Sentences with phrase «by the painter robert»

Currently on view at Pace Prints, 521 West 26th Street, is a selection of recent and vintage prints by painter Robert Mangold, to coincide with Pace Gallery's exhibition of his recent paintings and works on paper.

These dual dimensions were detected by painter Robert Motherwell in Kline and his work: «Franz projected as a person the sense of a man who was trying to save his own soul through his gift, and that he wanted to share this possible miraculous event with you.

When the artist was 12, his grandmother, who also studied painting, sent him to her teacher in Akron, Ohio, the colorist Jack Richard, who was influenced by the painter Robert Brackman.

Falls Village: Library to host exhibit of works by painter Robert Cronin; reception welcomes public Oct. 8

Not exact matches

«My most precious scarf right now is this Hermès Equateur GM Mousseline scarf in Framboise, designed by famous French animal painter Robert Dalley.

Johnny's main contacts are his lover Kathleen (Kathleen Ryan), also loved by the stern police inspector (Denis O'Dea) on Johnny's trail; the elderly, frail, art fancier Father Tom (W. G. Fay); and an opportunistic little man named Shell (F. J. McCormick), who lives in an attic with two fellow eccentrics — Robert Newton as the alcoholic painter Lukey, and Elwyn Brooke - Jones as the failed medical student Tober.

Whilst in Victoria, be sure to visit the Robert Bateman Centre, which features around 160 stunning pieces by the country's most popular nature painter.

The Bar is situated next to the restaurant and is decorated with a very rare Chinese antique liqueur screen, and lithographs by Henry Moore, Robert Motherwell, and other early twentieth century painters.

With a world created by Robert Kurvitz as ongoing source material and visual assets drawing on an oil painting look from Russian Realist painters, what have been the challenges in uniting these varied elements, and which parts «clicked» the fastest?

Soon after the opening reception of his survey at Yale University's Edgewood Avenue Gallery, Malcolm Morley In A Nutshell: The Fine Art of Painting 1954 — 2012, curated by Robert Storr, Dean of the Yale School of Art, (January 31 — March 31, 2012), and Malcolm Morley: Another Way to Make An Image, Monotypes at Sue Scott Gallery (January 11 — February 19, 2012), publisher Phong Bui made a trip to Brookhaven Hamlet, Long Island, New York to visit the painter's home / studio, a former church he has shared with his wife Lida Morley since 1986.

Typically what is referred to as the Second Generation included painters and sculptors of the late fifties, during the heyday of Abstract Expressionism, whose work seemed to be directly influenced and inspired by Willem de Kooning, Franz Kline, Hans Hofmann, Robert Motherwell, or Clyfford Still, or influenced indirectly by Adolph Gottlieb, Mark Rothko, and Barnett Newman.

Inspired by Robert C. Jackson's 2014 publication, Behind the Easel: The Unique Voices of 20 Contemporary Representational Painters, this exhibition surveys the state of realistic painting at the start of the 21st century.

The fair has become more up - to - date than it used to be, with solo shows by established contemporaries like the photorealist painter of suburban ennui Robert Bechtle, at Gladstone, whose booth happily turns out to be opposite Fraenkel's, where there is a similarly moody selection of photographs of residential development in the American West by Robert Adams.

In May 2013, federal authorities announced that a trove of paintings and drawings by artists like Jackson Pollock, Barnett Newman, Robert Motherwell, and Richard Diebenkorn, many of which had been sold through New York's Knoedler Gallery for millions of dollars, were in fact the work of Pei - Shen Qian, a 73 - year - old Chinese painter in Queens.

This group of exclusively male artists were often referred to as action painters, a term coined by Modernist art historian Robert Rosenblum, referring to the abstract, gestural painting style.

Video Portraits of Lady Gaga is the much talked about exhibition conceived and created by the multi-titled American sculptor, painter, stage director, playwright, choreographer, performer, and video artist Robert Wilson.

by Kostas Prapoglou Video Portraits of Lady Gaga is the much talked about exhibition conceived and created by the multi-titled American sculptor, painter, stage director, playwright, choreographer, performer, and video artist Robert Wilson.

Meanwhile, American painters, equally besieged by the rise of the culture industries, had increasingly integrated fragments of popular culture into their paintings, most famously in the work of Robert Rauschenberg and Andy Warhol.

A large canvas by German painter Katharina Grosse, known for site - specific installations saturated with sprayed color, evokes burning flames while Robert Moskowitz and Sterling Ruby use black spray paint to more directly reference smoke saturated skies.

The strategy had been promoted by Ashcan painter Robert Henri, who had visited there in 1916 and 1917, and probably inspired his friend John Sloan to go there, too.

While other artists this season pursue darker, more obscure visions, Robert S. Neuman does it the hard way, by navigating the twists and turns in along career as a painter.

Many highlighted the artist's role as a member of The Eight, a group led by Robert Henri, an influential teacher and painter who encouraged American artists to portray subjects from daily life.

Modern Painters, March 2013, p 98 by Georgina Wells «Robert Arneson Allan Stone Gallery / / Nov. 1 - Dec.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

In 1962 Jasper Johns, John Cage, Robert Rauschenberg, and other painters and sculptors came together to help Merce Cunningham and his dance company finance a proposed season on Broadway by arranging for a sale of their artworks.

