Sentences with phrase «by the framing camera»

The image was taken by the framing camera on NASA's Dawn spacecraft from a distance of about 2,700 miles (4,400 kilometers).

Colors were assigned based on the ratios of two wavelengths of radiation detected by the framing camera.

Not exact matches

Aimed squarely at the bird is the Phantom, a camera originally invented for ballistics research that can produce ultra-slow motion video by shooting at about 4,000 frames per second.

Among Graham's most important group of works is a series of photographs of upside - down trees, which both summon up the origins of photography itself, conjuring up the inverted and reversed images created by the early camera obscuras, as well as draw attention to the process of rationalisation whereby we frame and define our vision of the world.

The Ulstermen settled matters in full view of the the crowd and cameras, leading to this amusing frame - by - frame documentation.

A fast camera recorded the resulting light at the rate of 400,000 frames per second over an image frame size of 64 pixels wide by 80 pixels high.

The Dawn framing cameras were developed and built under the leadership of the Max Planck Institute for Solar System Research, Gottingen, Germany, with significant contributions by German Aerospace Center (DLR), Institute of Planetary Research, Berlin, and in coordination with the Institute of Computer and Communication Network Engineering, Braunschweig.

The Framing Camera project is funded by the Max Planck Society, DLR, and NASA / JPL.

As a photographer, he explains, «you frame [a] scene and you limit what people experience by focusing your camera on it.»

In a second, complementary study using data from Dawn's Framing Camera, Nathues and colleagues sought answers to the mystery by examining images and spectra of more than a hundred of the bright spots.

The camera's optics occupy only 3 % of the volume of its 75 - centimeter - by -75-centimeter-by-50 - centimeter frame — a size needed both to contain the camera's circuit boards and to keep them from overheating, the researchers report online today in Nature.

The framing cameras were provided by the Max Planck Institute for Solar System Research, Gottingen, Germany, with significant contributions by the German Aerospace Center (DLR) Institute of Planetary Research, Berlin, and in coordination with the Institute of Computer and Communication Network Engineering, Braunschweig.

A team of biomedical engineers at Washington University in St. Louis, led by Lihong Wang, PhD, the Gene K. Beare Distinguished Professor of Biomedical Engineering, has developed the world's fastest receive - only 2 - D camera, a device that can capture events up to 100 billion frames per second.

The framing cameras were provided by the Max Planck Institute for Solar System Research in Gottingen, Germany, with significant contributions by the German Aerospace Center (DLR) Institute of Planetary Research in Berlin, and in coordination with the Institute of Computer and Communication Network Engineering in Braunschweig.

As Lee filed out of the press conference, his thin frame lit up by flashing cameras, a lone Korean reporter cried out, «Lee Sedol, fighting!»

Then he perched them one by one in front of a camera that shoots 3,000 frames a second.

The image consists of four frames taken by the 750 -, 530 - and 430 - nanometer filters of Spirit's panoramic camera on sol 210 (August 5, 2004).

Jupiter's moons Io (left) and Europa (right) are captured in the same frame by the camera onboard the New Horizons probe in 2007, two days after its closest approach to Jupiter on its way to Pluto.

Detection of the signal via an electron multiplication CCD camera allows image capture at speeds to hundreds of frames per second as demanded today by live cell imaging.

The 86 frames combined into this clip were taken by the rover's Navigation Camera (Navcam) on the 317th Martian day of Curiosity's work on Mars (June 28, 2013, PDT).

Thank you very much, dear Jeanne Marie, it really is an amazing camera (and full frame to boot, as you're spot on there), and I am keep being impressed to no end by the caliber of images it produces (helped, of course, by Tony's wonderful skill).

The girls are old enough to know not to take the plants off the shelf or play with the glass frame by the sofa or touch mom's cameras.

He gets off on the wrong foot from the get - go by opting for a faux - documentary framing device that has his characters» present - day incarnations speaking directly to the camera.

A shirtless man (we see his bare chest, abdomen and back) approaches his wife in the kitchen: she is wearing a knee - length robe and she spoons ice cream onto her chest twice, licking it off, then spoons some onto his chest and rubs it down to his groin, the camera pans up and the man pushes down her head (indicating oral sex below the frame) and he gasps; he pulls off her robe to reveal a slip, sits her on a table and spoons ice cream on her inner thigh, licks it off and begins to lick the genital area (it's concealed by her slip and the camera cuts to her gasping face) and he leans her back on a table and thrusts (we see his back and bare buttocks moving) as the scene ends.

► A male ballet dancer kicks a ballerina hard in the left shin, causing her to scream and fall; the camera cuts to her on an operating table with her shin open and a man drills into bones (we see muscles, blood, and tendons) and later we see the woman in bed, awakening and sobbing at the sight of her leg in a long metal frame with two circles of steel around the shin and calf, held in place by many rods and pins; we later see the woman walking with a cane.

From the camera's vantage point outside in the dark, he seems literally dwarfed by his office — the tall windows of the West Wing don't frame him so much as enclose him, as a jam jar would a toad.

And so they trudge on, indifferently framed by Najafi's camera, which serves only to prove that a truly bad director doesn't need shaky handheld or rapid cuts to make incoherent action.

