Sentences with phrase «by the feminist movement»

This saying has been widely adopted by the feminist movement, but it rings true for politics as well as business.

Not exact matches

As every cause must have its antithesis, the movement has been greatly energized by radical feminist hostility to the family as an oppressive institution, and, more recently, by homosexual agitations to relativize the meaning of marriage and family by the formal recognition of same - sex unions.

Yes it was written by men 2000 years and above ago in a different culture but that doesn't mean that it supports patriarchal oppression any more than a book written by Germain Greer at the height of the feminist movement's popularity is sexist and supports matriarchal oppression.

Some turn to the East, particularly to Taoism; some to Native American perspectives and other primal traditions; some to emerging feminist visions; still others to neglected themes or traditions within the Western heritage, ranging from materials in Pythagorean philosophy to neglected themes in Plato to Leibniz or Spinoza; and still others to twentieth - century philosophers such as Heidegger or to philosophical movements such as the Deep Ecology movement.9 As one would expect in an age characterized by a split between religion and philosophy, few environmental philosophers turn to sources in the Bible or Christian theology for help, though some — Robin Attfield, for example — argue that Christian history has been wrongly maligned by environmental philosophers, and that it can serve as a better resource than some might expect (WTEE 201 - 230).

This lack is doubly troubling for the woman writer who is a feminist, because feminism as a movement for transforming patriarchal structures and relations of domination understands change in a quite different way from that of the individualistic biographic tradition presupposed by the question of how one's «mind has changed.»

Again, the history that gave rise to this book is a distinct one, involving the whole feminist movement, but also the hopes raised and dashed among Catholic women by the Second Vatican Council and its aftermath.

By the time the feminist movement appeared in the late 1960s, Schlafly had already outflanked it.

Formation counts, of course, and those early «sex - blind» perceptions at Yale (preceded by similar ones at Smith College under the tutelage of some grandes dames of the feminist movement of the «20s) have stayed with me to the extent that while my femininity qualifies my theology it does so adjectivally and indirectly.

For many women in the peace movements of the «60s, feminist consciousness was sparked by increasing recognition of the sexism of the male leadership in the peace movement itself.

One of the movement's founding documents, The Danvers Statement, states as its chief concern «the increasing promotion given to feminist egalitarianism» and «the widespread ambivalence regarding the values of motherhood, vocational homemaking, and the many ministries historically performed by women.»

Moreover, just as feminists gained a following by promising that women were non-responsible for their lives and everything in them, so movement spokesmen have extended the principle to cover the content of their own ideological development.

And third of all, if L'Oreal wants to join the feminist movement for real, how about they begin by not perpetuating the stereotype that girls are so bad at math and science that they'll go out and buy a product that promises to «millionize» their eyelashes.?

Rhonda Kelley, co-editor of the New Evangelical Women's Commentary, said this of young Christian women today: «Not only do they not have a framework, but in many situations our women students have been raised by mothers who were a product of the feminist movement.

This new ethic — that abortion is more moral than interrupting schooling or employment — is held not only by writers for New York fashion magazines and Californians infused with New Age spiritualism, but also by an aging feminist movement.

''... If L'Oreal wants to join the feminist movement for real, how about they begin by not perpetuating the stereotype that girls are so bad at math and science that they'll go out and buy a product that promises to «millionize» their eyelashes.?

European and American feminists began interacting with the similar movements of Asia, Africa, and Latin America by the end of the 20th century.

The movement to medicalize birth was led partly by urban middle - class women associated with the early feminist movement, who thought the freedom from pain promised by anesthesia would be empowering.

To NYS Senator Marisol Alcantara that all those feminist leaders and their followers realize that Marisol is a woman and she deserves to be fully supported by them if they are sincere in their movement to promote women.

Faced with protests from the feminist movement, NASA began openly recruiting female astronauts, and by 1986 eight American women had flown in space.

This Israeli drama about the budding feminist movement among Palestinians nabbed by far the best reviews of the week's limited releases.

This is a man who took up the torch for retaliatory male pride against the feminist movement of the 1970s by challenging King to a televised tennis match — not because of his own views on women's rights but because he knew it could earn him some «easy» money and put his name back up in lights like it had been when he was in his prime as a pro player.

Steinem was criticized not only by those opposed to the feminist movement, but by some of...

David Lewis gallery on the Lower East Side offered the opportunity to consider power imbalances as perpetuated or refuted by image economies in relation to the oeuvre of under - recognized artist Mary Beth Edelson, a pioneer of the 1970s feminist movement.

