Inspired
by traditional exhibition guides and designed as a portable accompaniment to Wade Guyton's (born 1972) exhibition at the Serpentine Gallery, this book examines the artist's exploration of translation between mediums in his large - scale paintings.
This book is inspired
by traditional exhibition guides and is designed to be a portable accompaniment to the exhibition, and a record of the works included in the gallery.
Not exact matches
Tu also received numerous awards nationally which include «Award for Progress in Anti-malarial Research Achieved
by Project 523 Scientific Team» honored
by China National Congress of Science and Technology (1978); «National Scientific Discovery Award» for Anti-malaria Drug - Qinghaosu
by the China Ministry of Science and Technology (1979); «Invention Award» (as the first inventor)
by China National Congress for Awards in Science and Technology (1982); «Award of Young and Middle - aged Experts with Outstanding Contribution»
by the Chinese Government (1984); «The Top Honorary Award»
by China Academy of
Traditional Chinese Medicine (1992); «The Top Ten National Achievements for Progress in Science and Technology»
by China National Committee of Science and Technology (1992); «First - Class Award of National Achievements in Science and Technology»
by China National Award Committee for Advances in Science and Technology (1992); «National Model»
by China State Council (1995); «Award for Outstanding Achievement in
Traditional Chinese Medicine»
by Guangzhou Zhongjing Award Foundation for
Traditional Chinese Medicine (1995); «Outstanding Scientific Achievement Award»
by Qiu Shi Science and Technologies Foundation of Hong Kong (1996); «Top Ten Health Achievements in New China»
by China Ministry of Health (1997); «Female Inventor of the New Century»
by China National Bureau of Intellectual Property (2002); «Golden Medal of the 14th National Invention
Exhibition»
by China National Bureau of Intellectual Property (2003); «Award for Development of Chinese Materia Medica»
by Cyrus Chung Ying Tang Foundation, (2009).
In terms of providing a realist document that was unrestricted
by the limitations of filmic practices, Vogel built upon the verisimilitude of August Underground
by attempting to circumvent the
traditional release patterns of theatrical
exhibition or of release via VHS and DVD.
Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of
traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga
exhibitions in Japanese art museums; and 3) the unilateral interest in manga
by contemporary artists such as Murakami Takashi and Aida Makoto.
Expect to see
traditional dancers perform, followed
by a riding
exhibition by Mexican charros (cowboys) and finally a ritualized death match between matador and bull.
In addition, festival - goers were treated to an incredible surf art
exhibition at the Lone Goat Gallery, live music at the iconic Beach Hotel, and the crowd - favourite Sunset Cinema, which began with a
traditional Welcome to Country
by the local Arakwal People.
The Salon de Paris was a competitive annual
exhibition held
by the École des Beaux Arts, a
traditional academic art school in Paris.
Split into two areas of the gallery, the
exhibition comprised two different types of work
by Varejão, both featuring her exploration of
traditional tile - work and colonial history.
This
exhibition brings together paintings and works on paper
by Jane Freilicher and Jane Wilson — two notable figures in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing
traditional definitions of landscape and still life painting.
In 1914, Mrs. Whitney established the Whitney Studio in Greenwich Village, where she presented
exhibitions by living American artists whose work had been disregarded
by the
traditional academies.
The
exhibition aims to illuminate a set of current practices
by Chinese artists that attempt to challenge the Chinese
traditional aesthetics and the Western art historical canon.
The
exhibition is centered around the idea of renewing figurative painting
by implementing
traditional methodologies of classical painting with digital CGI software.
Sim Smith Gallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through
exhibition design, curation and
by taking art outside of the
traditional gallery setting.
The
exhibition shows the range of materials and processes employed
by artists today — appropriation,
traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects, and offers an indication of what audiences may encounter in art galleries in the coming years.
Slava Mogutin and Brian Kenny Curated
by Karla Romero iMOCA is proud to present In The Name Of Love, a solo
exhibition by Slava Mogutin, showcasing a series of 24 recent medium format portraits produced
by the artist as
traditional analog C - prints.
The second
exhibition drew tremendous attention, beginning with the AAA flag waving above the entrance to the gallery and ending with the realization
by the critics of the fact that modern art was invading the very inner sanctum of the
traditional art.
Curated
by Susan Davidson, this long - awaited
exhibition to be held at the Deutsche Guggenheim, Berlin, Guggenheim Bilbao and the Peggy Guggenheim Collection in Venice considers the artist's works on paper as an essential component in his signature transformation of the
traditional figurative line into a non-figurative graphic expression.