And that's yet another thing that's remarkable about Black Panther in not just its story but the way it's all framed by decisions made behind the camera.

Madison Wolfe stars as Janet in «The Conjuring 2,» which capitalizes on the fear evoked by what lies just beyond the camera's frame.

In a shot that quickly will become a shining example of what Haynes does well throughout the series, he quickly establishes the financial stability of the Pierce family by casually letting the camera glide over a wall with framed photos, certificates and blueprints that informs us that Bert is at the helm of a prosperous real estate firm.

The camera, manned by the gifted Miroslav Ondricek, seems to caress the young lovers, holding them together in snug, intimate frames, focusing on Andula's pale skin and sad eyes.

In Kidnap, he's maybe going for the relentless rat - tat - tat of late - period Tony Scott; there are some swirly camera movements, death - by - a-thousand-cuts sequences of cars flipping over, and even some fake flash frames added to an establishing shot to make it a little more Man On Fire.

Methodical camera placements, a gentle push or pull, and where the leads occupy the frame — the efficiency - favored aesthetic disarms those spoiled by the swankiness of today's spies — like the later Bonds, Kingsmen, or Lorraine Broughton of Atomic Blonde — and reminds them that, as Matthews» writings show, being a spy isn't living out a blockbuster.

Problem is, Victor Frankenstein also looks like a glorified TV movie, when it regards the framing choices and camera setups used by McGuigan and cinematographer Fabian Wagner (whose background is primarily in television, as it were).

So by framing your characters in what are essentially camera shutters — doorways and other openings — are you expressing your own frustration, your own difficulty as a filmmaker?

By the way, the last shot of «High Sierra,» with Ida Lupino walking toward the camera, framed by the mountains and the sky, is one of the great last moments in film noir and in all Hollywood movieBy the way, the last shot of «High Sierra,» with Ida Lupino walking toward the camera, framed by the mountains and the sky, is one of the great last moments in film noir and in all Hollywood movieby the mountains and the sky, is one of the great last moments in film noir and in all Hollywood movies.

As the movie grows more far - fetched it actually gets more predictable, in both plot twists and camera setups — you can actually see when Edgerton frames a shot so that a character can get «unexpectedly» slammed by a car.

Whereas the earlier films, mostly shot by Dietrich Lohmann, often framed the groups or members of the group in static tableaux in order to highlight their solidarity and opposition to a lone outsider, this film (Fassbinder's ultimate collaboration with Michael Ballhaus) uses an almost constantly moving camera and a remarkable succession of framing and fracturing devices within the camera frame to underscore the shifting alliances, individual isolation, and internal struggles of the characters.

Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me - too (and that film itself was far from flawless) in which the only additions are a flashback - and - forward structure that never works, the kind of contrivance in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly framed) and a crude, distastefully regressive subtheme which suggests that well, of course that this is what happens to girls and to women (even successful, intelligent, independent women) when they are left alone even for a moment by their menfolk.

Marked by oblique, carefully composed frames, a general lack of camera movement, an aura of hipster cool, and a flirtation with genre, Danny Boy seems at first like a cross-Atlantic cousin to Stranger Than Paradise.

Based on a slow, episodic novel by Ian McEwan, who ill - advisedly adapted his own screenplay, and directed as a debut film by stage director Dominic Cooke, who has a lot to learn about camera movement and how to frame a scene, the literary roots are inescapable.

Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me - too (and that film itself was far from flawless) in which the only additions are a flashback - and - forward structure that never works, the kind of contrivance in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly framed) and a crude, distastefully regressive sub-theme which suggests that, well, of course this is what happens to girls and to women (even successful, intelligent, independent women) when they are left alone even for a moment by their menfolk.

It is framed by emotion and shot by unsteady, ever - mobile handheld camera with frequent tiny zooms.

He frames the film with documentary maker Laura Poitras (Melissa Leo) getting Snowden (Joseph Gordon - Levitt, geeky but nice) to tell his story to camera in a hotel room in Hong Kong for Citizenfour, accompanied by Guardian journalists Glenn Greenwald (Zachary Quinto) and Ewan MacAskill (Tom Wilkinson)-- and ends it with the actual Alan Rusbridger inteviewing the actual Snowden on stage, via the internet.

The final act lacks something of Florence's viewpoint, and is let down slightly by some questionable make - up, but Cooke's camera delicately balances the fragility of relationships with intimacy and detachment, finding deafening devastation in a silent tracking shot that pulls away from the couple, keeping each one of opposite sides of the frame.

The first shot of Krisha is of the title character herself: surrounded by darkness, framed center, the music swelling ominously, the camera slowly pushing in on her face as she struggles and fails to fight back tears.

Double the impact of your fundraising dollars by taking advantage of Digital Wish's special offers, such as a 2 - for - 1 matching grants on Flip video cameras and Vizit Digital Photo Frames.

In Hennessey's video below, you can see the white Stingray whooshing by stationary cameras barely within a single frame.

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The rear side is dominated by a 5MP auto focus camera with the ability to record 720p HD videos at the rate of 30 frames per second.