Sentences with phrase «by traditional painting techniques»

His deft handling of oil paint clearly demonstrates a facility inspired by traditional painting techniques, and a material aptitude for the dense capture of light and color.

His deft handling of oil paint clearly demonstrates a facility inspired by traditional painting techniques, and a material aptitude for the dense capture of light and colour.

Not exact matches

The animation technique is an innovative mix of claymation and traditional cel animation, utilizing a thin layer of oil - based clay that is painted / altered by hand to create the illusion of movement.

At Banyan Tree Mayakoba, the Haab dining experience commemorates traditional Maya cultivation techniques, with Maya «warriors» dressed in face paint and feather headdresses leading guests into the jungle for a sundown ritual that's complemented by stories of ancient Maya life.

Using a refined painterly technique inspired by the Hudson River School and traditional figure painting, Cotton paints utopian landscapes and portraits, often composed of sugary desserts inhabited by female figures.

He later invented his Texturologies — abstract paintings which adapted the traditional Tyrolean technique used by plasterers: Dubuffet covered his canvas in layers of tiny droplets of paint, and combined it with materials including collaged elements and sand.

Drawing inspiration from the rawness and decay of the urban landscape, McCloud creates rich, large - scale abstract paintings and sculptural objects by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and woodblock printing techniques.

Jizi was by and large self - taught, synthesizing the techniques and philosophy of traditional Chinese ink painting with individualistic expression culled from early modernist artists in the West.

Carrot - stamping is a technique by which the artist escapes the hierarchies and grand narratives inherent in traditional painting, and which allows unforeseen, subtle nuances and patterns to emerge in his work.

She focusses on techniques, structure, and composition, and by playing with the scale and gaze of her figures she reformulates the visual language of traditional oil paintings.

At the opening reception of his latest exhibit, The World of Line, Ink, and Nude by Chang - Woo Seok, now on display at the Korean Cultural Center Washington DC through June 8, the artist demonstrated his very personal technique, making use of his prosthetic limbs to grasp a brush and his torso movement to paint across a room - sized canvas of traditional Korean paper, spread across the gallery floor.

The display is arranged thematically, to show the full range of Johns» materials, motifs and techniques including his unique use of encaustic and collage in paintings, as well as the innovations he has achieved in sculpture and the graphic arts by expanding the possibilities of traditional media.

Traditional techniques are matched by new approaches, often pushing the boundaries of drawing into collage, towards painting, sculpture, architecture, illustration, animation, performance and beyond.

The exhibition focuses on recent sculptures by the Japanese contemporary artist Bidou Yamaguchi (b. 1970) who employs the forms, techniques and transformative spirit of traditional Noh masks to create contemporary sculptures whose subjects are drawn from such iconic European paintings as Leonardo da Vinci's Mona Lisa and Vermeer's Girl with a Pearl Earring.

Sun Xun has made his name by combining traditional craft techniques — such as ink painting and woodcuts — with energetic stop - motion animated films.

Using traditional and modern techniques to produce handmade, hand - painted terrestrial world globes with precisely designed maps and elegant stands, their studio workshop is based in Stoke Newington, London, and their globes are purchased by customers from all over the world.

Among the works here were Yan Xing's video monologue Daddy Project (2011), a work about growing up a single child in a single - parent family, and a painting by Song Kun, Woman in Pinetree (2010), which combines an anime character with traditional scroll - painting techniques.

For instance, Shahzia Sikander, born in Pakistan in 1969 and educated at the National College of Arts in Lahore and at the Rhode Island School of Design in Providence, decided to learn the traditional techniques of Persian and Indian miniature painting as an act of defiance, because miniature painting was scorned by her teachers and peers at home.

Meier writes that the exhibitions «show that painting is still being utilized by young artists for experimentation, even if they have to totally destroy the canvas with a hammer or fill it with cement... all [of the shows] have a sampling of emerging artists who are both breaking and adhering to traditional techniques.»

