Le Corbusier and his contemporaries with popular knowledge and by putting physical structures indebted to them to the test in marginalized public places.

The Fair brings together around 50 international exhibitors with expert print knowledge, providing an excellent opportunity to buy contemporary prints and rare works by modern and old masters.

The Collections Fund was set up in 2012 by private philanthropists and is designed to support the acquisition of significant contemporary works for our museum members across the UK, drawing together the knowledge and experience of private collectors with that of museum curators.

With a brightly rendered San Francisco Bay and a bent and puffy California Oak slanting across its background, this freshly revealed work also evokes the city's contemporary struggle: nurturing art, culture, and knowledge while weathering the dramatic change swept in by the tech economy.

Many of Alston's abstract works from this decade were inspired by African art, but unlike several of his his abstract expressionist contemporaries whose passion for American Indian, Pacific, and African art was connected to a modernist search for an imagined «primitive» impulse, Alston's paintings were created through an intimate knowledge of African aesthetics.

A reader of contemporary poetry as well as a former student of Latin and Greek, White recognizes a time when culture was slower — a time when the act of painting was mediated by a knowledge of what preceded it, and when poetry was actually read.

Sponsored by Chartwell Insurance Services and Chubb Personal Insurance, Collectors Circle offers an exclusive calendar of educational and social events throughout the year which broaden members» knowledge about contemporary arts and culture.

Ultimately, my selections were guided by the instincts, preferences, and knowledge I have developed over the past decade working as a curator in the field of contemporary art.

Emerging Artist Fellows are selected annually through an open application process and reviewed by a committee comprised of past EAF recipients; established artists who have shown a commitment to mentoring and advocating for younger artists; as well as writers, gallerists, and curators who have special knowledge of contemporary art.

Nevertheless, the potential of this methodology to design experiences in order to project power and influence has been consistently underappreciated by artists, especially when compared with contemporary designers who co-opted epistemological Conceptualism as a platform for designing the experiences of knowledge production, reception and comprehension across disciplines — often furthest from their own — affording them an expanding sphere of influence.

Cable Works, Cable Sounds, Cables Everywhere, freiraum quartier21 INTERNATIONAL, curated by Georg Weckwerth, Vienna, AT 2012 Oh Crisis, Frankendael Foundation, Amsterdam, NL 2011 Studies for a Catalogue, Flat Time House, curated by Mathieu Copeland, London, UK 2011 Uncommon Places, Extra City, curated by Pieter Vermuelen, Antwerp, BE 2011 Neue Welt: View over Autocenter, SALT Foundation, Basel, CH 2011 Spring Exhibition, Kunsthal Charlottenberg, Copenhagen, DK 2011 Love Letters to a Surrogate, MuKHA, Antwerp, BE 2011 Envisioning Buildings: Reflecting Architecture in Contemporary Art Photography, MAK Center, curated by Simon Rees, Vienna, AT 2010 100 Exhibition, Autocenter, curated by Joep van Liefland and Maik Schierloh, Berlin, DE 2010 Bringing Up Knowledge, MUSAC, Curated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlin, DE.

Following on from loose groupings of exhibits that involve taxonomies and archives is an anatomical theater of bodily images assembled by Cindy Sherman, and a section largely devoted to younger artists (Wade Guyton, Helen Marten, Pamela Rosenkranz, etc.) who deploy contemporary technologies integral to our digital era's fusion of spectacle, information, and knowledge.

By locating the roots of environmental politics and public policy in the construction of knowledge about nature, Dion questions the authoritative role of the scientific voice in contemporary society.

We honor mentor and apprentice artists by facilitating the intergenerational transfer of cultural knowledge and artistic skill in traditional and contemporary visual arts.

Jenison was inspired by Vermeer's paintings and by the book Secret Knowledge, in which the contemporary English artist David Hockney theorized that Renaissance painters might have achieved photographic accuracy by employing tools that anticipated photography.

Talking to Action addresses critical issues such as migration and memory, spatial mapping, environmental issues, gender rights and legislation, indigenous knowledge, and racial violence in work created by contemporary social practice artists and collectives from Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, and the United States.

Shortlisted submissions are evaluated by the YYZ Programming Committee, which is comprised of contemporary artists and other cultural professionals with broad knowledge of diverse artistic practices and current issues in contemporary art.

Emerging Artist Fellows are selected annually through an open application process and reviewed by a committee composed of the Park's Executive Director; past EAF recipients; established artists who have shown a commitment to mentoring and advocating for younger artists; as well as writers, gallerists, and curators who have special knowledge of contemporary art.

Emerging Artist Fellows are selected annually by curators who have singular knowledge of contemporary art.