Drawn to soft and pliable materials including fabric, hide, and rubber, Hlobo's early sculptures and ritualistic performances were equally informed
by traditional Xhosa culture and gay pageantry; his most recent solo
exhibition, «Sewing Saw,» attempted to deconstruct his attraction to malleable raw materials.
It's been 10 years since Rego's last major UK public
exhibition and inspired
by stories of the sea, her new work will tell the story of the Boy Who Loved the Sea, bringing to life the characters and narrative of this
traditional tale, but with Rego's signature dark twist.
COUNTRY: The United States AWARDED
BY: The DeVos Foundation WHAT IT IS: Numerous prizes ranging from $ 20,000 to $ 200,000, with the top honor awarded by public vote AIM: To promote critical dialogue and collaboration throughout the year with the goal of decentralizing the traditional, top - down art competition ELIGIBILITY: Any artist 18 or older who is able to secure an exhibition venue in Grand Rapids, Michigan, to show a specially created work NUMBER OF WINNERS: 10 winners chosen by the public and six winners chosen by a jury of art world professional
BY: The DeVos Foundation WHAT IT IS: Numerous prizes ranging from $ 20,000 to $ 200,000, with the top honor awarded
by public vote AIM: To promote critical dialogue and collaboration throughout the year with the goal of decentralizing the traditional, top - down art competition ELIGIBILITY: Any artist 18 or older who is able to secure an exhibition venue in Grand Rapids, Michigan, to show a specially created work NUMBER OF WINNERS: 10 winners chosen by the public and six winners chosen by a jury of art world professional
by public vote AIM: To promote critical dialogue and collaboration throughout the year with the goal of decentralizing the
traditional, top - down art competition ELIGIBILITY: Any artist 18 or older who is able to secure an
exhibition venue in Grand Rapids, Michigan, to show a specially created work NUMBER OF WINNERS: 10 winners chosen
by the public and six winners chosen by a jury of art world professional
by the public and six winners chosen
by a jury of art world professional
by a jury of art world professionals.
Commemorating one of the earliest documented moments of cross-cultural exchange between Japan and the West, this
exhibition will unveil a new series
by revered photographer Hiroshi Sugimoto while also juxtaposing his monumental black - and - white photographs of early modern European art and architecture with
traditional Japanese artworks.
While portraiture is a
traditional, time - honoured genre, this
exhibition offers a new perspective
by bringing together iconic portrait paintings
by artists such as Max Beckmann, Lucian Freud and Frank Auerbach with more unconventional works
by artists such as Lara Favaretto and John Bock.
The Royal Academy of Arts Summer
Exhibition, as traditional a British summer fixture as Wimbledon, the Derby and underwhelming weather, will next year be bigger than ever before and accompanied by an exhibition charting it
Exhibition, as
traditional a British summer fixture as Wimbledon, the Derby and underwhelming weather, will next year be bigger than ever before and accompanied
by an
exhibition charting it
exhibition charting its history.
In 2001, Sean Kelly gallery presented an
exhibition that included works inspired
by the indigenous architecture of the Caribbean Island of Nevis,
traditional Japanese architecture and an imagined gallery space.
How do the videos improve upon
traditional tools implemented
by galleries such as press releases and
exhibition catalogues?
The
exhibition will include works from 1999 to the present which are being shown in New York for the first time., Casebere's latest works are inspired
by Thomas Jefferson's utopian Monticello, the indigenous architecture of the Caribbean island of Nevis,
traditional Japanese architecture and an imagined gallery space.
Like its name implies, the shows will last for just one evening, displaying a limited number of works
by a specific artist, upending the
traditional six - week
exhibition schedule to which most galleries subscribe.
Please take a look at our website for further details: http://www.momentaart.org/momenta-art-past-projects-2015.html Reviews of our
exhibitions or events in a
traditional sense are welcome, but we also encourage cross-disciplinary approaches that expand and engage with the themes explored
by artists and other participants through our programs, possibly addressing broader socio - political phenomena of the year.
The
exhibition includes a couple of my paintings alongside work
by ten other artists who are engaged with conceptual content but dedicated to
traditional materials — paint, stone, collage.
Curated
by Harald Szeemann under the rubric «Questioning Reality,» the
exhibition marked the culmination of an already decade - long artistic interrogation of
traditional models of contemplative spectatorship.
The
exhibition will include works
by both artists that are consistent with longtime investigations in removing painting from
traditional stretcher constructs and thrusting it into spatial conditions.