The artist developed a style in her large - scale works that challenges a traditional linear art history; these works were influenced by a wide range of images from different cultures, including techniques from Persian miniature painting, studies on the female body and subjectivities, and science fiction.

In a group of paintings by Tong Hongsheng, the artist applies the techniques of Vermeer — universally acclaimed as one of the greatest painters in Western art history — to traditional Tibetan Buddhist subjects, an intriguing twist considering that whole political can of worms.

by artists who veered away from the traditional concepts and techniques of painting, sculpture, and other fine arts that had been practiced since the Renaissance (see Renaissance art and architecture).

After last year's brush with traditional techniques, including painting and embroidery, it was a return to the new media and conceptual artists who have dominated the prize, dubbed «the Serota tendency» by the Stuckists, an anarchic confederation of painters dedicated to mocking the prize and Tate director Sir Nicholas Serota.

The paintings are traditional in the sense that she predominantly paints self portraits, and contemporary by her painting techniques.

The landscape - like abstraction bridges traditional compositional techniques and contemporary deconstructions of the painted surface by way of Abstract Expressionist imagery.

The exhibition is arranged thematically, encompassing the full range of Johns» materials, motifs and techniques including his unique use of encaustic (heated beeswax) and collage in paintings, and the innovations he has achieved in sculpture and the graphic arts by expanding the possibilities of traditional media.

The artist removes the film from its conventional context by applying different processes that range from traditional artistic techniques (painting, drawing, collage, grafitti, etching) to alternative actions such as emulsion, chemical manipulation and direct exposure of the photosensitive material to light.

His unique approach, using enamel paint, was in part inspired by the traditional Japanese technique of tarashikomi, in which layers of wet paint are allowed to pool irregularly.

Surrounded by his paintings, prints and collages, Motherwell explored the art of printmaking like no other Abstract Expressionist artist, combining traditional techniques with impromptu drawings and pasted paper.

By the time I enrolled in college, many painting programs had become fully engaged in conceptual strategy at the expense of traditional technique, especially at the MFA level.

Featuring 20 works by Nuvolo (né Giorgio Ascani; 1926 - 2008) alongside his European and American peers who also used unconventional techniques and materials, the exhibition showcases Nuvolo's role in radically redefining traditional notions of painting and sculpture.

Coming up is the museum's first major exhibition of a contemporary Chinese artist, a show featuring three O`ahu - based artists who express the impact of the Chinese Cultural Revolution on their lives, a collaboration with the University of Hawai`i that presents contemporary Japanese artists using traditional techniques, a history - tracing exhibition by Los Angeles — based textile artist Karen Hampton, a look at First Hawaiian Bank's collection, and the debut of a newly restored volcano painting by Charles Furneaux.

In its formal treatment, takes on the appearance of a futuristic color fields abstract expressionism where traditional painting has been replaced by spray, which reminds us of the technique used in painting street graffiti, positioning the workpiece between the high and low culture.

Every new era of technological advancements has led to claims of the demise of painting as an outmoded traditional medium to be replaced by new techniques, supports and media.

By rejecting the use of an easel and other more traditional painting techniques, he carved out a unique niche for himself in post-war abstract expressionist painting.

These are represented by the weavings of Tawney, a contemporary of painter Agnes Martin; Hollowell, who paints pulsing abstractions inspired by the female form; and Aguiñiga, who uses modern and traditional weaving techniques to create wild biomorphic forms.

Shanghai Biennial Founded in 1996, it began as a showcase of traditional Ink - and - Wash Painting techniques, and some calligraphy, by Chinese painters from the Shanghai region.

They can be slotted into two primary positions: Neo-Conceptualism, which grew from Minimalism and Conceptualism to embrace techniques of photography and appropriation; and Neo-Expressionism, which exhumed the traditional notions of painting that had been stamped out by Modernism — only to represent them as a corpse.