In contrast to a contemporary art conversation weighed down by irony, strategy, and cool self - reflexivity, Artschwager's new exhibition at the Contemporary foregrounds the artist's sincere celebration of the experiential knowledge of objects and pictures and his patient passion for locating the body and soul contemporary art conversation weighed down by irony, strategy, and cool self - reflexivity, Artschwager's new exhibition at the Contemporary foregrounds the artist's sincere celebration of the experiential knowledge of objects and pictures and his patient passion for locating the body and soul Contemporary foregrounds the artist's sincere celebration of the experiential knowledge of objects and pictures and his patient passion for locating the body and soul of an image.

By employing contemporary art as a medium for the production of knowledge and education and presenting it along with objects of visual culture, the initiative seeks to open up an experimental sphere of activity for the epistemic value of images and objects within the university.

Curated by Anthony Huberman at the Contemporary Art Museum St. Louis, the group exhibition and catalogue For the Blind Man in the Dark Room Looking for the Black Cat That Isn't There explores the speculative nature of knowledge and insists on the importance of curiosity and the things we don't understand.

2008 Selective Knowledge, Institute for Contemporary Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspencontemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Museum.

The Rome Quadriennale belongs to the same family as the Venice Biennale and the Milan Triennale, each coordinated by the Italian central government and each with a distinctive purpose: the Venice Biennale aims to encourage the knowledge of contemporary art from other countries; the Milan Triennale is dedicated to design and architecture; the Rome Quadriennale is devoted to Italian contemporary visual arts.

1991 Telekinesis, curated by Patrick Painter, Mincher / Wilcox Gallery, San Francisco, California, US 20th Century Collage, Margo Leavin Gallery, Los Angeles, California, US Children in Crisis, Lorence Monk Gallery, New York, US The Readymade Boomerang (Print Portfolio), DAAD Galerie, Berlin, DE L'Art Se Porte Bien, Confort Moderne, Poitiers, FR Metamemphis 1991, Galerie Tanit, Cologne, DE Arte Fiera» 91, Mostra Mercato Internazionale d'Arte Contemporanea Bologna, IT Saga 91, Eric Linard Editions, Grand Palais, Paris, FR The Political Arm, John Weber Gallery, New York, US The Collection of Jason Rubell, Duke University Museum of Art, Durham, North Carolina, US Group Show, Daniel Newburg Gallery, New York, US Poet's Walk (public sculpture), Citicorp Plaza, Los Angeles, California, US The Fetish of Knowledge, Real Art Ways, Hartford, Conneticut, US Artists» Sketchbooks, Matthew Marks, New York, US Solaris, Mai 36 Galerie, Lucerne, CH Tokyo Art Expo, Harumi New Hall, Tokyo International Trade Center, Tokyo, JP Audio Arts, Wiens Laden & Verlag, Berlin, DE Blast Art Benefit, The X-Art Foundation Inc., New York, US Designated Space, Museum Dhondt - Dhaenens, Deurle, BE Franklin Furnace's 15th Anniversary Art Sale, Marian Goodman Gallery, New York, US This Land..., Marian Goodman Gallery, New York, US Tre Opera / 1965 -1975, Primo Piano, Rome, IT Inheritance and Transformation, The Irish Museum of Modern Art, Dublin, IR Tabula Rasa, Biel / Bienne, CH Für die Stimme, Wiens Laden & Verlag, Berlin, DE Group Show, Galerie Edouard Merino, Palais Albany, Monte Carlo, FR Learn to Read Art - An Exhibition of Artists» Books and Multiples From the Permanent Collection of Art Metropole, Basel Art Fair, Basel, CH Multipels en Andere Multipels, De Warande, Turnhout, NL Beyond the Frame / American Art 1960 - 1990, Setagaya Art Museum, Tokyo, JP; The National Museum of Art, Osaka, JP; Fukuoka Art Museum, Fukuoka, JP Metamemphis Exposition, Kunstlerkolonie Museum, Darmstadt, DE Summer Group Exhibition 1991, Leo Castelli Gallery, New York, US A View From The Sixties: Selections from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York, US

By exhibiting significant artworks in its storefront location at the edge of Taksim Square in Istanbul, collectorspace seeks to engage the general public on issues that motivate contemporary artists while creating reference points for next generations of collectors regarding their role in supporting knowledge production.

By exploring the position of mankind in postmodern world, François deals with quite contemporary issues, such as surveillance, police state... He explores these themes by using knowledge from psychology and the philosophy of languagBy exploring the position of mankind in postmodern world, François deals with quite contemporary issues, such as surveillance, police state... He explores these themes by using knowledge from psychology and the philosophy of languagby using knowledge from psychology and the philosophy of language.

Deeply influenced by the tradition of European paintings and the development of modern and contemporary art, Spanish artist Secundino Hernández creates works rooted in his wide knowledge of art history and painting experience.

Preferred: two years teaching at university level; knowledge of contemporary painting; commitment to foundation - level course content and concepts, specifically in regard to foundations in visual art; an artistic practice informed by a broad range of practical, cultural and intellectual pursuits.