Of the 49 painters included in the show I am particularly looking forward to seeing work by Tomma Abts; John M. Armleder, Daniel Buren, Mary Heilmann, Blinky Palermo, Bridget Riley, Robert Ryman, Sean Scully, Frank Stella, Myron Stout and Dan Walsh.

Robert J. Warrens (outrageous comic - grotesque painting of some sort of warthog or boar by a vigorous New Orleans painter new to me)

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

Pace Prints is pleased to present an exhibition of prints by the American painter and printmaker Robert Mangold.

Six Painters and the Object curated by IG's Lawrence Alloway marks the high point of Pop Art with work by Jim Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist and Andy Warhol included.

Throughout his painting studies, Thornton Willis became highly influenced by the tenets of Abstract Expressionism embodied in The New York School of painting, including second generation painters such as Robert Rauschenberg and Jasper Johns.

The center, which opened on Thursday, celebrates a local hero who chose to come home and presents Bartlett as an important contemporary painter working in a grandiose tradition championed a century ago by George Bellows, Robert Henri and, to a lesser degree, Edward Hopper.

The Landing is pleased to present Robert McChesney & Emerson Woelffer, 1959 - 1964, a survey of works by California - based painters Robert McChesney and Emerson Woelffer made during a five - year period that was a pivotal moment for both artists.

'' Join us for the unveiling of the landmark artwork, «Symphony in DC Major,» commissioned by City Market at O and created by renowned sculptor and third - generation Washingtonian, Zachary Oxman, The massive three - part sculpture, occupying an entire city block, pays tribute to Shaw's storied history, portraying prolific composer, jazz musician, and DC native Edward «Duke» Ellington; neighborhood namesake and abolitionist Union Army Colonel Robert Gould Shaw; and renowned American Expressionist painter and Shaw Junior High School art teacher, Alma Thomas.

Gallery Artist Scott Fraser included in «Truth & Vision: 21st Century Realism,» inspired by Robert C. Jackson's 2014 publication, «Behind the Easel: The Unique Voices of 20 Contemporary Representational Painters.»

Entitled Drip, Drape, Draft, the show presents works by Robert Davis, a close friend of Johnson for more than a decade; Angel Otero, who he has known for some six years; and Sam Gilliam, an older artist from what Johnson refers to as «an almost lost generation of black abstract painters», with whom he recently struck up a mutually significant friendship.

Hailed as «the faultless painter» by his pupil Giorgio Vasari, d'Agnolo was also celebrated in a splendid dramatic monologue by Robert Browning that keys on the sense of his effortless perfection, the sprezzatura of the virtuoso.

He is an immaculate painter, working carefully by hand with tape and a drywall blade to create seamless planes that seem at once solid and transparent, referential to the modernist architecture that dots the Southern California landscape and to the iconic «light and space» artists and West Coast hard edge abstractionists (Larry Bell, Frederic Hammersley, Robert Irwin, John McLaughlin) who have engaged with these peculiarities and particularities of atmosphere and surface in their work.

The exhibition was inspired by Robert C. Jackson's 2014 publication, Behind the Easel: The Unique Voices of 20 Contemporary Representational Painters.

At Colnaghi Gallery, a delightful painting of the French academic painter William - Adolphe Bouguereau (1825 - 1905), Study of the Head of a Woman for «Offering to Eros», hangs next to a photograph of a naked torso «Maryanne» (1988) by Robert Mapplethorpe.

Robert Storr is a painter who supported himself by sheetrocking, carpentry, and house painting, along with occasional art writing, when in 1990, with only an MFA in studio art, Storr was picked out of the chorus line by the newly appointed Kirk Varnedoe, Chief Curator of Painting and Sculpture at The Museum of Modern Art in New York, to be a curator in that same department.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Twice nominated for the Turner Prize, the highly regarded Irish - British painter Sean Scully has enjoyed a steadily building market moment these past few years — in part because of his savvy positioning under the ace dealer Robert Mnuchin, and in large part because his work has been seized upon with uncommon fervor by China's surging collector community.

Bridge Red is run by sculptor and painter Robert Thiele, his daughter, painter Kristen Thiele, and his son - in - law, photographer and graphic designer Francesco Casale.

It includes works by distinguished artists such as Robert Henri, William Merritt Chase, John Twachtman, and John Singer Sargent, along with those of painters admired in their own time but less well - known today — including George Hitchcock, Gari Melchers, George Boughton, Elizabeth Nourse, Anna Stanley, and Walter MacEwen.

These bold, colorful screen prints are by the late Abstract Expressionist painter Robert Goodnough (1917 - 2010).

The painter Robert Ryman's works are often described by two characteristics: They are white, and they are square.

This installment of the New Work series presents recent compositions by leading photorealist painter Robert Bechtle — 32 years after the San Francisco — born artist's first exhibition at SFMOMA.

Pach, already liberated by the American Impressionist William Merritt Chase (with whom he studied), was equally responsive to the «Art Spirit» that animated Robert Henri's students, the Ashcan School painters.

The next year, his work was exhibited in Six Painters and the Object at the Guggenheim Museum, curated by Lawrence Alloway, which presented the work of six artists who would come to be among the most celebrated figures in postwar American art: Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, and Andy Warhol.