It's one of the major
exhibitions within Oui Design, alongside Hors - Pistes
by designers Marie Douel and Amandine David, which allows young designers to discover and work with international
traditional techniques and artisans.
Richard Hoblock grounds the
exhibition by continuing the practice of
traditional abstraction to create paintings that are deeply complex and fulfilling to behold.
Works
by students of the Estonian Academy of Arts 01.06. - 10.06.2007 The Great hall The
exhibition is part of the
traditional Estonian Academy of Arts springtime event, which for the first time reaches four main
exhibition spots in Tallinn: Estonian Museum of Applied Art and Design, Design and Architecture Gallery, Estonian Academy of Arts Gallery, and Kumu Art Museum.
This
exhibition reveals how the
traditional genre of still - life painting was re-invented
by 19th - century painters, even as the art world was radically transformed
by the advent of modernism.
The Korean Cultural Center Washington, D.C. proudly presents The Sun, the Moon, and the Lotus, a new
exhibition of contemporary works
by Jeon Soo - min that reinterprets
traditional Korean landscape and folk paintings to create a modern vision of oriental art.
The Korean Cultural Center Washington, D.C. proudly presents POP of Kolor, a new
exhibition featuring an electric mashup of American Pop Art with Korean
traditional art
by Kwangyeon Song and Kyungjoo Park.
By drawing attention to the multiplicity of artists who used abstraction for an array of purposes, this
exhibition pushes the
traditional boundaries of Abstract Expressionism and showcases the wide reaches of its legacy.
Inspired
by the
traditional and contemporary paintings in our
exhibition, students will learn the basic of painting.
Usvitsky in Major Museum
Exhibition on Fiber Art Noysky Projects is pleased to announce the exhibition of Katya Usvitsky's sculptures in «Women's Work» — an international exhibition that calls for a reexamination of traditional gender stereotypes, curated by San Diego Art Institute's Executive Director Ginger Shulick
Exhibition on Fiber Art Noysky Projects is pleased to announce the
exhibition of Katya Usvitsky's sculptures in «Women's Work» — an international exhibition that calls for a reexamination of traditional gender stereotypes, curated by San Diego Art Institute's Executive Director Ginger Shulick
exhibition of Katya Usvitsky's sculptures in «Women's Work» — an international
exhibition that calls for a reexamination of traditional gender stereotypes, curated by San Diego Art Institute's Executive Director Ginger Shulick
exhibition that calls for a reexamination of
traditional gender stereotypes, curated
by San Diego Art Institute's Executive Director Ginger Shulick Porcella.
In this video, Rebecca Salter RA explains the
traditional tools and techniques used
by the Sato Woodblock Workshop in Kyoto when creating her print for the Summer
Exhibition 2016.
The school's structure acknowledges that contemporary artists have to be trained at the intersection of several fields — an approach exemplified
by the school's new pilot program, the Masters in Art and Public Space, a two year program starting in fall 2014 that focuses on art in spaces outside of the
traditional museum or
exhibition institution.
International Deadline: August 24, 2018 — Oil Painters of America 2018 Eastern Regional Juried
Exhibition Of
Traditional Oils is being hosted
by McBride Gallery, located in Annapolis, Maryland, October 28 through November 25, 2018.
The
exhibition brings together more than 100 works created
by more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the «20s to the «50s, rebalancing the
traditional views about Surrealist sculpture
by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found - object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion.
This museum - quality
exhibition juxtaposes for the first time historical works
by Japanese artists belonging to the original Mingei movement — whose techniques derive from
traditional methods of craftsmanship, as seen in many of the Japanese artifacts on display — with the works of modern and contemporary artists, designers and architects, who keep alive the philosophy of Mingei today.
Expanding upon Murakami and Juxtapoz magazine's interest in flattening high and low cultures, this
exhibition includes work
by artists whose practice has been shaped
by a variety of sub-cultures including skate, surf, graffiti, street art, comics, design, illustration, painting, and digital and
traditional arts.
Exploring «reality» and «virtual space,» the
exhibition will present a group of works
by artists who employ both
traditional materials and / or digital media to create new, imaginary landscapes.
The World Jewellery Museum presents Beyond Liaisons, the first major
exhibition in Asia to explore the visual dialogue between art jewellery created
by well - established international living artists and
traditional jewellery from various cultures around the world.
The
exhibition, Venice Suite: Sala Longhi and Related Works, features three variations on
traditional Venetian chandeliers, and when IN THE AIR stopped
by shortly before the opening reception on Saturday evening the newest and largest, «To Die Upon A Kiss» (2011), was already on reserve.