This exhibition is described by the museum as the first - ever to present the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.»

Referencing past precedents of feminist art, installation, performance, and ideology, the artworks in the show present an expanded visual language that has resulted from a more inclusive art world, shaped in part by the social movements of the 1970's, thereby paying homage to a generation who has paved the way for contemporary female expression.

A critically recognized artist, Ringgold's early paintings in the 1960s and»70s responded to the civil rights and feminist movements with provocative images influenced by Cubism and African sculpture.

An artist and activist, her bold 1960s paintings were inspired by the civil rights and feminist movements.

The exhibit title is inspired by the book, «My Secret Garden», published in 1973 by sex positive feminist author Nancy Friday who was instrumental in addressing taboos revolving around female sexuality in the early 70s and an important figure of the feminist sexual liberation movement.

Organized by the Brooklyn Museum, this exhibition is presented as the first - ever to explore the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.»

In a show that gestures toward several 20th century art movements — though there happens to be a suspicious dearth of photography — I'm most looking forward to works by postwar feminists like Carolee Schneemann, Dara Birnbaum, and Nancy Spero, whose imaginations repudiate narrow definitions of the body, sexuality, and violence, and seem, to me, utterly sound.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

In the fall of 1975 Morton relocated to San Diego for a one - year visiting position at the University of California, where the development of the personal content of her work was increasingly influenced by the local feminist movement.

Bob calls for a politics and culture informed by art, a consciousness recognizing we all have stories to tell and grim moments, an education system with creativity at it's heart and a much needed feminist art movement.

At the end of the decade she finds inspiration for her art not only among family members, but also by observing women and children, whom she thus paints at the dawn of the feminist movement.

It's fascinating to think of Schapiro, inspired by the discourse she was helping to create, doing these pieces when she was able to return to her studio after the intense period of working with the feminist program on the Womanhouse project in the fall of 1971 and early winter of 1972, but before she had a name for this work, before «femmage» and «pattern and decoration» became movements and personal brands, with their declarative power but sometimes restrictive effect on art practice.

Almost forgotten by art history and the feminist movement, the work of Rama, stretching over seven decades, constitutes an anti-archive allowing a reconstruction of the avant - garde movements of the 20th century.

As a proactive member of the feminist art movement, she began adopting the photographic techniques and subject matter used in pornography to create a series of paintings that presented a different narrative from the fetishized one promoted by the porn industry.

At the time, she was propelled by the burgeoning momentum of the feminist art movement and her frustration with the chauvinism of the art world and American society at large...

The exhibit title is inspired by the book, «My Secret Garden», published in 1973 by sex positive feminist author Nancy Friday who was instrumental in addressing taboos revolving around female sexuality in the early 70s, and was an important figure of the feminist sexual liberation movement.

She often uses traditional techniques that hold references to both high culture and low culture, and she draws inspiration from traditions developed by feminist artists and avant - garde movements.

I was part of this feminist movement, but I wasn't embraced by women.

Her measured words barely hint at the hostility felt by some black artists toward a mainstream feminist movement that in their view ignored the black working - class poor and sometimes its own racism.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Eight years of preparation went into crafting «WACK,» the first comprehensive effort to correct modern art history's shameful gender bias, focusing on work that emerged from the feminist art movement of 1965 through the 1980s and organized by theme.

They were written in 1970 by the African - American critic Linda La Rue about the vaunted cross-cultural embrace of the second - wave feminist movement.

I also included pieces by a few much older artists who made specifically feminist work in the 1970s: Alice Neel's portraits of Linda Nochlin and other figures from the movement, and a number of Louise Bourgeois» installation and performance works.

During the 1970s, Benglis engaged in dialogues relating to the feminist movement through her art by pioneering a radical body of video work made up of fifteen videos.

Feminist art criticism emerged in the 1970s from the wider feminist movement as the critical examination of both visual representations of women in art and art produced by women.

Rejected at the time not only by prudish institutions and the male - dominated art world, but also by the mainstream feminist movement — which regarded pornography as a vulgar extension of patriarchy — Tompkins» work has been marginalized for more than 30 years.

Women Art Revolution (2010), a documentary about the feminist art movement, which fused free speech and politics into an art that radically transformed culture; and, finally, the premiere of a new documentary about Tania Bruguera, whose survey exhibition, organized by YBCA, will premiere at YBCA in June 2017.