Read a special preview
by architecture critic Rowan Moore here.
This book begins with an extensive conversation between Tom Eccles and Annabelle Selldorf, as well as an essay
by architecture critic Ian Volner.
Today's Bloomberg News has a stimulating review
by their architecture critic of Rafael Viñoly's new Bronx County Hall of Justice.
Not exact matches
To be sure, Tebele isn't the only player in the game, and he's largely banking on a type of humor that, as one
critic puts it, «is charmingly moronic
by its very
architecture.»
The 160 - page catalog contains essays
by Moshe Safdie;
by exhibition curator and catalog coauthor Donald Albrecht; and
by critic, historian, and theorist of Modern and contemporary
architecture, and catalog coauthor Sarah Williams Goldhagen.
The book also includes commissioned essays
by Jed Perl, art historian and author currently at work on the first full - length biography of Alexander Calder, and Paul Goldberger, Pulitzer Prize - winning
architecture critic, as well as poems
by Karl Shapiro and John Updike.
In turn its head
critic, Michael Kimmelman, made his reputation
by hanging out with well - known artists, then writing favorably about them, before taking on the role of
architecture critic without reviewing buildings (other than his hopes for Penn Station).
Contemporary
architecture for art has come to be defined
by what
critic Brian O'Doherty in a 1976 essay christened «The White Cube»: the minimal, white - walled, timber - floored, top - lit room that submits itself to art
by stripping itself of almost all architectural expression.
The proposed changes sparked a preservation debate joined
by Tom Wolfe (The New York Times; October 12, 2003 and October 13, 2003), Chuck Close, Frank Stella, Robert A. M. Stern, Columbia art history department chairman Barry Bergdoll, New York Times
architecture critics Herbert Muschamp and Nicolai Ouroussoff, urbanist scholar Witold Rybczynski, among others.
Mo» MoMA, Mo» Problems — In his defense of the Folk Art Museum, which faces impending demolition
by its neighbors and new owners at the Museum of Modern Art, New York Times
architecture critic Michael Kimmelman suggests that some native New Yorkers are beginning to feel a bit miffed
by the nonstop growth and creeping corporatism of the city's beloved repository of 20th - century art.
According to recent studies published
by the AIA (the national professional association of architects) and AIGA (the professional association for design) reveal that, while design and
architecture programs attract female and minority students, «the professions don't retain them,» explains design
critic Alexandra Lange, «and the numbers are particularly small at the leadership level.»
By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site - specificity, conceptualism, feminism, and architecture practice, Surface Tension reveals the connections between cultural production and the very spaces in which such work function
By anthologizing essays, documents, and interviews
by leading critics, historians, and artists on issues of site - specificity, conceptualism, feminism, and architecture practice, Surface Tension reveals the connections between cultural production and the very spaces in which such work function
by leading
critics, historians, and artists on issues of site - specificity, conceptualism, feminism, and
architecture practice, Surface Tension reveals the connections between cultural production and the very spaces in which such work functions.
Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art
critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art
critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed
by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and
critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art,
architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)
The extraordinary British architect and designer Thomas Heatherwick has been hailed as a genius, lauded
by The New Yorker
architecture critic Paul Goldberger for the uniquely inventive nature of his work, and praised
by esteemed designer Sir Terence Conran as the — Leonardo da Vinci of our times.
Organized
by UCLA
architecture critic and historian Sylvia Lavin, this show examines the ways in which technology has been employed (and not) in the world of design — a show that will be staged in the historic Rudolph Schindler House, which the architect designed with the aid of a drafting machine.
His notable works include Double Negative (1969 - 70), a pair of trenches in the desert near Overton, Nevada, created
by displacing 240,000 tons of rock, and City, an ongoing project in Lincoln County, Nevada, described
by critic Michael Kimmelman as «a suite of giant, variously shaped abstract sculptures over an area that covers more than a mile end to end — modern art turned into monumental abstract
architecture, with ancient ruins as the model.»
That work was cited
by critic Stephen Parnell in his essay «Post-truth
architecture.»
Privileging the nuanced and expressive qualities of color and scale, Bishop's luminous works have been described
by American poet and art
critic John Ashbery as «half
architecture, half air.»
Chicago Tribune
architecture critic Blair Kamin visits Michael Yannell's Net Zero house, designed
by Jonathan Boyer of Farr Associates.
from interviews with significant creative forces such as founders / owners, architects, artists,
critics / curators, designers, educators, historians and producers, to the discovery of front - line
architecture and innovative products, DA is read
by a worldwide audience.
The Perfect House: A Journey With Renaissance Master Andrea Palladio Written
by respected
architecture critic Witold Rybczynski, this highly readable book describes Palladio's villas and explains why they have inspired architects for centuries.