Sentences with phrase «by vernacular photography»

Picture Takers is a group show featuring artwork made from or inspired by vernacular photography.

Snapshots of Twentieth Century Life showcases works from a recent major gift to the Museum's collection donated by vernacular photography collector Peter Cohen.

Not exact matches

Using photography, text, sculptures, tools, and objects of the vernacular, she has developed a syntax that is driven by personal narrative.

Open to participants and audiences of the Open Engagement Conference, the dinner will take place within an exhibition curated by AMERINDA — Recovering Memories: Vernacular photography from the historical Native American Brooklyn neighborhoods and Contemporary Photography from the New York Movement of Contemporary Native Amphotography from the historical Native American Brooklyn neighborhoods and Contemporary Photography from the New York Movement of Contemporary Native AmPhotography from the New York Movement of Contemporary Native American Art.

Using photography, text, sculpture and methods, tools and objects of the vernacular, she has developed a syntax that is driven by personal narrative.

The exhibition, curated by Todd Levin, also includes a selection of images from the Ralph DeLuca Collection of African American Vernacular Photography.

Category: ART, PHOTOGRAPHY, VIDEO · Tags: Alma Woodsey Thomas, Betye Saar, Beverly Buchanan, Brenna Youngblood, Carrie Mae Weems, Clementine Hunter, Elizabeth Catlett, Ellen Gallagher, Emmer Sewell, Faith Ringgold, Howardena Pindell, Jennie C. Jones, Joyce J. Scott, Julie Mehretu, Kara Walker, Karon Davis, LaToya Ruby Frazier, Leslie Hewitt, Lorna Simpson, Lorraine O'Grady, Meta Vaux Warrick Fuller, Mickalene Thomas, Minnie Evans, Njideka Akunyili Crosby, Nona Faustine, Ntozake Shange, Power: Work by African - American Women from the Nineteenth Century Until Now, Ralph DeLuca Collection of African American Vernacular Photography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, XaviPHOTOGRAPHY, VIDEO · Tags: Alma Woodsey Thomas, Betye Saar, Beverly Buchanan, Brenna Youngblood, Carrie Mae Weems, Clementine Hunter, Elizabeth Catlett, Ellen Gallagher, Emmer Sewell, Faith Ringgold, Howardena Pindell, Jennie C. Jones, Joyce J. Scott, Julie Mehretu, Kara Walker, Karon Davis, LaToya Ruby Frazier, Leslie Hewitt, Lorna Simpson, Lorraine O'Grady, Meta Vaux Warrick Fuller, Mickalene Thomas, Minnie Evans, Njideka Akunyili Crosby, Nona Faustine, Ntozake Shange, Power: Work by African - American Women from the Nineteenth Century Until Now, Ralph DeLuca Collection of African American Vernacular Photography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, XaviPhotography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, Xaviera Simmons

Inspired by the Neue Sachlichkeit photographers August Sander and Albert Renger - Patzsch, as well by as vernacular photography, Bernd and Hilla Becher documented vanishing American and European industrial architecture — blast furnaces, water towers, silos, and the like — cataloguing them by type.

The Order of Things investigates the production and uses of serial portraiture, conceptual structures, vernacular imagery, and time - based performance in photography from the 1880s to the present, bringing together works by artists from Europe, Africa, Asia, and North America.

None of this was done with the intentions of fine art, but contemporary artists have been deeply influenced by the tropes of vernacular photography.

An unsung pioneer of vernacular photography since the Fifties, Weinberger captured a young generation of rebels, who were greatly influenced by American culture.

African American Vernacular Photography reproduces 70 of Cowin's most exceptional color plates with essays by Brian Wallis, Director of Exhibitions and Chief Curator at the International Center of Photography, and Deborah Willis, MacArthur Fellow and author of Reflections in Black: A History of Black Photographers 1840 to the Present and, with Carla Williams, The Black Female Body: A Photographic History.

Zaatari's work explores aspects of representation, identity, intimacy, and desire and is informed by research on vernacular Middle Eastern photography and the functions of the archive.